Impossible Returns: The State of Contemporary Francophone Literary Production

2006 ◽  
Vol 39 (2) ◽  
pp. 114 ◽  
Author(s):  
Kevin Carollo
2019 ◽  
Vol 63 (3-4) ◽  
pp. 9-15
Author(s):  
Zdeněk R. Nešpor

The issue of the Edict of Toleration legalised Protestants of Lutheran and Reformed confessions in Bohemia and Moravia. Their religious life required the support of printed materials in the form of religious literature of the corresponding confession approved by the state. Relatively high production of Protestant books, both original and translated, began to emerge. They anchored both Protestant denominations but simultaneously became mutually competitive and sometimes came into controversy with Roman Catholic authors. The author of this article monitors all printed Protestant literature in Bohemia and Moravia of the so-called toleration period, i.e. the period when the believers of the two Protestant confessions did not have full-fledged positions and were affected by numerous restrictions. In terms of book culture, it is divided into: 1) the period of early toleration (1781–1800), 2) the period of established toleration (1800–1848) and 3) the period of late toleration (1848–1861). In this framework, he provides an overview of Protestant literature in terms of its typological, authorial and publishing development and also evaluates the readership of this literary production.


Author(s):  
Zulma Martínez Preciado ◽  
Liliana Moreno Muñoz

Resumen:El artículo, visibiliza el potencial simbólico de algunas formas compositivas Kogi, que se abren paso en el panorama de la literatura indígena colombiana. Para ello, se recopilaron textos teóricos, críticose investigativos; así como antologías de literatura kogi, y se hizo el análisis a partir de la mitocrítica. Las fases fundamentales del proyecto fueron: indagación acerca del estado del arte respecto a la literatura kogi; recopilación de producción literaria kogi y determinación de formas compositivas y funciones; y selección y análisis de una muestra representativa de la producción literaria kogi, en la que se tuvieron en cuenta algunos motivos arquetípicos recurrentes. Palabras clave: literatura indígena colombiana, kogis, literatura kogi, cultura kogi, mitocrítica, motivos arquetípicos.Resumo:O artigo faz visível o potencial simbólico de algumas formas compositivas Kogi que ganham espaço no panorama da literatura indígena colombiana. Para isso foram recopilados textos teóricos, críticos e investigativos, assim como antologias de literatura Kogi, e foi feita a análise partindo da microcrítica. As fases fundamentais do projeto foram: indagação sobre o estado da arte respeito à literaturaKogi, recopilação de produção literária Kogi e determinação de formas compositivas e funções; e seleção e análise de uma mostra representativa da produção literária Kogi, na qual foram tidos comconsideração alguns motivos arquetípicos. Palavras chave: literatura indígena colombiana, kogis, literatura kogi, cultura kogi, microcrítica, motivos arquetípicos.Abstract:The article, makes visible the symbolic potential of some Kogi compositional forms that make their way  into the landscape of the Colombian indigenous literature. To do this, we collected theoretical texts, critical and research as well as literature anthologies kogi, and the analysis was based on the myth criticism. The key stages of the project were: inquiry about the state of the art with respect to literature kogi; kogi literary collection and determination of compositional forms and functions; and selection and analysis ofa representative sample of kogi literary production, in wich took into account some recurring archetypal motifs. Key words: Colombian indigenous literature, kogis, kogi literature, kogi culture, myth criticism, archetypal motifs.


Humanities ◽  
2019 ◽  
Vol 9 (1) ◽  
pp. 6
Author(s):  
Richard Frohock

Henry Avery (alternately spelled Every) was one of the most notorious pirates of the late seventeenth and early eighteenth centuries, and scholars have written much about Avery in an effort to establish the historical details of his mutiny and acts of piracy. Other scholars have focused on the substantial literary production that his life occasioned; the early literary history of Avery’s exploits evolves quickly away from the known facts of his life, offering instead a literary trajectory of accumulated tropes about Avery’s motivations, actions, and transformations. This literary invention of Avery is a compelling subject in itself, particularly as writers used his story to explore pressing philosophical and political concerns of the period. In this essay, I consider how early fictions about Avery look well beyond the history of a particular pirate to ruminate on topical ideas about the state of nature, the origins of civil society, and human tendencies toward self-interest and corruption that seem—inevitably—to accompany power and threaten civil order, however newly formed or ostensibly principled.


