Antonello da Messina: Sicily's Renaissance Master

2008 ◽  
Vol 39 (3) ◽  
pp. 935
Author(s):  
Sara Nair James ◽  
Gioacchino Barbera ◽  
Keith Christiansen ◽  
Andrea Bayer
Keyword(s):  
Sophia ◽  
2009 ◽  
Vol 48 (1) ◽  
pp. 59-76
Author(s):  
Patrick Hutchings
Keyword(s):  

2014 ◽  
Vol 36 (1) ◽  
pp. 37-47
Author(s):  
Anselm Haverkamp

Messianicity is not. Art is. Derrida, however, was not into pictures; his relationship with art remained in the quasi-transcendental mode of frames. Romeo Castellucci's use of a painting by Antonello da Messina exposes the Derridean non-messianism through art's power to illustrate – a mode abandoned by Derrida in the Heidegger-Schapiro debate on Van Gogh. In Castellucci, on the contrary, art illustrates what ‘messianicity’ is unable to illustrate and thus is bound to deny even in the negative.


1927 ◽  
Vol 22 (3) ◽  
pp. 76
Author(s):  
Bryson Burroughs
Keyword(s):  

1958 ◽  
Vol 17 (3) ◽  
pp. 276
Author(s):  
Johannes A. Gaertner
Keyword(s):  

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