Progress, Labor, Revolution: The Modern Times of Antebellum African American Life Writing

2000 ◽  
Vol 34 (1) ◽  
pp. 56
Author(s):  
Lloyd Presley Pratt
Keyword(s):  
African American ◽  
Life Writing ◽  
Modern Times ◽  
American Life

“Sweet Home”: Audre Lorde's Zami and the legacies of American Writing

2009 ◽  
Vol 43 (2) ◽  
pp. 297-317 ◽  
Author(s):  
MONICA B. PEARL
Keyword(s):  
African American ◽  
American Literature ◽  
Coming Out ◽  
Life Story ◽  
Life Writing ◽  
Slave Narrative ◽  
Audre Lorde ◽  
Literary Traditions ◽  
American Life ◽  
Forms Of Life

Although Audre Lorde calls the narrative of her life Zami: A New Spelling of My Name a “biomythography,” suggesting that the life of an African American lesbian cannot be told in any previously available generic forms of life-writing or self-expression, Zami actually derives from two extant American literary traditions – the African American slave narrative and the lesbian coming out story – rendering it, after all, not a marginal text, but rather a text that falls obviously and firmly in a tradition of American literature. Both traditions turn siginificantly on the trope of “home,” of finding a home where one belongs. In finding the “home” that she is seeking not, ultimately, geographically, but, rather, generically – in the very text she is writing – Lorde's life story also ends up signifying the similarity of these two ostensibly disparate forms: the slave narrative and the coming out story, suggesting a common narrative trajectory of marginal American identities in the tradition of American life-writing.

Introduction

2018 ◽  
Author(s):  
Terrence T. Tucker
Keyword(s):  
African American ◽  
Popular Culture ◽  
American Literature ◽  
African American Literature ◽  
Julia Kristeva ◽  
Malcolm X ◽  
Ishmael Reed ◽  
American Life ◽  
History Of ◽  
Definition Of

This chapter establishes the definition of comic rage and traces the history of humor and militancy in African American literature and history. It distinguishes between comic rage and satire, culminating in an examination of George Schuyler’s Black No More. It details how comic rage acts as an abjection (from Julia Kristeva) that breaks down simplistic ideas about race and representations that appear in literature and popular culture. While identifying Richard Pryor as the most recognizable employer of comic rage, this chapter also points to figures like Sutton Griggs, Ishmael Reed, and Malcolm X; who embody the multiple combinations of anger and comedy that appear in the chapters of the book. It outlines the contents of the chapters that trace the development of comic rage in relation to the various political and literary moments in American and African American life.

Conclusion

2020 ◽  
pp. 185-200
Author(s):  
Tyrone McKinley Freeman
Keyword(s):  
African American ◽  
Black Women ◽  
African Americans ◽  
Jim Crow ◽  
First Century ◽  
Voluntary Action ◽  
American Life ◽  
Intellectual Inquiry ◽  
Historical Importance ◽  
Twenty First Century

The conclusion brings together the lessons and insights provided by examining Walker’s philanthropic life. After summarizing the origins, evolution, and character of Madam Walker’s gospel of giving, it underscores the historical importance of black women’s philanthropy in undermining and resisting Jim Crow and its enduring role in ultimately dismantling the institution. Further, it suggests an approach to theorizing black women’s generosity as being based on five characteristics: proximity, “resourcefull-ness,” collaboration, incrementalism, and joy. It also affirms philanthropy as a powerful interpretive and analytical lens through which to examine African American life in general and black women in particular. It urges collaboration between scholars interested in philanthropy and black women to mutually strengthen intellectual inquiry and understanding of who counts as a philanthropist and what counts as philanthropic giving. It contends that Walker’s gospel of giving is more accessible as a model of generosity than the prevailing examples offered by today’s wealthiest 1 percent. It is certainly the direct inheritance of African Americans today, but relevant to all Americans, regardless of race, class or gender, interested in taking voluntary action in the twenty-first century.

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