scholarly journals Svetozar Marković in Russia

Slavic Review ◽  
1972 ◽  
Vol 31 (3) ◽  
pp. 611-625 ◽  
Author(s):  
Gale Stokes
Keyword(s):  
Nineteenth Century ◽  
World War Ii ◽  
Eastern Europe ◽  
Strong Influence ◽  
Local Administration ◽  
World War ◽  
The Balkans ◽  
Democratic System ◽  
Cultural Hero ◽  
Russian Section

Since the establishment of socialist governments in Eastern Europe following World War II , Svetozar Marković has become the most celebrated figure of nineteenth-century Yugoslav history. Not only was Marković the first important socialist in the Balkans, but he received his education in Russian populism at its source in St. Petersburg, participated in the activities of the Russian Section of the First International in Switzerland, organized the first consumers' and workers' collectives in the Balkans, and edited Serbia's first socialist newspaper. An incisive critic of the Serbian bureaucracy, Marković hoped to avoid the pitfalls of modernization in Serbia by establishing a democratic system of local administration based on the traditional peasant commune. Even though he was not successful, his vigorous analyses of social problems, his faith in science, and his uncompromising idealism exerted a strong influence on his contemporaries, turning the politically inclined among them from liberalism to radicalism and the artistically inclined from romanticism to realism. Little wonder, therefore, that since World War II this unusual and brilliant man has become a cultural hero in Yugoslavia.

scholarly journals Made in Yugoslavia: Studies in Popular Music

2021 ◽  
Vol 57 (1) ◽  
pp. 271-282
Author(s):  
Laura Emmery
Keyword(s):  
World War Ii ◽  
Popular Music ◽  
Eastern Europe ◽  
New Wave ◽  
World War ◽  
The West ◽  
The Balkans ◽  
History Of ◽  
Comprehensive Discussion ◽  
Made In

Made in Yugoslavia: Studies in Popular Music (edited by Danijela Špirić Beard and Ljerka Rasmussen) is a fascinating study of how popular music developed in post-World War II Yugoslavia, eventually reaching both unsurpassable popularity in the Balkans and Eastern Europe, and critical acclaim in the West. Through the comprehensive discussion of all popular music trends in Yugoslavia − commercial pop (zabavna-pop), rock, punk, new wave, disco, folk (narodna), and neofolk (novokomponovana) − across all six socialist Yugoslav republics, the reader is given the engrossing socio-cultural and political history of the country, providing the audience with a much-needed and riveting context for understanding the formation and the eventual demise of Tito’s Yugoslavia.

Recent Contributions to Retrospective Greek Bibliography

Slavic Review ◽  
1981 ◽  
Vol 40 (1) ◽  
pp. 98-101
Author(s):  
Stephen K. Batalden
Keyword(s):  
Eighteenth Century ◽  
World War Ii ◽  
Eastern Europe ◽  
Greek Literature ◽  
Western Thought ◽  
World War ◽  
The Balkans ◽  
Modern Greek ◽  
Modern Period ◽  
Printed Word

In his recent study of publishing in eighteenth-century Russia, Gary Marker has called attention to the importance of publication and distribution of the printed word as one measure of the reception of Western thought into Eastern Europe. For historians of the Balkans, no less than for Russian specialists, a crucial aid in this type of study has been the publication of systematic retrospective national bibliographies. Nowhere in the Balkans has this concern for retrospective bibliographical control been so closely linked with historical scholarship as in Greece. Even before the monumental publication of Émile L. J. Legrand's multivolume Bibliographic hellénique, modern Greek historical and philological study was closely linked to bibliographical coverage of Greek imprints during the Turcocratia. Since World War II, this concern for retrospective national bibliography has been closely identified with the study of the Neo-Hellenic Enlightenment and Greek literature from the fall of Byzantium to the modern period.

Literature & Politics in Poland

Worldview ◽  
1983 ◽  
Vol 26 (9) ◽  
pp. 4-6
Author(s):  
Robert D. English
Keyword(s):  
Nineteenth Century ◽  
World War Ii ◽  
Eastern Europe ◽  
National Culture ◽  
Catholic Church ◽  
National Literature ◽  
Pope John Paul Ii ◽  
World War ◽  
Polish Literature

If Westerners harbored any doubts about the role of the Catholic Church in sustaining the Polish national spirit, the recent visit of Pope John Paul II to his native land surely laid them to rest. And yet the Church's historic partner in the enterprise of keeping Polish nationalism alive is still generally overlooked. That partner is Poland's national literature.Polish literature helped sustain the nation through centuries of oppression, and its role in the post-World War II epoch has been no less critical. From the Romantic classics of the nineteenth century to a (for Eastern Europe) remarkably free modern literature, Poland's authors and poets are its unsung heroes in the struggle to preserve an independent national culture.

