History of Methodist Missions: Early American Methodism, 1769-1844

1950 ◽  
Vol 7 (4) ◽  
pp. 654
Author(s):  
Sidney E. Mead ◽  
Wade C. Barclay
2020 ◽  
Vol 2 ◽  
pp. 19-25
Author(s):  
Mark C Anderson

Horror films such as White Zombie (1932) reveal viewers to themselves by narrating in the currency of audience anxiety. Such movies evoke fright because they recapitulate fear and trauma that audiences have already internalized or continue to experience, even if they are not aware of it. White Zombie’s particular tack conjures up an updated captivity narrative wherein a virginal white damsel is abducted by a savage Other. The shell of the captivity story, of course, is as old as America. In its earliest incarnation it featured American Indians in the role as savage Other, fiendishly imagined as having been desperate to get their clutches on white females and all that hey symbolized. In this way, it generated much of the emotional heat stoking Manifest Destiny, that is, American imperial conquest both of the continent and then, later, as in the case of Haiti, of the Caribbean Basin. White Zombie must of course be understood in the context of the American invasion and occupation of Haiti (1915-1934). As it revisits the terrain inhabited by the American black Other, it also speaks to the history of American slavery. The Other here is African-American, not surprisingly given the date and nature of American society of the day, typically imagined in wildly pejorative fashion in early American arts and culture. This essay explores White Zombie as a modified captivity narrative, pace Last of the Mohicans through John Ford’s The Searchers (1956), the Rambo trilogy (1982, 1985, 1988), the Taken trilogy (2008, 1012, 2014), even Mario and Luigi’s efforts to rescue Princess Peach from Bowser.


2014 ◽  
Vol 69 (2) ◽  
pp. 151-174
Author(s):  
Caroline Gelmi

Caroline Gelmi, “‘The Pleasures of Merely Circulating’: Sappho and Early American Newspaper Poetry” (pp. 151–174) This essay examines how early national verse cultures Americanized the popular figure of Sappho. Newspaper parodies of fragment 31, which circulated widely in the late eighteenth and early nineteenth centuries, mocked English poet Ambrose Philips’s well-known translation of Sappho’s “Phainetai moi” ode in order to address concerns over the role of Englishness in the United States. The parodies achieved these political effects by allegorizing their own conditions of print circulation and deflating the cultural associations of fragment 31 and Philips’s translation with the lyric. In this way, these poems were able to address a number of political issues, from English imperialism in Ireland to the specter of English aristocracy in the U.S. federal government. This study of Sappho’s role as a figure for American print circulation in the early nineteenth century also offers a pre-history of the more familiar midcentury association of Sappho with the Poetess. As a figure for the Poetess, Sappho came to embody anxieties over female authors in the marketplace, representing concerns that the public circulation of the Poetess’ work and the promiscuous circulation of her body were one and the same. This essay tells the rich backstory to these more familiar concepts, tracing Sappho’s earlier entanglements with print circulation and the political and cultural functions she served.


2007 ◽  
Vol 4 (1) ◽  
pp. 173-190 ◽  
Author(s):  
CAROLINE WINTERER

Catherine Kerrison, Claiming the Pen: Women and Intellectual Life in the Early American South (Ithaca: Cornell University Press, 2005)Susan Stabile, Memory's Daughters: The Material Culture of Remembrance in Eighteenth-Century America (Ithaca: Cornell University Press, 2004)Mary Kelley, Learning to Stand and Speak: Women, Education, and Public Life in America's Republic (Chapel Hill: University of North Carolina Press for the Omohundro Institute of Early American History and Culture, 2006)Consider Abigail Adams. Known to us mostly through over one thousand letters that she exchanged with her husband, John Adams, she was a woman of redoubtable intelligence and energy. Wife of the second president of the United States, she was mother to its sixth. She traveled to France and England, rubbing elbows with dukes and diplomats; she read deeply in history and literature; she supported the literacy of black children; she was a conduit for the American reception of Catharine Macaulay's republican-friendly History of England from the Accession of James I to that of the Brunswick Line (1763–8). The letters between John and Abigail fly so fast and furious, are so full of learned banter and palpable yearning, that their marriage appears strikingly modern, a union of equals. Let us not be deceived. Abigail Adams, like other women of her generation even in the social stratosphere, had no formal schooling, and her erudition was dwarfed by the massive learning bestowed upon John. He had a Harvard BA and read law for three years. He took for granted a vast public arena in which to unleash his colossal, if tortured, political ambitions. Abigail never published a word.


