Dostoevsky's Literary Reputation

1951 ◽  
Vol 10 (1) ◽  
pp. 46
Author(s):  
Rene Fueloep-Miller
Keyword(s):  
Literary Reputation

Discovering Doris Lessing

2016 ◽  
Vol 33 (2) ◽  
pp. 25-49
Author(s):  
Md. Mahmudul Hasan
Keyword(s):  
Women's Rights ◽  
Sexual Relationships ◽  
Doris Lessing ◽  
Women’S Rights ◽  
Education Literature ◽  
Islamic Perspective ◽  
Literary Reputation ◽  
Islamic Thought

The 2007 Nobel literature laureate Doris Lessing (1919-2013) is one of the twentieth century’s most prolific and versatile British writers. Her literary career is marked by the robustness and diversity of her ideas. The plurality of voices in her work makes room for discovering a very different Lessing from how she is usually construed and for discussing some of her views in a new and somewhat unusual light. In this study, I intend to look at her thoughts on education, literature, racism, and women’s rights and locate possible commonalities between them and certain facets of Islamic thought. As she is considered a humanist, a secular writer of great stature, the “grande dame” of British writing of her time, and handlesexplicit sexual relationships, a sense of remoteness and incomprehension is perhaps palpable in any attempt to discover an “Islamic Doris Lessing.” However, given that she is known for her courage and outspokenness, as well as for making unconventional moves and iconoclastic statements sometimes at the expense of her literary reputation, it will be interesting to see her ideas from an Islamic perspective.

The Literary Reputation of Else Lasker-Schuler: Criticism 1901-1993

1997 ◽  
Vol 14 (1) ◽  
pp. 99
Author(s):  
Ruth Schwertfeger ◽  
Calvin N. Jones
Keyword(s):  
Literary Reputation

Defoe and Scott

PMLA ◽  
1941 ◽  
Vol 56 (3) ◽  
pp. 710-735
Author(s):  
John Robert Moore
Keyword(s):  
Literary Reputation ◽  
Style Of Writing ◽  
Literary Methods

In 1817 one of Scott's closest friends and most penetrating critics wrote of his latest romance: “I must mention a remark Mrs Weddell has repeatedly made: ‘This has the nature of Daniel Defoe's novels, tho with a higher style of writing. I can hardly forbear fancying every word of it true.‘” This underlying resemblance is due in part to Scott's course of reading, in part to his literary methods or his traits of mind. But, paradoxically, the influence of Defoe on Scott is hardly more remarkable than the influence of Scott on Defoe's literary reputation.

scholarly journals «Военные рассказы» М. Кузмина: Попытка реинтерпретации [Toward the Reinterpretation of Mikhail Kuzmin’s _War Stories_]

2021 ◽  
Vol 8 ◽  
Author(s):  
Alexandra Pakhomova
Keyword(s):  
20Th Century ◽  
Short Fiction ◽  
Russian Literature ◽  
Unsuccessful Attempt ◽  
Literary Reputation ◽  
Mikhail Kuzmin ◽  
History Of ◽  
New Interpretation ◽  
History Of Literature ◽  
War Stories

The article analyzes War Stories (Voennye rasskazy, 1915) by Mikhail Kuzmin and offers a new interpretation of the book’s pragmatics. Most students of War Stories have not treated this collection in much detail, mainly seeing it as Kuzmin’s unsuccessful attempt to become a part of the mainstream patriotic movement during WWI. Contrary to her predecessors, Alexandra Pakhomova argues this particular book has a definite and consciously motivated authorial strategy. What Kuzmin did in War Stories was an attempt to establish his new literary reputation, and also to create an entirely new genre of short fiction in Russian literature. KEYWORDS: 20th-Century Russian Literature, Mikhail Kuzmin (1972—1936), Voennye rasskazy (1915), Literary Reputation, History of Literature.

‘Classics behind plate glass’: The Hogarth Press and the Uniform Edition of the Works of Virginia Woolf

2017 ◽  
Author(s):  
Lise Jaillant
Keyword(s):  
United States ◽  
Virginia Woolf ◽  
The United States ◽  
Plate Glass ◽  
Wide Audience ◽  
Literary Reputation ◽  
Standard Edition ◽  
Hogarth Press

In her letter on the Middlebrow collected in The Death of the Moth, Virginia Woolf wrote: “I dislike bound volumes of the classics behind plate glass.” Despite her proclaimed mistrust of the “middlebrow” sphere, Woolf was aware that cheap series of reprints could widen her readership and consolidate her literary reputation. In 1928, she wrote the introduction to Laurence Sterne’s Sentimental Journey for the Oxford World’s Classics edition (as explained in Chapter 1). And in 1929, the Hogarth Press started publishing Uniform Editions of her work. As J. H. Willis has argued, “to put a living novelist’s works into a standard edition is to make a claim for the permanence and importance of the writer’s work, to establish a canon, to suggest the classic.” This chapter, based on extensive research in the Hogarth Press archive, argues that the Uniform Editions published by the Hogarth Press achieved at least three things: (1) they reached a wide audience of common readers in Britain; (2) they encouraged Harcourt Brace to issue a similar edition in the United States; and (3) they presented Woolf as a canonical writer whose work deserved to be “collected.” In short, thanks to the Uniform Editions, Woolf’s texts became “classics behind plate glass.”

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