Hermeneutic Philosophy and the Sociology of Arts

Leonardo ◽  
1976 ◽  
Vol 9 (3) ◽  
pp. 248
Author(s):  
Kim James ◽  
Janet Wolff
Author(s):  
Anik Waldow

From within the philosophy of history and history of science alike, attention has been paid to Herder’s naturalist commitment and especially to the way in which his interest in medicine, anatomy, and biology facilitates philosophically significant notions of force, organism, and life. As such, Herder’s contribution is taken to be part of a wider eighteenth-century effort to move beyond Newtonian mechanism and the scientific models to which it gives rise. In this scholarship, Herder’s hermeneutic philosophy—as it grows out of his engagement with poetry, drama, and both literary translation and literary documentation projects—has received less attention. Taking as its point of departure Herder’s early work, this chapter proposes that, in his work on literature, Herder formulates an anthropologically sensitive approach to the human sciences that has still not received the attention it deserves.


2017 ◽  
Vol 9 (4) ◽  
pp. 83
Author(s):  
Fatemeh Pakdaman Shahri

Society and its human relations have always had a mutual connection with arts and culture; thus, the majority of artistic creations have always reflected images of society in the very heart of them. Sociological Studies of art, as an independent field does have a long history, however with the rise of modern social fields of study in the 19th and 20th century, there has been a significant growth in sociological studies.Georgy Lukacs as a pioneer theorist in the sociology of arts and literature has led a series of studies in the field of modern drama. This study has attempted to analyze Arthur Miller’s two significant plays, Death of a Salesman and All My Sons, based on Lukacs’s theories, along with discovering the methods, which Miller has depicted to process and interweave social concepts and phenomena within his works. This being done, a potential map has been drawn as a clear sample for dramatists of the modern era of playwriting on how to relate to social and cultural issues, not only in a descriptive method but in an analytical, critical way.


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