Author(s):  
Alexander MacDonald

Mankind will not remain forever confined to the Earth. In pursuit of light and space it will, timidly at first, probe the limits of the atmosphere and later extend its control to the entire solar system. —Konstantin Tsiolkovsky, Letter to B. N. Vorobyev, 1911 What do we learn from this long-run perspective on American space exploration? How does it change our understanding of the history of spaceflight? How does it change our understanding of the present? This book has provided an economic perspective on two centuries of history, with examinations of early American observatories, the rocket development program of Robert Goddard, and the political history of the space race. Although the subjects covered have been wide-ranging, together they present a new view of American space history, one that challenges the dominant narrative of space exploration as an inherently governmental activity. From them a new narrative emerges, that of the Long Space Age, a narrative that in the ...


Author(s):  
David Guenther

American corporate law has long drawn a bright line between for-profit and non-profit corporations. In recent years, hybrid or social enterprises have increasingly put this bright-line distinction to the test. This Article asks what we can learn about the purpose of the American business corporation by examining its history and development in the United States in its formative period from roughly 1780-1860. This brief history of corporate purpose suggests that the duty to maximize profits in the for-profit corporation is a relatively recent development. Historically, the American business corporation grew out of an earlier form of corporation that was neither for-profit nor nonprofit in today’s parlance but rather, served a multitude of municipal, religious, charitable, educational, and eventually business purposes in early nineteenth-century New England. The purposes of early American business corporations—rather than maximization of profit to private shareholders— were often overtly public, involving development of local transportation, finance, and other much-needed economic infrastructure. With the rise of factory-based manufacturing, railroads, and other capital-intensive industries in the middle decades of the nineteenth century and the advent of general incorporation statutes, the purpose of the American business corporation shifted fundamentally from public to private. By 1860, the stage was set for the modern firm. This Article concludes that the corporation has no intrinsic purpose. The corporation’s defining features are separate legal personality and the ability to aggregate capital toward any otherwise lawful end, whether for-profit or nonprofit. Social enterprises today more closely resemble the early American business corporation than the profit-maximizing modern firm. Social enterprise should be seen less as a legally uncertain novelty than a return to the business corporation’s nineteenth-century American roots. Finally, this Article suggests potential limitations for social enterprise.


Author(s):  
James P. Cousins

The introduction places the life of Horace Holley in the context of the history of education, the history of Kentucky, and the history of the early American republic. It begins with a summary of Marquis de Lafayette’s visit to Lexington in May 1825, reviews Horace’s career at Transylvania University, and provides an overview of the book. It also includes a summary of scholarship related to the life and times of Horace Holley. The introduction outlines the scope and method of research as well as the significance of the project. It concludes with individual chapter summaries that outline themes and historical contexts developed throughout the book.


Author(s):  
Eran Shalev

By the time Joseph Smith published The Book of Mormon, Americans had been producing and consuming faux biblical texts for close to a century. Imitating a practice that originated as a satirical literary genre in eighteenth-century Britain, Americans began producing pseudo-biblical texts during the Revolution. This essay demonstrates how the prism of pseudo-biblicism allows us to view The Book of Mormon as emerging from a larger biblico-American world. The genre demonstrates how pervasive the Bible was in the cultural landscape of the Republic and the ease with which Americans lapsed into biblical language. As this essay points out, however, pseudo-biblical discourse also sheds new light on The Book of Mormon. The similarities between The Book of Mormon and other pseudo-biblical texts provide a significant context to understanding the creation and reception of Smith’s text, the culture of biblicism in the nineteenth century, and the intellectual history of the early American Republic.


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