Black Studies as an Integral Tradition in African-American Intellectual History

1980 ◽  
Vol 49 (1) ◽  
pp. 52 ◽  
Author(s):  
James Turner ◽  
C. Steven McGann
Keyword(s):  
African American ◽  
Intellectual History ◽  
Black Studies ◽  
American Intellectual ◽  
American Intellectual History

The Rise of African American Intellectual History

2020 ◽  
pp. 1-32
Author(s):  
Brandon R. Byrd
Keyword(s):  
African American ◽  
Intellectual History ◽  
Field Of Study ◽  
The Us ◽  
General Field ◽  
American Intellectual ◽  
American Intellectual History ◽  
The Relationship ◽  
Historical Profession

This essay makes a decisive turn to the history and historiography of African American intellectual history, a field of study long relegated to the margins of the general field of US intellectual history. Its principal intention is to reflect on the origins, growth, and recent institutionalization of African American intellectual history while showing the relationship between those developments and broader trends within the US and, at times, European historical profession. This framework is meant as a corrective. African American intellectual history is a distinctive field with its own origins, objectives, and methods. Yet it also demands centering within US and global intellectual history. Marginalized for too long, African American intellectual history has long proposed and advanced innovative ways of doing and conceptualizing intellectual history. I suggest that this burgeoning field has important, generalizable lessons about the practice and possibilities of intellectual history writ large.

New Directions in American Intellectual History

1980 ◽  
Vol 85 (2) ◽  
pp. 449
Author(s):  
Gene Wise ◽  
John Higham ◽  
Paul K. Conkin
Keyword(s):  
Intellectual History ◽  
New Directions ◽  
American Intellectual ◽  
American Intellectual History

American Intellectual History: A Very Short Introduction

2021 ◽  
Author(s):  
Jennifer Ratner-Rosenhagen
Keyword(s):  
United States ◽  
Intellectual History ◽  
The United States ◽  
Revolutionary War ◽  
Short Introduction ◽  
Westward Expansion ◽  
History Of ◽  
American Intellectual ◽  
American Intellectual History ◽  
American Thought

American Intellectual History: A Very Short Introduction provides an introduction to the history of American thought from the sixteenth century up until the present. Long before the United States was a nation, it was a set of ideas, projected onto the New World by European commentators and explorers. American thought grew from this foundation of expectation and experience, both enriched and challenged over the centuries by developments including the Revolutionary War, westward expansion, the rise of capitalism, the proliferation of diverse religions, immigration, industrialization, and the emergence of the United States as a superpower. This introduction provides an overview of some of the most compelling episodes and abiding preoccupations in American thought, while showing how ideas have been major forces driving the course of American history.

WHAT IS OUR “CANON”? HOW AMERICAN INTELLECTUAL HISTORIANS DEBATE THE CORE OF THEIR FIELD

2012 ◽  
Vol 9 (1) ◽  
pp. 185-200 ◽  
Author(s):  
DAVID A. HOLLINGER
Keyword(s):  
Intellectual History ◽  
Center Of Gravity ◽  
Intellectual Tradition ◽  
Important Indicator ◽  
Quarter Century ◽  
Specific Research ◽  
The Core ◽  
Research Questions ◽  
American Intellectual ◽  
American Intellectual History

These selected excerpts from a conversation now running nearly a quarter-century about The American Intellectual Tradition: A Sourcebook exemplify the efforts made by specialists in American intellectual history to decide just what constitutes the core of their field. An anthology designed for undergraduates has practical limitations, to be sure, that prevent its table of contents from ever serving as a complete map of a field. Specific research questions, not arguments over canons, properly remain the deepest center of gravity of any cohort of scholars. But assignments to students are one important indicator of what scholar–teachers take to be important, and these assignments are not unrelated to choices these same individuals make about the topics of their monographic contributions. Hence the lively correspondence that my coeditor, Charles Capper, and I have carried on with dozens of colleagues concerning the six editions of the only collection of sources for this field currently in print offers a window on how American intellectual history has changed in the last generation and what are its current directions.

Groove Theory

2020 ◽  
Author(s):  
Tony Bolden
Keyword(s):  
African American ◽  
Cultural History ◽  
Intellectual History ◽  
Performance Studies ◽  
Black Musicians ◽  
Cultural Artifact ◽  
Social Perspectives ◽  
The Status ◽  
History Of ◽  
American Intellectual History

Tony Bolden presents an innovative history of funk music focused on the performers, regarding them as intellectuals who fashioned a new aesthetic. Utilizing musicology, literary studies, performance studies, and African American intellectual history, Bolden explores what it means for music, or any cultural artifact, to be funky. Multitudes of African American musicians and dancers created aesthetic frameworks with artistic principles and cultural politics that proved transformative. Bolden approaches the study of funk and black musicians by examining aesthetics, poetics, cultural history, and intellectual history. The study traces the concept of funk from early blues culture to a metamorphosis into a full-fledged artistic framework and a named musical genre in the 1970s, and thereby Bolden presents an alternative reading of the blues tradition. Funk artists, like their blues relatives, tended to contest and contextualize racialized notions of blackness, sexualized notions of gender, and bourgeois notions of artistic value. Funk artists displayed contempt for the status quo and conveyed alternative stylistic concepts and social perspectives through multimedia expression. Bolden argues that on this road to cultural recognition, funk accentuated many of the qualities of black expression that had been stigmatized throughout much of American history.

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