International Law and the World War. By James Wilford Garner. Longmans, Green & Co.: London and New York. 2 vols. pp. 524 and 504. $24.00.

1921 ◽  
Vol 15 (4) ◽  
pp. 620-622
Author(s):  
Jackson H. Ralston
1927 ◽  
Vol 21 (4) ◽  
pp. 716-736
Author(s):  
James Brown Scott

The scientific organizations which flourished before the World War have had great difficulty in continuing their labors after its termination. The Institute of International Law has been no exception. It was to have met in Munich in September, 1914, and its program had been completely arranged; but the war which started in August, 1914, necessarily put an end to all arrangements for the session. A resort to arms inevitably brings with it a desire for its avoidance; and the greater the war, the greater the desire. A decade, a generation struggles in the mists and shadows, seeking to extricate itself from the post-war spirit, condemning the past somewhat indiscriminately and advocating innovations which, new in expression, are nevertheless the aspirations of those who, in all time, crushed and bruised by force, seek to replace it by justice.


1924 ◽  
Vol 3 (1) ◽  
pp. 39-39
Author(s):  
Philip Baker

2021 ◽  
pp. 148-173
Author(s):  
Jason Lustig

This final chapter argues that struggles over archival ownership and the possibility of archival totality continue far beyond the years immediately following World War II. It considers three case studies to consider new forms of total archives being created through virtual collections and digitization: The Center for Jewish History in New York City (formed in 1994/1995 and opened in 2000), the efforts by the YIVO Institute for Jewish Research to digitize materials found in Lithuania and reunite them with their own files, and the Friedberg Genizah Project’s initiative to digitize and join together fragments of the Cairo Genizah found in repositories around the world. These case studies showcase enduring visions of monumentality and indicate how archival construction is not merely the province of the past. Instead, the process of gathering historical materials is a continual process of making and remaking history.


Prima Donna ◽  
2021 ◽  
pp. 89-118
Author(s):  
Paul Wink

This chapter, “An Athenian Interlude,” analyzes a major turning point in Callas’s life associated with her move, at age thirteen, from New York City to Athens. In Athens, she experienced poverty, personal humiliation, and, during the World War II years, threats to her life. But her singing benefited from the strong mentorship she received from Elvira de Hidalgo, which helped launch her operatic career. Callas’s success as a singer with the Greek National Opera fueled resentment among her older and more established colleagues who envied her talent and resented being dethroned by a mere teenager who spoke Greek with an American accent. Poverty and conflicted relations at home with her mother and sister failed to compensate Callas for hostility at work. A significant gain in weight further undermined her self-confidence. Her experiences during the seven years spent in Athens exacerbated the split between Callas, the self-assured artist, and Maria, the vulnerable young woman.


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