The Santa Cruz Song Sparrow, with Notes on the Salt Marsh Song Sparrow

The Condor ◽  
1901 ◽  
Vol 3 (4) ◽  
pp. 92-93 ◽  
Author(s):  
Joseph Grinnell
Keyword(s):  
Salt Marsh ◽  
Song Sparrow ◽  
Santa Cruz

scholarly journals Digital photography quantifies plumage variation and salt marsh melanism among Song Sparrow (Melospiza melodia) subspecies of the San Francisco Bay

The Auk ◽  
2015 ◽  
Vol 132 (1) ◽  
pp. 277-287 ◽  
Author(s):  
Sarah A. M. Luttrell ◽  
Sara T. Gonzalez ◽  
Bernard Lohr ◽  
Russell Greenberg
Keyword(s):  
Salt Marsh ◽  
San Francisco ◽  
San Francisco Bay ◽  
Digital Photography ◽  
Melospiza Melodia ◽  
Song Sparrow

scholarly journals Nesting of a Song Sparrow on a Salt Marsh

The Auk ◽  
1944 ◽  
Vol 61 (4) ◽  
pp. 646-646
Author(s):  
Ralph W. Dexter
Keyword(s):  
Salt Marsh ◽  
Song Sparrow

Urbanization impacts on production and recruitment of Fundulus heteroclitus in salt marsh creeks

2020 ◽  
Vol 645 ◽  
pp. 187-204
Author(s):  
PJ Rudershausen ◽  
JA Buckel
Keyword(s):  
Salt Marsh ◽  
Salt Marshes ◽  
Fundulus Heteroclitus ◽  
Multiple Factor Analysis ◽  
Southeastern Usa ◽  
Density Dependent ◽  
Dependent Relationship ◽  
Juvenile Abundance ◽  
The Relationship ◽  
Throw Trap

It is unclear how urbanization affects secondary biological production in estuaries in the southeastern USA. We estimated production of larval/juvenile Fundulus heteroclitus in salt marsh areas of North Carolina tidal creeks and tested for factors influencing production. F. heteroclitus were collected with a throw trap in salt marshes of 5 creeks subjected to a range of urbanization intensities. Multiple factor analysis (MFA) was used to reduce dimensionality of habitat and urbanization effects in the creeks and their watersheds. Production was then related to the first 2 dimensions of the MFA, month, and year. Lastly, we determined the relationship between creek-wide larval/juvenile production and abundance from spring and abundance of adults from autumn of the same year. Production in marsh (g m-2 d-1) varied between years and was negatively related to the MFA dimension that indexed salt marsh; higher rates of production were related to creeks with higher percentages of marsh. An asymptotic relationship was found between abundance of adults and creek-wide production of larvae/juveniles and an even stronger density-dependent relationship was found between abundance of adults and creek-wide larval/juvenile abundance. Results demonstrate (1) the ability of F. heteroclitus to maintain production within salt marsh in creeks with a lesser percentage of marsh as long as this habitat is not removed altogether and (2) a density-dependent link between age-0 production/abundance and subsequent adult recruitment. Given the relationship between production and marsh area, natural resource agencies should consider impacts of development on production when permitting construction in the southeastern USA.

PROJETO DE MEDIDOR VENTURI PARA O LABORATÓRIO DE HIDRÁULICA DA UNIVERSIDADE ESTADUAL DE SANTA CRUZ

2019 ◽  
Author(s):  
Géssany Mariana Ferreira Alves dos Santos ◽  
manoel camilo cabrera
Keyword(s):  
Santa Cruz

Representação e simbolismo: artes visuais na fronteira Brasil/Bolívia

2020 ◽  
Vol 4 (3) ◽  
pp. 286
Author(s):  
Paulo César Antonini de Souza ◽  
Derick Trindade Bezerra
Keyword(s):  
Visual Arts ◽  
Social Order ◽  
Research Field ◽  
Border Region ◽  
Second Phase ◽  
Two Dimensional ◽  
Santa Cruz ◽  
Cultural Conditions ◽  
Two Phases ◽  
America Latina

