Protection of Foreign Direct Investment in a New World Order: Vietnam. A Case Study

1994 ◽  
Vol 107 (8) ◽  
pp. 1995 ◽  

In this age of techno globalization “contemporary artists, poets, and musicians [are] making imaginative use of algorithms to generate new works and taking advantage of communications networks to craft cyber textual projects or works in cross-media formats” (Burdick 8). It is one of these cyber textual projects and a cross-media format that this article takes as a case study to explore. Titled “New World Order: Basra” by Sandy Baldwin, this cyber textual project integrates, apparently, two very different genres of expression, i.e. a poem and a typical game of shooting and hunting. The visual analysis of the electronic digital narrative titled “New World Order: Basra” by Sandy Baldwin entails different steps for this visual analysis; namely composition interpretation, Semiology, and Discourse Analysis, discussed here shortly.


2021 ◽  
Vol 6 (1) ◽  
pp. p56
Author(s):  
Karl Aiginger

Europe may emerge from the recent crisis stronger than before, as a player with a more sustainable democratic model than China and fewer political divides than the US. What reports tend to neglect is that Europe is currently the largest economic region, leading in exports, foreign direct investment, and most indicators on Sustainable Development. A reason for this downplaying is that Europe is seen as continent consisting of individual small and big countries and not as a political or economic whole. The paper takes an alternative position and carves out conditions for closing divides, to make existing European strengths more visible and extend the quality lead. The Recovery and Resilience Facility as well as the Multiannual Financial Framework must be used for reforms and coherence. A rebounding Europe requires a double strategy of fostering innovation while redirecting productivity towards energy and resource saving, away from its current priority on labour efficiency. This would empower Europe to be a quality player in a multipolar world in which there are no longer only two superpowers, China and the US, competing for attention.


2000 ◽  
Vol 26 (1) ◽  
pp. 49-67 ◽  
Author(s):  
JAMES PETRAS ◽  
MORRIS MORLEY

International relations is now marked by a distinct bias against both realism and materialism. This, allied to the currently fashionable notion that in a globalized, liberal economy cooperation rather than competition is the norm, has meant that few scholars have been concerned to analyse the sources of rivalry between the various capitalist states. This article suggests that a version of realism informed by a keen sense of power and hierarchy remains essential if we are to understand the dynamics of US foreign policy in the post-Cold War period. The case study deployed here revolves around the various attempts made by one of America's allies to contest Washington's vision of a ‘new world order’. The French challenge assumed many forms but in the end was seen off by the dominant state; the outcome only confirming US preponderance and guaranteeing its hegemonic position into the 21st century.


In this age of techno globalization “contemporary artists, poets, and musicians [are] making imaginative use of algorithms to generate new works and taking advantage of communications networks to craft cyber textual projects or works in cross-media formats” (Burdick). It is one of these cyber textual projects and a cross media format that this article takes as case study to explore. Titled “New World Order: Basra” by Sandy Baldwin, this cyber textual project integrates, apparently, two very different genres of expression, i.e. a poem and a typical game of shooting and hunting. The visual analysis of the electronic digital narrative titled “New World Order: Basra” by Sandy Baldwin entails different steps for this visual analysis namely: composition interpretation, Semiology and Discourse Analysis, discussed here shortly.


In this age of techno globalization “contemporary artists, poets, and musicians [are] making imaginative use of algorithms to generate new works and taking advantage of communications networks to craft cyber textual projects or works in cross-media formats” (Burdick). It is one of these cyber textual projects and a cross media format that this article takes as case study to explore. Titled “New World Order: Basra” by Sandy Baldwin, this cyber textual project integrates, apparently, two very different genres of expression, i.e. a poem and a typical game of shooting and hunting. The visual analysis of the electronic digital narrative titled “New World Order: Basra” by Sandy Baldwin entails different steps for this visual analysis namely: composition interpretation, Semiology and Discourse Analysis, discussed here shortly.


2019 ◽  
Vol 3 (6) ◽  
pp. 165
Author(s):  
Abdul Hamid Al - Eid Al - Mousawi

The central idea of Henry Kissinger's latest book, The Global System, is that the world desperately needs a new world order, otherwise geopolitical chaos threatens the world, and perhaps chaos will prevail and settle in the world. According to Kissinger, the world order was not really there at all, but what was closest to the system was the Treaty of Westphalia, which included about twenty Western European states for almost four centuries.


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