Social Experiment in New Spain: A Prosopographical Study of the Early Settlement at Puebla de los Angeles, 1531-1534

1979 ◽  
Vol 59 (1) ◽  
pp. 1 ◽  
Author(s):  
Julia Hirschberg
1996 ◽  
Vol 52 (3) ◽  
pp. 283-320 ◽  
Author(s):  
Nancy H. Fee

The celebration of the entry of the viceroy was the most lavish, costly civic ritual in seventeenth-century Puebla de los Angeles. Staged by Puebla elites to honor the viceroy, this ritual event was orchestrated to assert and display the religiosity and superiority of Angelópolis (the literary title for Puebla). Invoking the journey of Hernán Cortés, the routing of the viceregal entry through Puebla prior to Mexico City heightened the competitive spirit of the Puebla Cabildo. The Puebla Cathedral, erected on the main plaza largely under the influence of Bishop Juan de Palafox y Mendoza from 1640-49, functioned as the centerpiece and scenographie backdrop of this civic spectacle. Ephemeral, triumphal arches featuring allegorical, political emblems framed and gated the ritual entry. Designed by members of the oldest builders’ guild in New Spain, some of these arches were placed within the main portal of the Cathedral marking its role as the sanctum sanctorum of the city.


2020 ◽  
Vol 64 (4) ◽  
pp. 60-80
Author(s):  
J. Michelle Molina

A set of notarial documents from colonial New Spain (Mexico) offers a view of the long-distance Jesuit missionary network as anchored in a dense local network of intimate relationships. Following the arrest of members of the Society of Jesus in 1767 at the Colegio Espíritu Santo in Puebla de los Ángeles, a scribe is tasked with noting Jesuit belongings. He records unique objects held in safekeeping for local people in Puebla. Using the lens of a theopolitical anthropology, we see how the idea of a God-present in the Eucharist is central not only to the way that the Spanish Crown was prevented from taking the silver items from the chapel, but also to how these sacramental logics account for the accrual of disparate items in each Jesuit’s room.


2020 ◽  
Vol 2 (3) ◽  
pp. 53-59

The California missions, whose original church spaces and visual programs were produced by Iberian, Mexican, and Native artisans between 1769 and 1823, occupy an ambiguous chronological, geographical, and political space. They occupy lands that have pertained to conflicting territorialities: from Native nations, to New Spain, to Mexico, to the modern multicultural California. The physical and visual landscapes of the missions have been sites of complex and often incongruous religious experiences; historical trauma and romantic vision; Indigenous genocide, exploitation, resistance, and survivance; state building and global enterprise. This Dialogues section brings together critical voices, including especially the voices of California Indian scholars, to interrogate received models for thinking about the art historical legacies of the California missions. Together, the contributing authors move beyond and across borders and promote new decolonial strategies that strive to be responsive to the experience of California Indian communities and nations. This conversation emerges from cross-disciplinary relationships established at a two-day conference, “‘American’ Art and the Legacy of Conquest: Art at California’s Missions in the Global 18th–20th Centuries,” sponsored by the Terra Foundation for American Art and held at the University of California, Los Angeles, in November 2019.


2018 ◽  
Vol 36 (0) ◽  
Author(s):  
Pedro RUEDA

Resumen Se analizará una lista de libros portugueses adquiridos en Lisboa y remitidos desde Cádiz a Manuel Fernández de Santa Cruz, obispo de Puebla de los Ángeles. Los textos que se incluyeron eran obras religiosas, especialmente de teología, sermonarios y devoción; textos de historia portuguesa y de sus colonias, y algunas obras de humanidades y literatura, con un especial interés por los escritos de Francisco Manuel de Melo. Además del análisis de las temáticas se ofrecerán pistas sobre el envío de libros a Manuel Fernández de Santa Cruz desde Cádiz a Puebla en 1683 y ser transcribe la memoria identificado los libros.


2018 ◽  
pp. 171-197 ◽  
Author(s):  
José Antolín Nieto Sánchez

En esta investigación se estudia el papel de los gremios artesanos en la integración o segregación étnica del trabajo y en los movimientos migratorios que tuvieron lugar en Latinoamérica en la época colonial. El énfasis se centra en los gremios de dos capitales virreinales —México y Lima— más su contrapunto en las corporaciones de dos ciudades más o menos cercanas a cada una, como Puebla de los Ángeles y Cusco. El artículo se sustenta en el análisis de aproximadamente 1200 cartas de examen, fuente que permite conocer si la regulación corporativa en materia de castas se llevó a la práctica. El texto también pretende integrar la revisión de la procedencia de los nuevos maestros artesanos en el problema más general de la evolución urbana latinoamericana y de la composición étnica de los flujos migratorios que se dieron del campo a la ciudad.


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