Medieval Latin and the Rise of European Love-Lyric

1966 ◽  
Vol 18 (3) ◽  
pp. 272
Author(s):  
T. R. H. ◽  
Peter Dronke
Keyword(s):  
Medieval Latin ◽  
Love Lyric

Medieval Latin and the Rise of European Love-Lyric. Peter Dronke

Speculum ◽  
1967 ◽  
Vol 42 (2) ◽  
pp. 366-371
Author(s):  
Tore Janson
Keyword(s):  
Medieval Latin ◽  
Love Lyric

Medieval Latin and the Rise of European Love-Lyric

1967 ◽  
Vol 62 (2) ◽  
pp. 301
Author(s):  
David Blamires ◽  
Peter Dronke
Keyword(s):  
Medieval Latin ◽  
Love Lyric

Medieval Latin and the Rise of European Love-Lyric. Peter Dronke

1967 ◽  
Vol 64 (4) ◽  
pp. 326-331
Author(s):  
Charles Witke
Keyword(s):  
Medieval Latin ◽  
Love Lyric

Medieval Latin and the Rise of European Love-lyric.

MLN ◽  
1968 ◽  
Vol 83 (5) ◽  
pp. 784
Author(s):  
Bruce A. Beatie ◽  
Peter Dronke
Keyword(s):  
Medieval Latin ◽  
Love Lyric

Medieval Latin and the Rise of European Love-Lyric: Vol. I—Problems and Interpretations

1966 ◽  
Vol 21 (1) ◽  
pp. 103-132
Author(s):  
Michael Winterbottom ◽  
J. A. Scott ◽  
D. P. Waley ◽  
Philip McNair ◽  
G. Aquilecchia ◽  
...  
Keyword(s):  
Medieval Latin ◽  
Love Lyric

Medieval Latin and the Rise of European Love-Lyric

1967 ◽  
Vol 61 (2) ◽  
pp. 72
Author(s):  
Edna S. deAngeli ◽  
Peter Dronke
Keyword(s):  
Medieval Latin ◽  
Love Lyric

More's usage of Latin verbal predicates: the particular case of fio

Moreana ◽  
2019 ◽  
Vol 56 (Number 211) (1) ◽  
pp. 97-120
Author(s):  
Concepción Cabrillana
Keyword(s):  
General Framework ◽  
Medieval Latin ◽  
Lexical Semantic ◽  
Syntactic Features ◽  
Comparative Review ◽  
Poetic Text

This article addresses Thomas More's use of an especially complex Latin predicate, fio, as a means of examining the degree of classicism in this aspect of his writing. To this end, the main lexical-semantic and syntactic features of the verb in Classical Latin are presented, and a comparative review is made of More's use of the predicate—and also its use in texts contemporaneous to More, as well as in Late and Medieval Latin—in both prose and poetry. The analysis shows that he works within a general framework of classicism, although he introduces some of his own idiosyncrasies, these essentially relating to the meaning of the verb that he employs in a preferential way and to the variety of verbal forms that occur in his poetic text.

« Si res ad synodum traheretur » (I, 416) Les procès imaginaires dans le livre I de l'Ysengrimus.

2020 ◽  
Vol 38 (4) ◽  
pp. 411-431
Author(s):  
Jean FranÇois Poisson-Gueffier
Keyword(s):  
Classical Rhetoric ◽  
Medieval Latin ◽  
Rhetorical Structures ◽  
Judicial Oratory

The first book of medieval Latin beast epic, Ysengrimus, relates imaginary trials. In the episodes of the stolen ham and the fishing, the characters, Ysengrin and Renart, imagine that they would convene an ecclesiastic assembly, a synod, and that they would plead their case. Their plead reverses right and wrong (translatio criminis), invents speeches to denigrate each other (sermocinatio), and seems to take the form of large digressions. These speeches, which have been considered as “interminable” and “wordy” by J. Mann and É. Charbonnier, can be reassessed through classical rhetoric. This paper aims to demonstrate that, in spite of the extent of these speeches' apparent rambling, we can extricate some rhetorical structures (constitutiones) from the judicial oratory. This is the first point of a speech that also uses prolixity as an “art of being right.”

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