The United States Post Office: Its Past Record, Present Conditions, and Potential Relations to the New World Era. By Daniel C. Roper. Illustrated. New York: Funk and Wagnalls Co. 1917.

1917 ◽  
Vol 11 (4) ◽  
pp. 908-910
Author(s):  
S. N. D. North
Author(s):  
Edward Shorter

We might have thought that the concept of nerves ended in 1957 when the United States Post Office Department initiated a fraud proceeding against John Winters of New York City, who had been promoting a product called Orbacine containing bromide and niacin for “every-day nervousness and its symptoms.” Although Winters’ claims went a bit beyond nerves, the Post Office wanted an end to the whole business and Orbacine disappeared. But the concept of nerves had enemies other than the Post Office. Three in particular had tried to do away with it: psychoanalysis, psychopharmacology, and the DSM series. All failed to kill it completely, and the concept lingers on because of its obvious face value: Our patients clearly have a nervous illness or something resembling it. They do not have a “mood disorder.” In medicine the nervous syndrome, the condition that dare not speak its name, has taken on various allures. Once upon a time, hysteria was the equivalent of a nervous diagnosis in women. There were physicians who had little patience with calling their former hysteric patients “depressed”: They remained hysteric! Jacques Frei, a member of the department of psychiatry of the University of Lausanne in Switzerland, noted in 1984 “the importance that depressive symptomatology has taken today as a call for help among female hysterics. . . . It seems that the hysterical woman today has a better chance of a hearing if she presents with a depressive picture, even evoking suicidal ideas.” Although hysteria today is discredited as a diagnosis, it is interesting that older clinicians such as Frei saw it as a diagnosis that trumped depression; he even argued that his patients at Cery Hospital were modeling their symptoms to conform to the new diagnoses. The 1950s and 1960s saw alternative diagnoses to the nervous syndrome come and go, fragments of clinical experience that seemed to make sense to individual physicians but were not more widely taken up because their originators did not have prestigious academic appointments. Take “the housewife syndrome” that Palma Formica proposed in 1962.


1962 ◽  
Vol 66 (620) ◽  
pp. 503-508
Author(s):  
R. S. Angstadt

The operations of Chicago Helicopter Airways represent a portion of the total Federal effort within the United States on behalf of helicopter development. This effort has been an outgrowth of the interest of the Civil Aeronautics Board and the U.S. Post Office Department which has a long tradition of looking for new developments in transport and of experimenting in new ways to move mail. Post Office interest in the aeroplane was the chief stimulus to the early development of U.S. airlines and dates back to the first scheduled air mail route authorised between New York and Washington in August 1918. It was natural, then, that the Post Office Department should have interest in the helicopter as it emerged in usable form for civil use after the Second World War.


Author(s):  
Tresa Randall

Hanya Holm arrived in the United States in September 1931 to open the New York Wigman School, created under the patronage of impresario Sol Hurok. On the heels of Mary Wigman's first, highly acclaimed U.S. tour from 1930 to 1931, interest in the Wigman method was high among American dancers, and a small staff from the Wigman Central Institute in Dresden, led by Holm, were sent to New York to capitalize on it. This chapter counters the standard narrative of Holm's assimilation and Americanization. Focusing on Holm's writings during her early years in the United States, it demonstrates how she saw her New World milieu through an Old World lens, conceptualizing the United States as a fragmented society (Gesellschaft) in need of a community that integrated its members and that dance could provide (Tanzgemeinschaft).


2017 ◽  
Vol 4 (1) ◽  
Author(s):  
Susanne Rinner

Monika Maron’s Animal Triste (1996) was widely understood as a response to German unification. This reading of Maron’s critically acclaimed novel places the text in the context of the literary discourse of the so-called New World. The United States have long enticed the German literary imagination and have served as a screen for projections of (utopian) promises of life, liberty, and the pursuit of happiness. The narrator’s exploration of her freedom, symbolized in a trip to New York City, are juxtaposed with feelings of imprisonment, expressed through seemingly endless remembering. Maron’s novel connects with the tradition of German writing about love, another powerful trope of freedom and captivity, and resonates with other women’s writing about the U.S. after 1989.


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