The Social History of Muslim Communities

1972 ◽  
Vol 2 (3) ◽  
pp. 287
Author(s):  
Lawrence Rosen ◽  
Robert A. Fernea ◽  
Jean Duvignaud ◽  
Frances Frenaye ◽  
James T. Siegel
2020 ◽  
Vol 63 (5-6) ◽  
pp. 643-681
Author(s):  
Daniel Beben

Abstract This article examines how a text attributed to the renowned Central Asian Sufi figure Aḥmad Yasavī came to be found within a manuscript produced within the Ismāʿīlī Shīʿī community of the Shughnān district of the Badakhshān region of Central Asia. The adoption of this text into an Ismāʿīlī codex suggests an exchange between two disparate Islamic religious traditions in Central Asia between which there has hitherto been little evidence of contact. Previous scholarship on Ismāʿīlī-Sufi relations has focused predominately on the literary and intellectual engagement between these traditions, while the history of persecution experienced by the Ismāʿīlīs at the hands of Sunnī Muslims has largely overshadowed discussions of the social relationship between the Ismāʿīlīs and other Muslim communities in Central Asia. I demonstrate that this textual exchange provides evidence for a previously unstudied social engagement between Ismāʿīlī and Sunnī communities in Central Asia that was facilitated by the rise of the Khanate of Khoqand in the 18th century. The mountainous territory of Shughnān, where the manuscript under consideration originated, has been typically represented in scholarship as isolated prior to the onset of colonial interest in the region in the late 19th century. Building upon recent research on the impact of early modern globalization on Central Asia, I demonstrate that even this remote region was significantly affected by the intensification of globalizing processes in the century preceding the Russian conquest. Accordingly, I take this textual exchange as a starting point for a broader re-evaluation of the Ismāʿīlī-Sufi relationship in Central Asia and of the social ‘connectivity’ of the Ismāʿīlīs and the Badakhshān region within early modern Eurasia.


This collection of essays, drawn from a three-year AHRC research project, provides a detailed context for the history of early cinema in Scotland from its inception in 1896 till the arrival of sound in the early 1930s. It details the movement from travelling fairground shows to the establishment of permanent cinemas, and from variety and live entertainment to the dominance of the feature film. It addresses the promotion of cinema as a socially ‘useful’ entertainment, and, distinctively, it considers the early development of cinema in small towns as well as in larger cities. Using local newspapers and other archive sources, it details the evolution and the diversity of the social experience of cinema, both for picture goers and for cinema staff. In production, it examines the early attempts to establish a feature film production sector, with a detailed production history of Rob Roy (United Films, 1911), and it records the importance, both for exhibition and for social history, of ‘local topicals’. It considers the popularity of Scotland as an imaginary location for European and American films, drawing their popularity from the international audience for writers such as Walter Scott and J.M. Barrie and the ubiquity of Scottish popular song. The book concludes with a consideration of the arrival of sound in Scittish cinemas. As an afterpiece, it offers an annotated filmography of Scottish-themed feature films from 1896 to 1927, drawing evidence from synopses and reviews in contemporary trade journals.


2008 ◽  
Vol 31 (1) ◽  
pp. 7-7

In this opening issue of volume 31 we are presented with both nuanced and bold entry into several long enduring issues and topics stitching together the interdisciplinary fabric comprising ethnic studies. The authors of these articles bring to our attention social, cultural and economic issues shaping lively discourse in ethnic studies. They also bring to our attention interpretations of the meaning and significance of ethnic cultural contributions to the social history of this nation - past and present.


Author(s):  
Miguel Alarcão

Textualizing the memory(ies) of physical and cultural encounter(s) between Self and Other, travel literature/writing often combines subjectivity with documental information which may prove relevant to better assess mentalities, everyday life and the social history of any given ‘timeplace’. That is the case with Growing up English. Memories of Portugal 1907-1930, by D. J. Baylis (née Bucknall), prefaced by Peter Mollet as “(…) a remarkably vivid and well written observation of the times expressed with humour and not little ‘carinho’. In all they make excellent reading especially for those of us interested in the recent past.” (Baylis: 2)


Author(s):  
Christy Constantakopoulou

This chapter provides a methodological discussion on how to use the evidence included in the Delian inventories in order to write the social history of the dedicants. The inventories were produced by the Delian hieropoioi and recorded on an annual basis the dedications kept in the Delian treasuries. The chapter focuses particularly on dedications which are attached to named individuals and communities. It then discusses the material according to the parameters of gender, individual versus community dedications, elite dedicants, and distance of travel. Using the inventories we are able to reconstruct who came to the Delian sanctuary to dedicate objects.


Author(s):  
Nisha P R

Jumbos and Jumping Devils is an original and pioneering exploration of not only the social history of the subcontinent but also of performance and popular culture. The domain of analysis is entirely novel and opens up a bolder approach of laying a new field of historical enquiry of South Asia. Trawling through an extraordinary set of sources such as colonial and post-colonial records, newspaper reports, unpublished autobiographies, private papers, photographs, and oral interviews, the author brings out a fascinating account of the transnational landscape of physical cultures, human and animal performers, and the circus industry. This book should be of interest to a wide range of readers from history, sociology, anthropology, and cultural studies to analysts of history of performance and sports in the subcontinent.


Author(s):  
Svend Brinkmann ◽  
Michael Hviid Jacobsen ◽  
Søren Kristiansen

Qualitative research does not represent a monolithic, agreed-on approach to research but is a vibrant and contested field with many contradictions and different perspectives. To respect the multivoicedness of qualitative research, this chapter will approach its history in the plural—as a variety of histories. The chapter will work polyvocally and focus on six histories of qualitative research, which are sometimes overlapping, sometimes in conflict, and sometimes even incommensurable. They can be considered articulations of different discourses about the history of the field, which compete for researchers’ attention. The six histories are: (a) the conceptual history of qualitative research, (b) the internal history of qualitative research, (c) the marginalizing history of qualitative research, (d) the repressed history of qualitative research, (e) the social history of qualitative research, and (f) the technological history of qualitative research.


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