Literary Allusion and the Private Irony of Ernest Hemingway

1969 ◽  
Vol 4 ◽  
pp. 24 ◽  
Author(s):  
Jackson J. Benson
Keyword(s):  
Ernest Hemingway ◽  
Literary Allusion

Gertrude Stein's Transmasculinity

2018 ◽  
Author(s):  
Chris Coffman
Keyword(s):  
Twentieth Century ◽  
Ernest Hemingway ◽  
Pablo Picasso ◽  
False Consciousness ◽  
Mass Consumption ◽  
Museum Exhibits ◽  
Carl Van Vechten ◽  
The Media ◽  
Future Work ◽  
Opening Up

By reading written and visual artefacts of Gertrude Stein’s life, Gertrude Stein’s Transmasculinity reframes earlier scholarship to argue that her gender was transmasculine and that her masculinity was positive rather than a self-hating form of false consciousness. This book considers ways Stein’s masculinity was formed through her relationship with her feminine partner, Alice B. Toklas, and her masculine homosocial bonds with other modernists in her network. This broadens out Eve Kosofsky Sedgwick’s account of “male homosocial bonding” to include all masculine persons, opening up the possibility of examining Stein’s relationship to Toklas; masculine women such as Jane Heap; and men such as Pablo Picasso, Ernest Hemingway, and Carl Van Vechten. The Introduction and first four chapters focus on surfacings of Stein’s masculinity within the visual and the textual: in others’ paintings and photographs of her person; her hermetic writings from the first three decades of the twentieth century; and her self-packaging for mass consumption in The Autobiography of Alice B. Toklas (1933). Whereas the chapter on The Autobiography underscores Toklas’s role in the formation of Stein’s masculinity and success as a modernist, the final three register the vicissitudes of the homosocial bonds at play in her friendships with Picasso, Hemingway, and Van Vechten. The Coda, which cross-reads Stein’s Everybody’s Autobiography (1937) with the media attention two museum exhibits about her attracted between 2011 and 2012, points to possibilities for future work on the implications of her masculine homosocial bonds with Vichy collaborator Bernard Fäy.

Ernest Hemingway

2017 ◽  
Author(s):  
Ewa Barbara Łuczak
Keyword(s):  
Ernest Hemingway

A constituição do herói de “Adeus às armas”, de Ernest Hemingway

Temática ◽  
2019 ◽  
Vol 15 (3) ◽  
Author(s):  
Bernardo Antonio Gasparotto ◽  
Dalila Mayara Barbosa
Keyword(s):  
Ernest Hemingway

O presente trabalho tem como proposta refletir sobre a figura do “herói” na obra Adeus às armas (2002), de Ernest Hemingway. Busca-se prender atenção nos nuances da narração à frieza como ela se dá, bem como a utilização de uma linguagem direta e sem rodeios. A guerra ocorrida, as grandes cidades e os valores em ruínas foram muito bem retratados em Adeus às armas, ainda que não houvesse uma profundidade psicológica ou a presença de uma problemática angustiante em relação à protagonista da obra, nos detalhes é que se pode ver toda a profundidade da produção e a forma direta, mas subjetiva dos valores que permeavam a sociedade da época e que remetem às características intrínsecas à natureza humana. É no decorrer do enredo da obra que se atentará para os valores adotados por Henry e se buscará observar sua natureza como anti-herói, que se utiliza de todos os artifícios possíveis, inclusive da mentira, para alcançar seus objetivos, aumentando seu sentimento de prazer.Palavras-chave: Personagem. Ernest Hemingway. Anti-herói. Herói.

Ernest Hemingway: A Biography by Mary V. Dearborn

2017 ◽  
Vol 37 (1) ◽  
pp. 114-119 ◽  
Author(s):  
Scott Donaldson
Keyword(s):  
Ernest Hemingway

The Text of Ernest Hemingway

1963 ◽  
Vol 57 (4) ◽  
pp. 403-421
Author(s):  
James B. Meriwether
Keyword(s):  
Ernest Hemingway
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