Yes Yoko Ono

2003 ◽  
Vol 24 (1) ◽  
pp. 54 ◽  
Author(s):  
Alexandra Munroe ◽  
John Hendricks
Keyword(s):  
Yoko Ono

Yoko Ono: Ideas on Film: Interview/Scripts

1989 ◽  
Vol 43 (1) ◽  
pp. 2-23
Author(s):  
Scott MacDonald ◽  
Yoko Ono
Keyword(s):  
Yoko Ono

I don’t want to go all Yoko Ono on you

2018 ◽  
Vol 66 (3) ◽  
pp. 295-308 ◽  
Author(s):  
Peter Uhrig
Keyword(s):  
Language Use ◽  
Corpus Analysis ◽  
Proper Noun ◽  
Yoko Ono ◽  
Creative Language

Abstract The present paper discusses what may be responsible for the creative effect that instances of a family of constructions, the go/get all/full [PROPER NOUN(S)] on Y pattern, appear to have on the hearer. For this purpose, a set of possible properties of creative language use will be discussed and checked against the results of a detailed corpus analysis of the pattern and related structures. Both the speaker’s and the hearer’s perspectives will be taken into account.

Nutopia

2020 ◽  
pp. 33-40
Author(s):  
Yael Tamir
Keyword(s):  
Social Network ◽  
Social Context ◽  
Free Will ◽  
Social Contract ◽  
Voluntary Association ◽  
Free Movement ◽  
All Solutions ◽  
John Lennon ◽  
Yoko Ono

This chapter discusses the establishment of Nutopia, a borderless state anyone can voluntarily join, founded by John Lennon and Yoko Ono. It argues that a borderless world is far from ideal; it can be neither democratic nor just. The chapter also analyzes how a social contract eroded the rationality of transgenerational commitments, as the children of those who now invest in structuring some institution or another will grow up, be educated, mature, and age in another social context. It asserts that Nutopia is an attractive vision for those who do not depend on the existence of a social network for either their security or their livelihood. The chapter then shifts to examine the concept of borders and the movement across borders. It argues that all solutions presuppose closure and some restricted degree of free movement — hence no society is a voluntary association of people gathering together out of their own free will.

scholarly journals Defining the Public in Piccadilly Circus

2016 ◽  
Author(s):  
Sean Cubitt
Keyword(s):  
Public Sphere ◽  
Public Spaces ◽  
Illusion Of Control ◽  
Technological Parameters ◽  
The Public ◽  
Digital Capitalism ◽  
Yoko Ono

This chapter examines the large screens of Piccadilly Circus, London, to extrapolate how digital capitalism produces a depoliticised neoliberal public. From the narrow technological parameters to optimise visibility, to the relentless commercial occupation of these ‘public’ screens, Cubitt demonstrates how the possibility of a political public sphere within the space of Piccadilly Circus is foreclosed by corporations that sell the illusion of control and freedom which they have long since usurped. This is further illustrated by his analysis of a novel artistic installation, performed by Fluxus artist Yoko Ono in 2013, which intervened in the corporate occupation of the Piccadilly Circus screens to foreground the triumph of branding over substance that circumvents the democratic potential of large screens in public spaces.

scholarly journals Yoko Ono: impasses e instruções

2020 ◽  
Vol 22 (2) ◽  
pp. 240-255
Author(s):  
Franklin Alves Dassie
Keyword(s):  
Yoko Ono ◽  
A Performance

Resumo Neste trabalho investigo a prática performática de Yoko Ono em diversos impasses que ela coloca, a saber: criar e exteriorizar a produção, impasse entre crise e percepção/representação, entre instrução e a desalienação e entre a experiência do olhar e iluminação total. A prática performática de Yoko Ono se apresenta como uma experiência crítica de pensamento. Para isso, debaterei estudos sobre performance de RoseLee Goldberg e Marvin Carlson, estudos sobre as instruções de uso de Belén Gache, e da relação experiência do olhar e iluminação de Jonathan Crary. Isso com objetivo de mostrar como a performance/drama é uma experiência textual capaz de inserir um espaço de política no teatro.

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