The South African Voter. By H. Lever. (Cape Town, South Africa: Juta and Company, 1972. Pp. 221. R7.50.)

1974 ◽  
Vol 68 (1) ◽  
pp. 318-319
Author(s):  
Pierre L. van den Berghe
Keyword(s):  
South Africa ◽  
South African ◽  
Cape Town ◽  
The South

Book review: Jansen, J. 2017. As by Fire: The End of the South African University. Cape Town: Tafelberg.

2017 ◽  
Vol 1 (1) ◽  
pp. 117
Author(s):  
Jared McDonald
Keyword(s):  
South Africa ◽  
South African ◽  
Teaching And Learning ◽  
Cape Town ◽  
The South ◽  
Scholarship Of Teaching ◽  
Creative Commons ◽  
Vice Chancellor ◽  
The University

Dr Jared McDonald, of the Department of History at the University of the Free State (UFS) in South Africa, reviews As by fire: the end of the South African university, written by former UFS vice-chancellor Jonathan Jansen.    How to cite this book review: MCDONALD, Jared. Book review: Jansen, J. 2017. As by Fire: The End of the South African University. Cape Town: Tafelberg.. Scholarship of Teaching and Learning in the South, [S.l.], v. 1, n. 1, p. 117-119, Sep. 2017. Available at: <http://sotl-south-journal.net/?journal=sotls&page=article&op=view&path%5B%5D=18>. Date accessed: 12 Sep. 2017.   This work is licensed under the Creative Commons Attribution 4.0 International License.To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

The 1952 Jan Van Riebeeck Tercentenary Festival: Constructing and Contesting Public National History in South Africa

1993 ◽  
Vol 34 (3) ◽  
pp. 447-468 ◽  
Author(s):  
Ciraj Rassool ◽  
Leslie Witz
Keyword(s):  
South Africa ◽  
South African ◽  
Public History ◽  
Cape Town ◽  
African National Congress ◽  
The Political ◽  
The South ◽  
National History ◽  
Political Project ◽  
The 1950S

For all approaches to the South African past the icon of Jan Van Riebeeck looms large. Perspectives supportive of the political project of white domination created and perpetuate the icon as the bearer of civilization to the sub-continent and its source of history. Opponents of racial oppression have portrayed Van Riebeeck as public (history) enemy number one of the South African national past. Van Riebeeck remains the figure around which South Africa's history is made and contested.But this has not always been the case. Indeed up until the 1950s, Van Riebeeck appeared only in passing in school history texts, and the day of his landing at the Cape was barely commemorated. From the 1950s, however, Van Riebeeck acquired centre stage in South Africa's public history. This was not the result of an Afrikaner Nationalist conspiracy but arose out of an attempt to create a settler nationalist ideology. The means to achieve this was a massive celebration throughout the country of the 300th anniversary of Van Riebeeck's landing. Here was an attempt to display the growing power of the apartheid state and to assert its confidence.A large festival fair and imaginative historical pageants were pivotal events in establishing the paradigm of a national history and constituting its key elements. The political project of the apartheid state was justified in the festival fair through the juxtaposition of ‘civilization’ and economic progress with ‘primitiveness’ and social ‘backwardness’. The historical pageant in the streets of Cape Town presented a version of South Africa's past that legitimated settler rule.Just as the Van Riebeeck tercentenary afforded the white ruling bloc an opportunity to construct an ideological hegemony, it was grasped by the Non-European Unity Movement and the African National Congress to launch political campaigns. Through the public mediums of the resistance press and the mass meeting these organizations presented a counter-history of South Africa. These oppositional forms were an integral part of the making of the festival and the Van Riebeeck icon. In the conflict which played itself out in 1952 there was a remarkable consensus about the meaning of Van Riebeeck's landing in 1652. The narrative constructed, both by those seeking to establish apartheid and those who sought to challenge it, represented Van Riebeeck as the spirit of apartheid and the originator of white domination. The ideological frenzy in the centre of Cape Town in 1952 resurrected Van Riebeeck from obscurity and historical amnesia to become the lead actor on South Africa's public history stage.

