The Quest for Unity in the Zimbabwe Liberation Movement

1975 ◽  
Vol 5 (1) ◽  
pp. 5 ◽  
Author(s):  
Simbi Mubako
Keyword(s):  
2018 ◽  
Vol 15 (1) ◽  
Author(s):  
Dylan Yanano Mangani ◽  
Richard Rachidi Molapo

The crisis in South Sudan that broke out on the 15th of December 2013 has been the gravest political debacle in the five years of the country’s independence. This crisis typifies the general political and social patterns of post-independence politics of nation-states that are borne out of armed struggles in Africa. Not only does the crisis expose a reluctance by the nationalist leaders to continue with nation-building initiatives, the situation suggests the struggle for political control at the echelons of power within the Sudanese Peoples Liberation Movement.  This struggle has been marred by the manufacturing of political identity and political demonization that seem to illuminate the current political landscape in South Sudan. Be that as it may, the Inter-Governmental Authority on Development (IGAD) hurriedly intervened to find a lasting solution however supportive of the government of President Salva Kirr and this has suggested interest based motives on the part of the regional body and has since exacerbated an already fragile situation. As such, this article uses the Fanonian discourse of post-independence politics in Africa to expose the fact that the SPLM has degenerated into lethargy and this is at the heart of the crisis.


1980 ◽  
Vol 18 (4) ◽  
pp. 575-609 ◽  
Author(s):  
David Brown

Theinter-state boundaries of Africa have changed remarkably little since the end of colonial rule, despite their lack of contiguity with the economic, ethnic, and political realities of African societies. In the few cases where attempts have been made to reject, in principle, the boundaries which were inherited at the time of independence, the demands for change have emerged in three major forms: as irredentist claims by established states based mainly on assertions of pre-colonial hegemony; as calls for the re-establishment of early colonial states which had been either partitioned or integrated into a larger state by the time of decolonisation; or as ethnic nationalist demands by partitioned communities.1


2020 ◽  
Vol 14 (3) ◽  
pp. 321-330 ◽  
Author(s):  
Samantha Lampe

As the Women’s Liberation Movement developed in the 1970s, women challenged society’s limited female representation as either the Madonna or the whore. Musicals in the 1970s, including Grease (1972), Chicago (1975) and Evita (1979), complicated the female image through the juxtaposition of feminine stereotypes in the heroine’s persona. With each of the shows centralizing the plot around analysing the contradictory feminine image, the women perform in both public and private settings, along with other characters critiquing their personas. From feminist protesters to the writings of Simone de Beauvoir and Betty Friedan, Sandy, Roxie and Eva reflect the requests of contemporary women to display their gender as something beyond the perceived dichotomy of Madonna or whore in their music performances.


Sign in / Sign up

Export Citation Format

Share Document