The Geographic Imagination in Early Modern Japanese History: Retrospect and Prospect

1992 ◽  
Vol 51 (1) ◽  
pp. 3-29 ◽  
Author(s):  
Kären Wigen

For most of the twentieth century, geography has been pushed so far into the background in the English-language corpus on early modern Japan as to be rendered virtually invisible. To the extent that it has been noticed, geography is typically seen precisely as background: the passive (if sometimes predestining) stage on which the historical drama is acted out. While attention is ritually paid to Japan's location and topography, most historians' analyses of Tokugawa development have until recently been couched in essentially aspatial terms.

2014 ◽  
Vol 19 (2) ◽  
Author(s):  
Michael Wert

AbstractSwordsmanship emerged as a new field of knowledge in early modern Japan (1600–1868), a time of relative peace. During the most violent periods of Japanese history, the latter half of the medieval period (1185–1600), samurai conducted warfare mostly on horseback, using the bow and arrow, or by leading massive armies filled with soldiers who used pikes, halberds, and even firearms. In this paper, I will trace the origins of early modern swordsmanship to the late 16th century during the transition between the medieval and early modern periods, when teachers of swordsmanship and their sword ‘styles’ first appeared in texts. Of these texts I will focus on ‘The Military Mirror of Kai’, purportedly written during the late 16th century, and a widely-read text among samurai of the early modern period. A mix of fact and fiction, the ‘Mirror’ became a source of fantasy and inspiration for samurai and non-samurai alike. It is also the earliest source of writing about swordsmanship, which was influenced by, and grew alongside, other medieval cultural arts such as


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