ResumoTendo por campo de investigação o Festival da América do Sul Pantanal (FASP) em 2018, na cidade de Corumbá (Brasil), objetiva-se identificar a materialidade e conceitos que permeiam as manifestações artísticas bidimensionais nesta região de fronteira, a partir da percepção de artistas da Bolívia. A pesquisa se organizou em duas fases: na primeira foi realizado um levantamento em plataformas online de produções acadêmicas em artes visuais, com foco no trabalho bidimensional, utilizando os descritores “arte popular” e “estética latina” resultando em três artigos. Na segunda fase foram selecionados dois trabalhos de uma artista da Bolívia, participante da mostra “Conexão Santa Cruz”, realizada durante o FASP 2018, que foram analisados em seus níveis representacional e simbólico. Pela interpretação das imagens foi possível construir uma leitura sobre a perspectiva da artista a respeito de suas condições culturais dentro da ordenação social em que se encontra situada.Palavras-chave: Artes Visuais. Arte Popular. Arte Regional. América Latina. Representation and symbolism: visual arts on the Brazil/Bolivia frontierAbstractHaving as research field the Festival da América do Sul Pantanal (FASP) in 2018, in the city of Corumbá (Brazil), the objective is to identify the materiality and concepts that permeate the two-dimensional artistic manifestations in this border region, from the perception of artists from Bolivia. The research was organized in two phases: in the first, a survey was carried out on online platforms of academic productions in visual arts, focusing on two-dimensional work, using the descriptors “arte popular” and “estética latina” resulting in three articles. In the second phase, two works were selected by an artist from Bolivia, participating in the exhibition “Conexão Santa Cruz”, held during FASP 2018, which were analyzed at their representational and symbolic levels. Through the interpretation of the images, it was possible to construct a reading on the artist’s perspective regarding her cultural conditions within the social order in which she is located.Keywords: Visual Arts. Folk Art. Regional Art. Latin America.Representación y simbolismo: artes visuales en la frontera de Brasil/BoliviaResumenTeniendo como campo de investigación el Festival de Sudamérica Pantanal (FASP) en 2018, en la ciudad de Corumbá (Brasil), el objetivo es identificar la materialidad y conceptos que permean las manifestaciones artísticas bidimensionales en esta región fronteriza, desde la percepción de artistas de Bolivia. La investigación se organizó en dos fases: en la primera, se realizó una encuesta en plataformas online de producciones académicas en artes visuales, con foco en el trabajo bidimensional, utilizando los descriptores “arte popular” y “estética latina” dando como resultado tres artículos. En la segunda fase, dos obras fueron seleccionadas por un artista de Bolivia, participante de la exposición “Conexão Santa Cruz”, realizada durante FASP 2018, que fueron analizadas en sus niveles representativos y simbólicos. A través de la interpretación de las imágenes, fue posible construir una lectura sobre la perspectiva de la artista sobre sus condiciones culturales dentro del orden social en el que se ubica.Palabras clave: Artes Visuales. Arte Popular. Arte Regional. América Latina.

CARACTERÍSTICAS DA MATÉRIA ORGÂNICA DO SOLO EM ORGANOSSOLOS EM SANTA CRUZ, RIO DE JANEIRO

2020 ◽  
Author(s):  
Yan Vidal de Figueiredo Gomes DINIZ ◽  
Hugo de Souza FAGUNDES ◽  
Eduardo Carvalho da Silva NETO ◽  
Otavio Augusto Queiroz dos SANTOS ◽  
Marcos Gervasio PEREIRA
Keyword(s):  
Rio De Janeiro ◽  
Santa Cruz

Percepciones y Autopercepciones de Ancianos en Santa Cruz de Andamarca en Perú

2018 ◽  
pp. 53
Author(s):  
Angélica Nue Guerrero
Keyword(s):  
Santa Cruz

La ancianidad se aborda desde dos puntos de vista: el de los no ancianos, quienes perciben la experiencia de la ancianidad sin vivirla aun, y el de los ancianos quienes lo perciben a partir de sus propias vivencias específicas. El eje común de ambos son las asociaciones entre ancianidad con actividad y productividad (trabajos realizados y permitidos, limitaciones, producción diaria y de vida), y entre ancianidad con salud y muerte (salud buena pero vulnerable, envejecimiento como enfermedad, lógica de una muerte próxima). Así definimos quiénes son ancianos (percepciones) y qué significa serlo (autopercepciones) en Santa Cruz de Andamarca. Después planteamos pistas de explicación. Primero, la atribución que se hace de la productividad; el rol del trabajador y de persona activa es fundamental para la valoración social y bienestar personal; de lo contrario se produce la muerte social. Segunda, liminalidad y ambigüedad, la ancianidad como proceso de transición entre vida y muerte que produce temor en quienes no viven la experiencia y no han desarrollado estrategias para vivirla. Tercero, la vivencia y lectura del sufrimiento como parte del proceso de envejecer; se percibe como parte de la vida cotidiana, pero al vivirlo también es reformulado, reclasificado, reinterpretado con los mecanismos ofrecidos por la misma cultura.

Sign in / Sign up

Export Citation Format

Share Document