Black-Music Concerts in Carnegie Hall, 1912-1915

Lester A. Walton; L. H. White; A. W. K.; Lucien H. White

doi:10.2307/1214304

Black-Music Concerts in Carnegie Hall, 1912-1915

The Black Perspective in Music ◽

10.2307/1214304 ◽

1978 ◽

Vol 6 (1) ◽

pp. 71

Author(s):

Lester A. Walton ◽

L. H. White ◽

A. W. K. ◽

Lucien H. White

Keyword(s):

Black Music ◽

Carnegie Hall

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America's First Black Music Historian

Journal of the American Musicological Society ◽

10.1525/jams.1973.26.3.03a00030 ◽

1973 ◽

Vol 26 (3) ◽

pp. 383-404

Author(s):

Robert Stevenson

Keyword(s):

Black Music

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Carnegie Hall: An Intelligent Tutor for Command-Reasoning Practice Based on Latent Semantic Analysis

10.21236/ada406129 ◽

2002 ◽

Cited By ~ 1

Author(s):

Karen E. Lochbaum ◽

Lynn A. Streeter

Keyword(s):

Latent Semantic Analysis ◽

Semantic Analysis ◽

Intelligent Tutor ◽

Carnegie Hall

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Black Music: Four Lives.A. B. Spellman

American Journal of Sociology ◽

10.1086/225144 ◽

1971 ◽

Vol 77 (2) ◽

pp. 390-392

Author(s):

Gary Schwartz

Keyword(s):

Black Music

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Edmonia Lewis, Provenance and: Minnehaha, Marble, 1868, Edmonia Lewis and: Indian Combat, and: Indian Combat, Marble, 1868, Edmonia Lewis and: Colonel Robert Gould Shaw, Marble, 1864, Edmonia Lewis and: My Name is Sissieretta Jones, and: Sissieretta Jones, Carnegie Hall, 1902, O patria mia

Callaloo ◽

10.1353/cal.2015.0091 ◽

2015 ◽

Vol 38 (3) ◽

pp. 431-512

Author(s):

Tyehimba Jess

Keyword(s):

Carnegie Hall

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IMAGINING A BETTER WORLD:

Du Bois Review Social Science Research on Race ◽

10.1017/s1742058x18000322 ◽

2018 ◽

Vol 15 (02) ◽

pp. 353-385

Author(s):

Lakeyta M. Bonnette-Bailey ◽

Ray Block ◽

Harwood K. McClerking

Keyword(s):

African Americans ◽

Civic Engagement ◽

Political Participation ◽

Hip Hop ◽

Youth Culture ◽

Black Youth ◽

Black Music ◽

Hip Hop Culture ◽

Negative Messages ◽

Mass Level

AbstractDespite a recent increase in research on its sociopolitical implications, many questions regarding rap music’s influence on mass-level participation remain unanswered. We consider the possibility that “imagining a better world” (measured here as the degree to which young African Americans are critical of the music’s negative messages) can correlate with a desire to “build a better world” (operationalized as an individual’s level of political participation). Evidence from the Black Youth Project (BYP)’s Youth Culture Survey (Cohen 2005) demonstrates that rap critique exerts a conditional impact on non-voting forms of activism. Rap critique enhances heavy consumers’ civic engagement, but this relationship does not occur among Blacks who consume the music infrequently. By demonstrating rap’s politicizing power and contradicting certain criticisms of Hip Hop culture, our research celebrates the possibilities of Black youth and Black music.

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