The Body as Argument: Helen in Four Greek Texts

1997 ◽  
Vol 16 (1) ◽  
pp. 151-203 ◽  
Author(s):  
Nancy Worman

Certain Greek texts depict Helen in a manner that connects her elusive body with the elusive maneuvers of the persuasive story. Her too-mobile body signals in these texts the obscurity of agency in the seduction scene and serves as a device for tracking the dynamics of desire. In so doing this body propels poetic narrative and gives structure to persuasive argumentation. Although the female figure in traditional texts is always the object of male representation, in this study I examine a set of images of a female body whose representation ultimately seems to frustrate the narrative strategies for which its depiction was created. What emerges in the fifth century as a rhetorical technique begins in Book 3 of the Iliad as a narrative strategy that uses Helen's cloaked and disappearing body to catalyze plot, and develops in Sappho's fr. 16 into a logic of desire shaped by the movement of Helen's and other bodies in the visual field. Gorgias, in the Encomium of Helen, transforms these depictions of Helen into an argument that is structured by Helen's body, an argument that Helen herself employs in Euripides' Troades, where her own body serves as the anatomy of her argument. These texts all associate Helen's body with a type of persuasive narrative that repeatedly invokes the field of vision, describing physical presence in terms that aim at attracting the eye. At the same time this verbal portraiture disrupts the audience's perspective by depicting bodies as cloaked, mobile, and/or half seen, and by obscuring distinctions between desirer and desired, viewer and viewed. As both subject and object in this viewing process, Helen's body comes to be associated with the double vision of seduction (i.e., the shunting of her body from desiring eye to desired object) and the distracting power of persuasive images, which seduce the mind's eye while eluding the mind's grasp.

1976 ◽  
Vol 39 (1) ◽  
pp. 91-101 ◽  
Author(s):  
U. C. Drager ◽  
D. H. Hubel

In adult mice of the C57BL/6J strain the projection of the visual field was systematically mapped under direct vision. As in other vertebrate species the nasal (anterior) field projected anterolaterally, and the inferior field posterolaterally. Values of magnification-1 (m-1, or degrees of visual field per millimeter tectal surface) were calculated over most of the tectum, for measurements in the coronal and sagittal planes. Whereas m-1 was fairly constant for measurement pairs in sagittal planes, for coronal planes there was a rather large, elongated, horizontally oriented area in the upper field of vision within which m-1 was smaller than elsewhere. In this area m-1 was anisotropic, with a ratio of almost 2:1 between sagittal and coronal planes. In a previously study we had observed that many cells recorded in deeper tectal layers responded to somatosensory stimulation, with whiskers especially conspicuous. In a given penetration perpendicular to the tectal surface, somatosensory receptive fields recorded in the deeper tectum were always concerned with that group of whiskers or with those parts of the body that crossed the regions of visual field represented in the superficial layers directly above. Given this information on the visual coordinates associated with certain somatosensory fields, the detailed mapping of the visual field onto the tectum made it possible to prepare a map of the somatosensory projection on the tectum. The resulting representation differed markedly from maps described for the classic somatosensory pathway. In the tectum the somatosensory map was dictated by the visual-field projection rather than by the peripheral tactile innervation density. Whiskers were thus featured much more prominently in the tectum, and structures close to the eye, such as the pinna and cheek, receive more representation than the tail or hindpaws.


1926 ◽  
Vol 22 (3) ◽  
pp. 333-335
Author(s):  
N. A. Popova

In a report to the International Congress of Ophthalmologists in America, in 1922, Finlay reported for the first time that when examining the eyes of one woman who was in the last month of pregnancy, he accidentally stumbled upon a sharp bilateral temporal narrowing of the visual field, and since there were no he could not detect the phenomenon of moments, he suggested that this narrowing of the field of vision depends on the hypertrophy of the cerebral appendage occurring during pregnancy.


