Early Bronze Age IV Ceramic Regionalism in Central Jordan

1993 ◽  
Vol 289 ◽  
pp. 23-32 ◽  
Author(s):  
Gaetano Palumbo ◽  
Glen Peterman
Keyword(s):  
Bronze Age ◽  
Early Bronze Age ◽  
Central Jordan

Tel Yaqush—An Early Bronze Age Village in the Central Jordan Valley, Israel

2019 ◽  
Vol 381 ◽  
pp. 107-144 ◽  
Author(s):  
Yael Rotem ◽  
Mark Iserlis ◽  
Felix Höflmayer ◽  
Yorke M. Rowan
Keyword(s):  
Bronze Age ◽  
Early Bronze Age ◽  
Jordan Valley ◽  
Central Jordan

Two Early Helladic II terracotta rollers from Asine and their glyptic context

2018 ◽  
Vol 11 ◽  
pp. 81-96
Author(s):  
Michael Lindblom ◽  
Gullög Nordquist ◽  
Hans Mommsen
Keyword(s):  
Bronze Age ◽  
Chemical Characterization ◽  
Early Bronze Age ◽  
The Third ◽  
Archaeological Perspective

Two Early Helladic II terracotta rollers from the Third Terrace at Asine are presented. The objects, used to impress relief decoration on pithoi and hearths, are unique in that no other examples are known from the Early Bronze Age Aegean. Their origin is discussed based on chemical characterization and their depositional contexts are reviewed from an archaeological perspective. Although there are no known impressions from these rollers on pithoi and hearths at Asine, it is shown that their owners surrounded themselves with different objects featuring similar glyptic impressions. Two such impressions find identical parallels at Tiryns and the combined evidence strongly suggest that Asine was the home for one or several potters who produced Early Helladic impressed hearths and pithoi.

Dairy Queen. Churns and milk products in the Aegean Bronze Age

2014 ◽  
Vol 7 ◽  
pp. 205-222 ◽  
Author(s):  
Sarah P. Morris
Keyword(s):  
Bronze Age ◽  
Dairy Products ◽  
Near East ◽  
Eastern Mediterranean ◽  
Early Bronze Age ◽  
Archaeological Record ◽  
Specific Function ◽  
Milk Products ◽  
The Third ◽  
Household Processing

This article assembles examples of an unusual vessel found in domestic contexts of the Early Bronze Age around the Aegean and in the Eastern Mediterranean. Identified as a “barrel vessel” by the excavators of Troy, Lesbos (Thermi), Lemnos (Poliochni), and various sites in the Chalkidike, the shape finds its best parallels in containers identified as churns in the Chalcolithic Levant, and related vessels from the Eneolithic Balkans. Levantine parallels also exist in miniature form, as in the Aegean at Troy, Thermi, and Poliochni, and appear as part of votive figures in the Near East. My interpretation of their use and development will consider how they compare to similar shapes in the archaeological record, especially in Aegean prehistory, and what possible transregional relationships they may express along with their specific function as household processing vessels for dairy products during the third millennium BC.

Pictures and people. Seals, figurines and Peloponnesian imagery

2010 ◽  
Vol 3 ◽  
pp. 185-218 ◽  
Author(s):  
Erika Weiberg
Keyword(s):  
Bronze Age ◽  
Early Bronze Age ◽  
North East ◽  
The North ◽  
Initial Description ◽  
Seal Impressions ◽  
Point Of Departure ◽  
Coastal Settlement

The point of departure for this paper is the publication of two Early Helladic sealing fragments from the coastal settlement of Asine on the north-east Peloponnese in Greece. After an initial description and discussion they are set in the context of sealing custom established on the Greek mainland around 2500 BCE. In the first part of the paper focus is on the apparent qualitative differences between the available seals and the contemporary seal impressions, as well as between different sealing assemblages on northeastern Peloponnese. This geographical emphasis is carried into the second part of the paper which is a review and contextualisation of the representational art of the Aegean Early Bronze Age in general, and northeastern Peloponnese in particular. Seal motifs and figurines are the main media for Early Helladic representational art preserved until today, yet in many ways very dissimilar. These opposites are explored in order to begin to build a better understanding of Peloponnesian representational art, the choices of motifs, and their roles in the lives of the Early Helladic people.

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