The Culture of Gender and Sexuality in the Caribbean

Hispania ◽  
2006 ◽  
Vol 89 (1) ◽  
pp. 65
Author(s):  
Eloy E. Merino ◽  
Linden Lewis
Author(s):  
Daina Ramey Berry ◽  
Nakia D. Parker

This chapter analyzes the lives of enslaved women in the nineteenth-century United States and the Caribbean, an era characterized by the massive expansion of the institution of chattel slavery. Framing the discussion through the themes of labor, commodification, sexuality, and resistance, this chapter highlights the wide range of lived experiences of enslaved women in the Atlantic World. Enslaved women’s productive and reproductive labor fueled the global machinery of capitalism and the market economy. Although enslaved women endured the constant exploitation and commodification of their bodies, many actively resisted their enslavement and carved out supportive and sustaining familial, marital, and kinship bonds. In addition, this essay explains how white, native, and black women could be complicit in the perpetuation of chattel slavery as enslavers and slave traders. Considering women in their roles as the oppressed and the oppressors contributes and expands historical understandings of gender and sexuality in relation to slavery.


Author(s):  
Julio Capó

This chapter builds on chapter three in taking seriously boosters’ framing of Miami as a fairyland. It pays particular attention to the ways the city was “staged,” both literally and figuratively, in the American imagination. It notes how theatricality, spectacle, and publicity collided in the urban center to help sell the fairyland to outsiders. It explores some of the powerful metaphors used to market the city’s transgressive identity. Race and empire in particular played key roles in marketing the city for tourist consumption, as Miami boosters measured their city’s success against developments in the Caribbean, especially in Cuba. The chapter also explores the ways the literal stage—in both theater and film—located Miami as a site for white leisure and recreation. Underpinned as it was by racist and colonial practices and ideologies, the idea of Miami as a site for pushing the boundaries of gender and sexuality entered the U.S. imagination.


2021 ◽  
pp. 186-206
Author(s):  
Nadia Celis-Salgado

A palette of vibrant and resilient female characters delineates García Márquez’s work. His heroines are the material and spiritual axis of families and communities whose survival depends on women’s most ordinary skills as much as on the supernatural expressions of their strength, fecundity, and knowledge. Yet echoing the tensions surrounding women and women’s power in Caribbean and Latin American cultures, most of García Márquez’s protagonists are primarily defined by their roles in the lives of the men they are intimately linked to. A complex hierarchy of women, and men, emerges from those intimate relationships. This article delves into García Márquez’s portrayal of women both to celebrate his powerful female protagonists and to explore the contradictions that the notions of gender, love, and sexuality embedded in his work impose on women’s bodies and subjectivities. Although many of his characters are fully desiring women reluctant to surrender their autonomy and their right to pleasure, those who openly defy social conventions or fail to subjugate their desires to the needs and initiatives of men are often faced by a variety of reprisals, ranging from isolation to magical disappearances and not excluding physical violence and death. Beyond the private negotiations of power, affective and sexual relations in García Márquez’s work speak of the intimate anchors of social (public) power. By grounding the reading of García Marquez’s women in studies of gender and sexuality in the Caribbean, this article also contributes to the analysis of two other major topics of his work, power and love.


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