Author(s):  
Nobuyoshi Yamabe

This chapter outlines the early form and development of Buddhist meditation. First, it discusses the “application of mindfulness,” especially “mindfulness of the body,” which can be largely classified into two types of practice. One is “mindfulness per se,” without reflective thought, and the other is a more reflective or visual approach. “Mindfulness per se” (in particular, mindful breathing) was transmitted to East Asia and remains the cardinal method there. The chapter discusses close ties between traditional mindfulness and Japanese Sōtō practice. It then moves on to describe meditation on the decomposition of a corpse, which is a representative form of the more reflective and visual type of practice, involving the observation of a dead body in its stages of decomposition. This is found in early scriptures. Later texts came to teach a more elaborate method of “grasping the images” of a corpse. A notable development in visualization is that the images seen by the practitioner came to include ones that were more enigmatic. The discussion finally turns to another significant development in Buddhist meditation, one which involves Buddha visualization. Its undeveloped form is found in early Mahayana sutras, but a fully developed version employing statues as aides for visualization is found in later meditation texts from the fifth century onward. This type of visualization was inherited by Esoteric Buddhism and is still practiced today.


2018 ◽  
Vol 2 (4) ◽  
pp. 542-566
Author(s):  
Jessica Wright

In late antique theological texts, metaphors of the brain were useful tools for talking about forms of governance: cosmic, political, and domestic; failed and successful; interior discipline and social control. These metaphors were grounded in a common philosophical analogy between the body and the city, and were also supported by the ancient medical concept of the brain as the source of the sensory and motor nerves. Often the brain was imagined as a monarch or civic official, governing the body from the head as from an acropolis or royal house. This article examines two unconventional metaphors of the brain in the work of the fifth-century Greco-Syrian bishop Theodoret of Cyrrhus—the brain as a treasure within the acropolis, and the brain as a node in an urban aqueduct—both of which adapt the structural metaphor of governance to reflect the changing political and economic circumstances of imperial Christianity. Drawing upon medical theories of the brain, Theodoret expands upon the conventional governance metaphor of brain function to encompass the economic and the spiritual responsibilities of the bishop-administrator. Just as architectural structures (acropolis, aqueduct) contain and distribute valuable resources (treasure, water) within the city, so the brain accumulates and redistributes nourishing substances (marrow, blood, pneuma) within the body; and just as the brain functions as a site for the transformation of material resources (body) into spiritual goods (mind), so the bishop stands as a point of mediation between earthly wealth and the treasures of heaven.


2015 ◽  
Vol 10 (Special-Issue1) ◽  
pp. 208-214
Author(s):  
Moeid Farsa ◽  
Mahdiye Jahri ◽  
Mehdi Alirezai

Architecture and light are to that extent dependent on each other which body and spirits are.One for living and the other for physical presence in this world needs the other and while light is flown on the body of the space both two perceptible worlds become “ existed “.Since long ago, bright and shimmering materials which remind something living in the mind of individual were respectable and adorable. Being aware of the process of exploitation of sunlight is of importance as much as the process of materials formation or different fundamental forms of construction in order to design. Almost in all religions, light is the symbol of Devine wisdom and the Essene of all beneficence and purities and mobility from darkness to light, was considered as the main objective. Islamic Mosques which are ornamented with light are perfectly able to transmit this divine and moral sense. In such spaces which are lighten up with a shimmering light and by observance of the imprecise shadows of substances and masses, individual starts to complete the pictures in his mind and by such an activity gets in to an ecstasy and as a result a feeling of getting close to the source of existence and reality wakens up inner inside him. The present survey by depending on descriptive-analytic methods, studies light in Islamic and traditional architecture. This paper by case study of Sheikh Lotfollah Mosque, aims to find out whether the presence of light and specifically natural light in architecture might have further meaning rather than brightness, and whether accessing an accurate pattern of application of light is possible or there is basically no compulsion in it ?


2019 ◽  
Author(s):  
Chloé Stoll ◽  
Matthew William Geoffrey Dye

While a substantial body of work has suggested that deafness brings about an increased allocation of visual attention to the periphery there has been much less work on how using a signed language may also influence this attentional allocation. Signed languages are visual-gestural and produced using the body and perceived via the human visual system. Signers fixate upon the face of interlocutors and do not directly look at the hands moving in the inferior visual field. It is therefore reasonable to predict that signed languages require a redistribution of covert visual attention to the inferior visual field. Here we report a prospective and statistically powered assessment of the spatial distribution of attention to inferior and superior visual fields in signers – both deaf and hearing – in a visual search task. Using a Bayesian Hierarchical Drift Diffusion Model, we estimated decision making parameters for the superior and inferior visual field in deaf signers, hearing signers and hearing non-signers. Results indicated a greater attentional redistribution toward the inferior visual field in adult signers (both deaf and hearing) than in hearing sign-naïve adults. The effect was smaller for hearing signers than for deaf signers, suggestive of either a role for extent of exposure or greater plasticity of the visual system in the deaf. The data provide support for a process by which the demands of linguistic processing can influence the human attentional system.