The Fascist Turn in the Dance of Serge Lifar

2020 ◽  
Author(s):  
Mark Franko
Keyword(s):  
Nineteenth Century ◽  
World War Ii ◽  
World War I ◽  
Critical Reception ◽  
World War ◽  
Close Attention ◽  
Before And After ◽  
Gradual Development ◽  
Critical Discourses

This book is an examination of neoclassical ballet initially in the French context before and after World War I (circa 1905–1944) with close attention to dancer and choreographer Serge Lifar. Since the critical discourses analyzed indulged in flights of poetic fancy a distinction is made between the Lifar-image (the dancer on stage and object of discussion by critics), the Lifar-discourse (the writings on Lifar as well as his own discourse), and the Lifar-person (the historical actor). This topic is further developed in the final chapter into a discussion of the so-called baroque dance both as a historical object and as a motif of contemporary experimentation as it emerged in the aftermath of World War II (circa 1947–1991) in France. Using Lifar as a through-line, the book explores the development of critical ideas of neoclassicism in relation to his work and his drift toward a fascist position that can be traced to the influence of Nietzsche on his critical reception. Lifar’s collaborationism during the Occupation confirms this analysis. The discussion of neoclassicism begins in the final years of the nineteenth-century and carries us through the Occupation; then track the baroque in its gradual development from the early 1950s through the end of the 1980s and early 1990s.

A Mediterranean insular port-city in transition: economic transformations, spatial antagonism and the metamorphosis of landscape in nineteenth-century Hermoupolis on the island of Syros

Urban History ◽  
2014 ◽  
Vol 42 (2) ◽  
pp. 225-245 ◽  
Author(s):  
APOSTOLOS DELIS
Keyword(s):  
Nineteenth Century ◽  
World War Ii ◽  
Economic Importance ◽  
Industrial Capitalism ◽  
Port City ◽  
World War ◽  
Port Cities ◽  
Economic Activities ◽  
Economic Transformations ◽  
Economic Landscape

ABSTRACT:Port-cities provide excellent examples of the socio-economic transformations that occurred during the transition from merchant to industrial capitalism in the second half of the nineteenth century. Hermoupolis on the island of Syros was a major economic centre in Greece and a hub of international trade during the nineteenth century. However, economic transformations that commenced in the 1860s affected long-established port-based activities such as wooden shipbuilding and its related industries due to the decline of sailing ships and the expansion of factories. This factor led to an increase in tension and antagonism between manufacturers and shipbuilders over the use of land and altered the physical and the socio-economic landscape of the port-city. However, new types of economic activities flourished, like the tramp steamship business and factories, which enabled Hermoupolis to maintain its economic importance until World War II.

Eastern Europe in the Global History of Decolonization

2018 ◽  
pp. 350-372 ◽  
Author(s):  
James Mark ◽  
Quinn Slobodian
Keyword(s):  
World War Ii ◽  
Soviet Union ◽  
World War I ◽  
Eastern Europe ◽  
World War ◽  
The Soviet Union ◽  
New States ◽  
History Of ◽  
European Colonialism ◽  
The Cold War

This chapter places Eastern Europe into a broader history of decolonization. It shows how the region’s own experience of the end of Empire after the World War I led its new states to consider their relationships with both European colonialism and those were struggling for their future liberation outside their continent. Following World War II, as Communist regimes took power in Eastern Europe, and overseas European Empires dissolved in Africa and Asia, newly powerful relationships developed. Analogies between the end of empire in Eastern Europe and the Global South, though sometimes tortured and riddled with their own blind spots, were nonetheless potent rhetorical idioms, enabling imagined solidarities and facilitating material connections in the era of the Cold War and non-alignment. After the demise of the so-called “evil empire” of the Soviet Union, analogies between the postcolonial and the postcommunist condition allowed for further novel equivalencies between these regions to develop.

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