Maria Teresa Micaela Prendergast, Renaissance Fantasies: The Gendering of Aesthetics in Early Modern Fiction. Kent, Ohio and London: The Kent State Univetsity Press, 1999. x + 214 pp. bibl, append, index. ISBN: 0-87338-644-2.

2001 ◽  
Vol 54 (1) ◽  
pp. 303-304
Author(s):  
Carla Freccero
Keyword(s):  
Early Modern ◽  
Modern Fiction

Performing the Emperor: Sui Jingchen's “Han Gaozu Returns to His Home Village”

2021 ◽  
Vol 8 (1) ◽  
pp. 31-58
Author(s):  
Karin Myhre
Keyword(s):  
Early Modern ◽  
Political Critique ◽  
Home Village ◽  
Modern Fiction ◽  
Historical Accounts

Abstract Reading Sui Jingchen's song suite “Gaozu Returns to His Home Village” against early sources, this article explores how Sui's work selects and inverts the elements that ground definitive historical accounts of rulership to refashion a familiar narrative in a theatrical mode. The sanqu's use of performance tropes expands the scope of criticism in this humorous piece past concerns about Yuan rulership, or even the imperial institution, to broader questions of representational instability and uncertainty. These shifts implicate readers in a social and political critique and engage issues often associated with early modern fiction and drama, including authenticity, imposture, and interpolations of author, character, player, reader, and audience.

scholarly journals The Meanings of Romance: Rethinking Early Modern Fiction

2014 ◽  
Vol 112 (2) ◽  
pp. 287-311 ◽  
Author(s):  
Christine S. Lee
Keyword(s):  
Early Modern ◽  
Modern Fiction

scholarly journals Uniting the Nation through Transcending Menstrual Blood: The Period Products Act in Historical Perspective

2021 ◽  
Author(s):  
Bettina Bildhauer
Keyword(s):  
Early Modern ◽  
Middle Ages ◽  
Historical Perspective ◽  
Menstrual Blood ◽  
Parliamentary Debates ◽  
Scottish Parliament ◽  
Parliamentary Debate ◽  
Marginalised Groups ◽  
Historical Pattern ◽  
Modern Fiction

This article sets the Period Products (Free Provision) (Scotland) (2021) Act in the context of historical imaginations both of menstruation and of the nation. It identifies the following underlying assumptions about menstruation in the parliamentary debates of the Act: (1) that menstruating is a stigma, (2) that menstruators are always the others, and (3) that menstruation particularly affects those in already marginalised groups. Speaking about menstruation (4) creates a privileged, pioneering position for the speakers, and (5) forges bonds between them. The article traces the historical precursors of these assumptions in premodern and early modern humoral medicine, especially Pseudo-Albertus Magnus’ Secreta mulierum, and in modern fiction discussed in the Scottish parliament: the film I, Daniel Blake and Alasdair Gray’s novel Poor Things. The parliamentary debates also imagine the nation as a collective body which is united by a shared blood and which at the same time transcends blood, in this case menstrual blood. This is part of a historical pattern of similar imaginations of the Scottish nation in relation to blood. The article demonstrates how this conception of menstruation and the nation functions not only in the parliamentary debate, but also in a sample of Scottish writing and thought from the Middle Ages to today.

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