PEDIATRICS ◽  
1993 ◽  
Vol 91 (3) ◽  
pp. 658-659
Author(s):  
BEN-ZION GARTY

Five things have been said about garlic: it assauges hunger, warms the body, brings joy, increases virility and destroys intestinal lice. There are those who say that it engenders love and dispels envy. —Babylonian Talmud: Baba Kama (first gate) page 82 Garlic (Liliaceae Allium sativum) has been used for centuries by many cultures as a remedy for a variety of illnesses. Herodotus spoke about the medical use of garlic in Egypt, 3000 years BC. Hippocrates, in the fifth century BC, used garlic to treat a variety of infections, including leprosy, intestinal disorders, and chest pain. In the Middle Ages garlic was used for protection against the plague.


Author(s):  
George Shafranov

Standard automated perimetry is a standard method of measuring peripheral visual function. Automated static perimetry gained wide acceptance among clinicians due to the test’s high reproducibility and standardization and ability to store, exchange, and statistically analyze digital data. Advances in the computerized visual field assessment have contributed to our understanding of the role that field of vision plays in clinical evaluation and management of patients. The Humphrey Visual Field Analyzer/HFA II-i is the most commonly used automated perimeter in the United States, and the examples in this chapter have been obtained with this instrument. Aubert and Förster in the 1860s developed the arc perimeter, which led to the mapping of peripheral neurologic visual field abnormalities and advanced glaucomatous field defects. Analysis of the central visual field was not seen as clinically important by most clinicians until 1889, when Bjerrum described a detected arcuate paracentral scotoma. Later, Traquair further contributed to kinetic perimetry on the tangent screen. In 1893, Groenouw proposed the term “isopter” for lines with the same sensitivity on a perimetry chart. Rønne further developed kinetic isopter perimetry in 1909 and described the nasal step in glaucoma. Although the first bowl perimeter was introduced in 1872 by Scherk, due to problems with achieving even illumination on the screen, it did not become popular. The version of the bowl perimeter introduced by Goldmann in 1945 became widely accepted and is a significant contribution to clinical perimetry. The Goldmann perimeter incorporated a projected stimulus on an illuminated bowl, with standardization of background illumination as well as size and intensity of the stimulus, and allowed effective use of both static and kinetic techniques. For these reasons, the Goldmann instrument has remained the clinical standard throughout the world until widespread acceptance of automated perimetry. Harms and Aulhorn later designed the Tübingen perimeter with a bowl-type screen exclusively for the measurement of static threshold fields, using stationary test objects with variable light intensity. While excellent threshold measurements were possible with this instrument, the time and effort involved in such measurements prevented this perimeter from becoming widely used.