Hebrew literature, defined expansively, has existed outside of the land of Israel since at least the first millennium of the Common Era. Hebrew religious, liturgical, and poetic works were composed in Europe, the Middle East, and North America for a thousand years before the establishment of the State of Israel in 1948. The presence of vocabulary, grammar, and genres that were adapted from non-Jewish-dominant cultures are a testament to the long imbrication of Hebrew in the Diaspora, the areas of Jewish dispersion outside the land of Israel. Hebrew literature in its modern form originated in the cities of Europe in the 19th century, drawing on European languages and literatures, historical layers of the Hebrew textual tradition, and Yiddish for inspiration. In the early 20th century, the Tarbut Ivrit (Hebrew Culture) movement, a deeply Zionist group made up of American Hebraists, most of whom had immigrated from the Russian Empire and been influenced by Ahad Ha’am’s idea of a national Hebrew culture, created another center of Hebrew literary production in the United States. At the same time, the center of Hebrew culture was shifting from Europe to Palestine, and after the establishment of the State of Israel in 1948, Palestine rapidly became the main center of Hebrew literary production. Nonetheless, even since 1948, there has always been a small but significant amount of Hebrew literature written outside of Israel, whether by translingual Hebraists or Israeli expatriates. While most of the American Hebraist movement had died out by the 1960s, a few writers continued to produce Hebrew literature in America until the 1990s. And since that time, Israeli expatriate writers in the United States and Europe have begun to create a contemporary Hebrew literature outside of Israel, with its own idioms and ideologies. Unlike the American Hebraists of the Tarbut Ivrit movement, these writers often see Hebrew in apolitical terms or are explicitly anti-Zionist in their use of Hebrew in the Diaspora. This contemporary Diaspora Hebrew literature has also been accompanied by the rise of multilingual Israeli literature, often with overt references to Hebrew but written in other languages. These Hebrew and multilingual literary cultures are also strongly tied to art in other forms and media, which are essential to understanding contemporary Hebrew culture in a global context.


Religions ◽  
2020 ◽  
Vol 11 (3) ◽  
pp. 123
Author(s):  
Yanchao Zhang

This article explores the role that local elites played in the development of the Mazu cult, a local goddess cult in Putian district in late imperial China. I argue that local elites were central in the promotion and transmission of the cult. Through compiling and writing key Confucian texts featuring Mazu, they reshaped, manipulated, and represented certain aspects of her cult in accordance with their interests. As a result of the activities of local elites, Mazu became associated with the Lin lineage, an influential local lineage. In this manner, Mazu came to be seen as an expression of the lineage’s authority, as well as an imperial protector embodying local loyalty to the state and a daughter who was the paradigm filial piety. In addition to the literary production, local elites, in particular the descendants from the Lin lineage, established an ancestral hall of Lin in the port of Xianliang dedicated to Mazu, further sanctioning divinely the local elites’ authority and privilege in the community. I conclude that the locally promoted version of goddess worship operated at the intersection of state interests, Confucian ideology, the agency of local elites, and the dynamics of popular religiosity.


Author(s):  
T. A. Welton

Various authors have emphasized the spatial information resident in an electron micrograph taken with adequately coherent radiation. In view of the completion of at least one such instrument, this opportunity is taken to summarize the state of the art of processing such micrographs. We use the usual symbols for the aberration coefficients, and supplement these with £ and 6 for the transverse coherence length and the fractional energy spread respectively. He also assume a weak, biologically interesting sample, with principal interest lying in the molecular skeleton remaining after obvious hydrogen loss and other radiation damage has occurred.


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