A Manuscript of Landino's Xandra in South Africa1

1963 ◽  
Vol 10 ◽  
pp. 44-59
Author(s):  
L. F. Casson
Keyword(s):  
South Africa ◽  
New Zealand ◽  
South African ◽  
Cape Town ◽  
Public Library ◽  
The South ◽  
The Public ◽  
Printed Books ◽  
Good Taste ◽  
The Gift

S. Grey 3 c 12 is a miscellany of Latin poems in the South African Library, Cape Town. It is one item in a collection of manuscripts, and a much larger number of printed books, given to the library in 1861 by Sir George Grey, governor of the Cape. At the time of the gift, he had relinquished his office for a similar post in New Zealand, where he had been governor also before coming to South Africa. While in New Zealand for the second time, he formed another but smaller collection of manuscripts, now in the Public Library at Auckland. Both collections are the work of an amateur bibliophile, a gentleman of private means, who assembled with intelligence and good taste.

scholarly journals The Post-Apartheid Labour Market Series

2020 ◽  
Vol 5 (1) ◽  
pp. 39-49
Author(s):  
Andrew Kerr ◽  
Martin Wittenberg
Keyword(s):  
South Africa ◽  
Labour Market ◽  
South African ◽  
Cape Town ◽  
Data Repository ◽  
Household Surveys ◽  
The South ◽  
New Knowledge ◽  
University Of Cape Town ◽  
The University

Abstract The Post-Apartheid Labour Market Series (palms) is a compilation of microdata from 69 household surveys conducted in South Africa. The dataset and the code used to create the data are publicly available from DataFirst, a data repository at the University of Cape Town (www.doi.org/10.25828/gtr1-8r20). To harmonise the data required understanding the differences across the surveys, which has generated new knowledge about the South African labour market.

South Africa, philosophy in

2018 ◽  
Author(s):  
Pieter Duvenage
Keyword(s):  
South Africa ◽  
South African ◽  
Cape Town ◽  
Philosophical Tradition ◽  
African Philosophy ◽  
The South ◽  
Analytical Philosophy ◽  
History Of ◽  
Anglo American ◽  
British Idealism

Although it is incorrect to refer to an independent South African philosophical tradition, South Africa is nevertheless the location of an interesting history of philosophical institutionalization. This institutionalization is closely intertwined with the colonial and postcolonial history of Western expansion (Dutch and English) and the reactions it unleashed within the South African context. It is especially interesting to trace the influence and the application of Anglo-American and continental origins in South Africa. Even in contemporary South Africa, philosophers who are working in fields such as postmodernism, postcolonialism, feminism and analytical philosophy do so mostly under the influence of contexts beyond South Africa’s borders. After the early Dutch influence in South Africa (1652–1806) a British colonial educational system emerged during the nineteenth century. From the first institutions of higher education (the South African College in Cape Town, and the University of the Cape of Good Hope) the first tertiary institutions emerged in the early part of the twentieth century at Cape Town, Stellenbosch, Witwatersrand (Johannesburg) and Pretoria. Although other universities were subsequently instituted, these four can be considered the four founding residential universities in South Africa. It is also at these universities (and at Colleges in Grahamstown, Bloemfontein, Durban and Pietermaritzburg) that British idealism had a major influence on the early stages of South African philosophy (1873–1940). Against this background figures such as Fremantle (Cape Town), Walker (Stellenbosch), Hoernlé (Johannesburg), Lord (Grahamstown) and Macfadyen (Pretoria) were instrumental. From the 1930s the hegemony of British idealism was challenged by analytical philosophy (mainly at English-speaking South African universities) and continental traditions (mainly at Afrikaans-speaking universities). Since the political transformation of South Africa (1994) African philosophy has also emerged as a major philosophical tradition. The challenge for philosophy in contemporary South Africa is to explore those intellectual traditions that have shaped philosophy in South Africa, to know where they are coming from and to understand how they were transformed under (post)colonial conditions. Such a (genealogical) perspective provides a historical and material corrective to arguments that might otherwise strive to reconcile cultural values and ideas in an apolitical and ahistorical manner.

