Beyond Female Masochism: Memory Work and Politics.

1994 ◽  
Vol 23 (1) ◽  
pp. 55
Author(s):  
Lynn Chancer ◽  
Frigga Haug
Keyword(s):  
Memory Work ◽  
Female Masochism

Sexual Violence and Historical Memory Work: Reflections in Guatemala

2010 ◽  
Author(s):  
Emily Rosser ◽  
Paula Godoy-Paiz ◽  
Tal Nitsan
Keyword(s):  
Sexual Violence ◽  
Historical Memory ◽  
Memory Work

The Snow Angel and Other Imprints

2010 ◽  
Vol 3 (1) ◽  
pp. 103-124
Author(s):  
Mona Livholts
Keyword(s):  
Research Process ◽  
Literary Fiction ◽  
Charlotte Perkins Gilman ◽  
Helene Cixous ◽  
Memory Work ◽  
The Social ◽  
Writing Research ◽  
Women's Lives ◽  
Symbolic Formation ◽  
Writing Practice

This article, written in the form of an untimely academic novella is a text, which explores academic authoring as thinking and writing practice in a place called Sweden. The aim is on inquiries of geographical space, place, and academia, and the interrelation between the social and symbolic formation of class, gender and whiteness. The novella uses different writing strategies and visual representations such as documentary writing and photographing from the research process, letters to a friend, and memories from childhood, based on three generations of women's lives. The methodology can be described as a critical reflexive writing strategy inspired by poststructuralist and postcolonial feminist theory and literary fiction, and additionally by methodological approaches in the humanities and social sciences, such as theorizing of letters, memory work, and narrative, and autobiographical approaches. In particular, it draws on work by the theorist critic and writer of fiction, Hélène Cixous, and the feminist author and theorist Charlotte Perkins Gilman, drawing on interpretation of Cixous' essay “Enter the Theatre” and Gilman's story “The Yellow Wallpaper.” Characteristics of the untimely academic novella elaborate with possible forms of the symbolic, visual, and performative photographic and sensory in writing research; furthermore, time, social change, and unfinal endings play a pervasive role. It may be read as a story that situates and theorizes embodyment, landscape, and power through the interweaving of forest rural farming spaces and academic office spaces by tracing autobiographical imprints of an untimely feminist author. “The Snow Angel and Other Imprints” is the second article in a trilogy of untimely academic novellas. The first, with the title “The Professor's Chair,” was published in Swedish in 2007 (in the anthology “Genus och det akademiska skrivandets former,” (Eds.) Bränström Öhman & Livholts), and forthcoming in English in the journal Life Writing 2010.

Case Study: Memory Work with Children Affected by HIV/AIDS in South Africa

2012 ◽  
Author(s):  
Philippe Denis
Keyword(s):  
South Africa ◽  
Oral History ◽  
Narrative Therapy ◽  
Life Story ◽  
Early Years ◽  
Memory Work ◽  
Aids Epidemic ◽  
Story Work ◽  
Oral History Interview ◽  
Hiv Aids

This article focuses on working with children affected by HIV/AIDS in South Arica. In the early years of the AIDS epidemic, relief organizations focused their efforts on the material needs of children, but their psychological and emotional needs are no less important. Recognizing this, the Sinomlando Centre for Oral History and Memory Work in Africa, a research and community development center located at the University of KwaZulu-Natal, in Pietermaritzburg South Africa, has pioneered a model of psychosocial intervention for children in grief—particularly but not exclusively in the context of HIV/AIDS. This model uses the methodology of oral history in a novel manner, combined with other techniques such as life story work and narrative therapy. During the early years of the project, the model followed for the family visits was the oral history interview. A discussion on caregiver as the narrator and skills required in memory work especially in these cases concludes this article.

Burning Karen’s headquarters: Gender, race, and the United Daughters of the Confederacy

2021 ◽  
pp. 175069802110542
Author(s):  
Nicole Maurantonio
Keyword(s):  
Public Memory ◽  
Early Morning ◽  
Memory Work ◽  
Historic Monument ◽  
A Site ◽  
Point Of Departure

In the early morning hours of 31 May 2020 in Richmond, Virginia, along with graffiti to the monuments lining the city’s historic Monument Avenue, the nearby headquarters of the United Daughters of the Confederacy was covered in colorful graffiti and set aflame. This article explores the gendered and raced critiques of the United Daughters of the Confederacy’s memory work communicated by this protest action, using the “Karen meme” as its point of departure. Invocations of “Karen” on Twitter in response to the Richmond protest made pointed arguments about narrative, place, and aesthetics, critiquing not only the Daughters’ role in remembering the Confederacy but the “Southern lady” trope within American public memory. Rather than an oblique reference, the Karen meme, this article argues, underscored Twitter’s potential as a site of anti-racist resistance during times of crisis.

Safety, Collaboration, and Empowerment

Archivaria ◽  
2021 ◽  
pp. 38-73
Author(s):  
Kirsten Wright ◽  
Nicola Laurent
Keyword(s):  
Practice Theory ◽  
Comprehensive Review ◽  
Archival Practice ◽  
Memory Work ◽  
Radical Empathy ◽  
The People ◽  
Individual Memory ◽  
Trauma Informed ◽  
Trauma Informed Practice ◽  
Past Wrongs

In order to undertake liberatory memory work, engage effectively with communities and individuals, and centre people rather than records in their work, archival organizations must be aware of trauma and its effects. This article introduces the concept of trauma-informed practice to archives and other memory organizations. Trauma-informed practice is a strengths-based approach for organizations that acknowledges the pervasiveness of trauma and the risk and potential for people to be retraumatized through engagement with organizations such as archives and seeks to minimize triggers and negative interactions. It provides a framework of safety and offers a model of collaboration and empowerment that recognizes and centres the expertise of the individuals and communities documented within the records held in archives. Traumainformed practice also provides a way for archivists to practically implement many of the ideas discussed in the literature, including liberatory memory work, radical empathy, and participatory co-design. This article proposes several areas where a trauma-informed approach may be useful in archives and may lead to trauma-informed archival practice that provides better outcomes for all: users, staff, and memory organizations in general. Applying trauma-informed archival practice is multidimensional. It requires the comprehensive review of archival practice, theory, and processes and the consideration of the specific needs of individual memory organizations and the people who interact with them. Each organization should implement trauma-informed practice in the way that will achieve outcomes appropriate for its own context. These out comes can include recognizing and acknowledging past wrongs, ensuring safety for archives users and staff, empowering communities documented in archives, and using archives for justice and healing.

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