Author(s):  
David Sedley

Epicureanism is one of the three dominant philosophies of the Hellenistic age. The school was founded by Epicurus (341–271 bc) (see Prolēpsis). Only small samples and indirect testimonia of his writings now survive, supplemented by the poem of the Roman Epicurean Lucretius, along with a mass of further fragmentary texts and secondary evidence. Its main features are an anti-teleological physics, an empiricist epistemology and a hedonistic ethics. Epicurean physics developed out of the fifth-century atomist system of Democritus. The only per se existents are bodies and space, each of them infinite in quantity. Space includes absolute void, which makes motion possible, while body is constituted out of physically indissoluble particles, ‘atoms’. Atoms are themselves further measurable into sets of absolute ‘minima’, the ultimate units of magnitude. Atoms are in constant rapid motion, at equal speed (since in the pure void there is nothing to slow them down). Stability emerges as an overall property of compounds, which large groups of atoms form by settling into regular patterns of complex motion. Motion is governed by the three principles of weight, collisions and a minimal random movement, the ‘swerve’, which initiates new patterns of motion and obviates the danger of determinism. Atoms themselves have only the primary properties of shape, size and weight. All secondary properties, for example, colour, are generated out of atomic compounds; given their dependent status, they cannot be added to the list of per se existents, but it does not follow that they are not real. Our world, like the countless other worlds, is an accidentally generated compound, of finite duration. There is no divine mind behind it. The gods are to be viewed as ideal beings, models of the Epicurean good life, and therefore blissfully detached from our affairs. The foundation of the Epicurean theory of knowledge (‘Canonic’) is that ‘all sensations are true’ – that is, representationally (not propositionally) true. In the paradigm case of sight, thin films of atoms (‘images’) constantly flood off bodies, and our eyes mechanically register those which reach them, neither embroidering nor interpreting. These primary visual data (like photographs, which ‘cannot lie’) have unassailable evidential value. But inferences from them to the nature of external objects themselves involves judgment, and it is there that error can occur. Sensations thus serve as one of the three ‘criteria of truth’, along with feelings, a criterion of values and psychological data, and prolēpseis, naturally acquired generic conceptions. On the basis of sense evidence, we are entitled to infer the nature of microscopic or remote phenomena. Celestial phenomena, for example, cannot be regarded as divinely engineered (which would conflict with the prolēpsis of god as tranquil), and experience supplies plenty of models adequate to explain them naturalistically. Such grounds amount to consistency with directly observed phenomena, and are called ouk antimarturēsis, ‘lack of counterevidence’. Paradoxically, when several alternative explanations of the same phenomenon pass this test, all must be accepted as true. Fortunately, when it comes to the foundational tenets of physics, it is held that only one theory passes the test. In ethics, pleasure is the one good and our innately sought goal, to which all other values are subordinated. Pain is the only bad, and there is no intermediate state. Bodily pleasure becomes more secure if we adopt a simple lifestyle which satisfies only our natural and necessary desires, with the support of like-minded friends. Bodily pain, when inevitable, can be outweighed by mental pleasure, which exceeds it because it can range over past, present and future enjoyments. The highest pleasure, whether of soul or of body, is a satisfied state, ‘static pleasure’. The short-term (‘kinetic’) pleasures of stimulation can vary this state, but cannot make it more pleasant. In striving to accumulate such pleasures, you run the risk of becoming dependent on them and thus needlessly vulnerable to fortune. The primary aim should instead be the minimization of pain. This is achieved for the body through a simple lifestyle, and for the soul through the study of physics, which offers the most prized ‘static’ pleasure, ‘freedom from disturbance’ (ataraxia), by eliminating the two main sources of human anguish, the fears of god and of death. It teaches us that cosmic phenomena do not convey divine threats, and that death is mere disintegration of the soul, with hell an illusion. Being dead will be no worse than not having yet been born. Physics also teaches us how to evade determinism, which would turn moral agents into mindless fatalists: the indeterministic ‘swerve’ doctrine (see above), along with the logical doctrine that future-tensed propositions may be neither true nor false, leaves the will free. Although Epicurean groups sought to opt out of public life, they respected civic justice, which they analysed not as an absolute value but as one perpetually subject to revision in the light of changing circumstances, a contract between humans to refrain from harmful activity in their own mutual interest.


Traditio ◽  
2005 ◽  
Vol 60 ◽  
pp. 1-46
Author(s):  
David Appleby

In his literary portrait of Abbot Adalhard, written soon after the abbot's death in 826, Paschasius Radbertus of Corbie compared his subject's moral and spiritual progress to the method of the ancient painter Zeuxis as this had been described in Cicero'sDe inventione.According to Cicero, the people of Cortona commissioned Zeuxis to decorate a temple with the image of Helen, who was reputed to be the most beautiful of mortal women. Because nature withheld overall perfection from any individual, Zeuxis studied several handsome models and combined the best features of each in an image that was more perfect than the form of any actual maiden. Adalhard too was an artist who sought to realize a work that somehow went beyond nature, but in his case the objective was a reformation of the image of God in himself. To achieve this, Adalhard too used models, in his case the lives and deeds of the saints, whose examples of virtue he discerned with the mind's eye and assimilated in an effort to resemble the transcendent archetype.


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