Bretyenbach, Breyten (1936–)

2018 ◽  
Author(s):  
Hein Viljoen
Keyword(s):  
South Africa ◽  
South African ◽  
Cape Town ◽  
South African Government ◽  
The South ◽  
African Government ◽  
Public Figure ◽  
University Of Cape Town ◽  
The University ◽  
Poetry Collection

Breyten Breytenbach is the foremost poet among the "Sestigers," a prolific painter, and also a controversial public figure. He was born in Bonnievale, South Africa, studied in Cape Town and went into voluntary exile in Paris after marrying Ngo Thi Huang Lien, a Vietnamese woman (also known as Yolande). To date he has published nineteen volumes of poetry, several collections of essays, seven parts of an autobiography, two highly controversial plays, and two novels. His surrealist-type work is inspired by a Zen-Buddhist sense of the mindful continuity underlying mutable existence. An uncanny ability to transform and permutate words and to bend language to his own will characterises his work. After studying at the Michaelis School of Art at the University of Cape Town, Breytenbach travelled to Europe, working in different places before settling as a painter in Paris in 1962. He lived in voluntary exile in Paris, as the South African government refused to give his "non-white" wife a visa. He made his debut in 1964 with the poetry collection Die ysterkoei moet sweet [The Iron Cow Must Sweat] and a collection of uncannily flavored short prose works, Katastrofes [Catastrophes] (both awarded the APB Prize in 1966). These works were highly original and innovative, and made use of surrealist techniques to depict a reaching out towards Zen satori.

scholarly journals Report: National Conference Organised By The South African Association Of Women Graduates (Sawg), Uct Medical School, Cape Town, 2 - 4 February 2001

2001 ◽  
Vol 6 (4) ◽  
Author(s):  
Lydia V Monareng
Keyword(s):  
South Africa ◽  
Medical School ◽  
South African ◽  
International Association ◽  
Cape Town ◽  
The South ◽  
Women Graduates ◽  
National Conference ◽  
Women Researchers

The South African Association of Women Graduates (SAWG) is an international association that is 80 years old and is comprised of women graduates and women researchers. There are branches all over South Africa from universities and technikons.

The South African censor: No change

1981 ◽  
Vol 10 (1) ◽  
pp. 4-9 ◽  
Author(s):  
Nadine Gordimer
Keyword(s):  
South Africa ◽  
South African ◽  
Media Studies ◽  
Similar Pattern ◽  
Cape Town ◽  
Nadine Gordimer ◽  
The South ◽  
Back Cover ◽  
State Security ◽  
University Of Cape Town

On 11 July 1979 Nadine Gordimer's novel Burger's Daughter was banned by the South African Directorate of Publications on the grounds – among others – that the book was a threat to state security. ( Excerpts from the censor's arguments were printed on the back cover of Index on Censorship 1/1980.) After an international outcry the Director of Publications on 1 August 1979 appealed against the decision of his own censorship committee to the Publications Appeal Board. A committee of literary experts was appointed, and a hearing on the appeal was set for 3 October. But the hearing did not take place; in early October 1979 the book was simply released for distribution. Some weeks later a similar pattern was shown in the treatment of André Brink's Afrikaans-language novel A Dry White Season. The book was banned, the censorship board – not the author – appealed against its own decision, and the book was un-banned. In the article which follows, Nadine Gordimer reflects on these events, and on the new censorship policy they herald. Her article was originally a paper presented to a University of Cape Town conference on censorship held in April 1980. It was first published in Critical Arts: A Journal for Media Studies, Vol 1, No 2, June 1980, ( available from the School of Dramatic Art, University of the Witwatersrand, 1 Jan Smuts Avenue, Johannesburg 2001, South Africa). The papers from the censorship conference will be published by David Philip, Capetown.

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