The Symposium on Black-American Music: Consultant's Report

Huel D. Perkins

doi:10.2307/1214731

The Symposium on Black-American Music: Consultant's Report

The Black Perspective in Music ◽

10.2307/1214731 ◽

1986 ◽

Vol 14 (1) ◽

pp. 87

Author(s):

Huel D. Perkins

Keyword(s):

American Music ◽

Black American

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Carnival and Black American Music as Counterculture in Toni Morrison's 'The Bluest Eye' and 'Jazz'

American Studies in Scandinavia ◽

10.22439/asca.v27i2.1132 ◽

1995 ◽

Vol 27 (2) ◽

pp. 81-102 ◽

Cited By ~ 1

Author(s):

Inger-Anne Søfting

Keyword(s):

American Music ◽

Black American ◽

Bluest Eye

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“A Song Calling for You”

Soul in Seoul ◽

10.14325/mississippi/9781496830098.003.0002 ◽

2020 ◽

pp. 43-88

Author(s):

Crystal S. Anderson

Keyword(s):

African American ◽

American Music ◽

Music Videos ◽

Cultural Work ◽

Black American ◽

Korean Music ◽

Dynamic Image ◽

Music Production ◽

Asian Stereotypes

Korean pop groups cite the R&B tradition by emulating R&B musical and vocal elements in catchy pop songs and enhance the tradition through Korean music strategies that infuse multiple genres with R&B elements. Korean pop groups emulate the R&B tradition by citing elements of funk, club, and urban R&B. Moreover, Korean and African American producers infuse K-pop with different varieties of R&B. These artists also enhance the R&B tradition by mixing pop genres with R&B within individual songs and over the course of their careers. In music videos, they cite the choreography and styles of African American performance in ways that provide alternatives to Asian stereotypes. This intertextuality is driven by promotions that focus on image and music quality; strategies that mirror those employed by Black American music producers. The combination of dynamic image and quality music production fuels K-pop’s cultural work and global crossover, thereby making it part of a global R&B tradition.

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