A Lost Heroine of the Confederacy: The Diaries and Letters of Belle Edmondson. Center for the Study of Southern Culture Series.

1993 ◽  
Vol 59 (1) ◽  
pp. 145
Author(s):  
Sharon Hannum Seager ◽  
Belle Edmondson ◽  
Loretta Galbraith ◽  
William Galbraith
Keyword(s):  
Author(s):  
Eric C. Smith

Oliver Hart was arguably the most important evangelical leader of the pre-Revolutionary South. For thirty years the pastor of the Charleston Baptist Church, Hart’s energetic ministry breathed new life into that congregation and the struggling Baptist cause in the region. As the founder of the Charleston Baptist Association, Hart did more than any single person to lay the foundations for the institutional life of the Baptist South, while also working extensively with evangelicals of all denominations to spread the revivalism of the Great Awakening across the lower South. One reason for Hart’s extensive influence is the uneasy compromise he made with white Southern culture, most apparent in his willingness to sanctify rather than challenge the institution of slavery, as his more radical evangelical predecessors had done. While this capitulation gained Hart and his fellow Baptists access to Southern culture, it would also sow the seeds of disunion in the larger American denomination Hart worked so hard to construct. Oliver Hart and the Rise of Baptist America is the first modern biography of Oliver Hart, at the same time interweaving the story of the remarkable transformation of America’s Baptists across the long eighteenth century. It provides perhaps the most complete narrative of the early development of one of America’s largest, most influential, and most understudied religious groups.


1991 ◽  
Vol 96 (1) ◽  
pp. 277
Author(s):  
David P. Peeler ◽  
Sue Bridwell Beckham
Keyword(s):  

SURG Journal ◽  
2014 ◽  
Vol 7 (3) ◽  
pp. 5-14
Author(s):  
Sarah McGuire

This article uses key terms and concepts from Television Studies to “close read” the reality TV show Duck Dynasty in its visual form. This article questions not only how Duck Dynasty represents rednecks, but also how the representation of the “redneck” is understood by the TV audience. It explores the success of Duck Dynasty as a reality TV show and argues that it redeems “rednecks” from Hollywood’s previous portrayals of the overly caricatured redneck stereotype. The Robertsons have the ability to convey truth – even if it is through a partially fake/mediated realm – and what they actually represent is a more subdued, modern form of redneck identity in comparison to classic Hollywood depictions. However, viewers cannot trust reality TV to wholly or singularly inform how they understand other social groups despite how “real” reality may appear on reality TV shows. Instead of viewing the redneck jokes and portrayal on reality TV as offensive, Duck Dynasty’s jokes and portrayals can be powerful tools for exposing the absurdity of the stereotypes previously perpetuated by Hollywood and can help subvert them. Keywords: Duck Dynasty; Duck Commander; Buck Commander; Robertson; redneck (representations of); reality TV; television studies; hillbilly; Southern culture; stereotypes; sitcom; American dream; American television


1991 ◽  
Vol 57 (1) ◽  
pp. 85
Author(s):  
Louis D. Rubin ◽  
Charles Reagan Wilson ◽  
William Ferris
Keyword(s):  

2019 ◽  
pp. 81-93
Author(s):  
Jürgen Martschukat

The fifth chapter depicts the conflicting demands addressed to young men as family fathers on the one hand and as citizen-soldiers on the other hand. It discusses the Civil War and its effects on fathers, mothers, and family life through close readings of the diary and letters of Confederate soldier John C. West, who saw himself as fighting this war for his family and his country. While West was scared to death by the bloody battles and the fierce fighting of the Civil War, he nevertheless romanticized the war as a struggle for southern family life and patriarchal masculinity in his diary and letters. He portrayed his service in the Confederate Army as fulfilment of his masculinity in the name of white womanhood, southern culture, and family life, a message he sought to send to his wife and, in particular, to his four-year-old son back home.


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