Claudia Baldwin, Nigerian Literature: A Bibliography of Criticism, 1952–1976, Boston, Mass.: G. K. Hall, 1980, 147 pp., $19.50.

Africa ◽  
1982 ◽  
Vol 52 (2) ◽  
pp. 123-124
Author(s):  
Martin Corner
Keyword(s):  
Nigerian Literature

Recreating Experience in Nigerian Fiction: Camillus Ukah’s Sweet Things and the Politics of its Production

2021 ◽  
Vol 17 (1) ◽  
Author(s):  
Solomon Awuzie
Keyword(s):  
Postcolonial Literature ◽  
Third Generation ◽  
The Novel ◽  
Creative Activity ◽  
Nigerian Literature ◽  
The Way

This article contends that, in the same way as some postcolonial literature, the latter third generation Nigerian literature is a product of the writer’s experience. When the writer does not reproduce his sociopolitical experience, he reshapes his expectations into literature. The writer manipulates his experience into creative activity that fulfils his innate desire – this is the same desire which he is ordinarily unable to achieve in reality. This article argues further that even though the literature is a product of the writer’s experience, it is harmless and beneficent. Using Camillus Ukah’s Sweet Things as a representative text of the fiction produced by a latter third generation Nigerian literature writer, emphasis is made on the way in which Camillus Ukah has recreated his experience. It concludes that through the novel, Ukah expresses his bitterness towards a certain matrimonial experience that is of his particular concern.

Folklore in Nigerian Literature

1977 ◽  
Vol 90 (355) ◽  
pp. 78
Author(s):  
Lee Haring ◽  
Bernth Lindfors
Keyword(s):  
Nigerian Literature

scholarly journals Constitutional Democracy and Caretaker Committee in Nigeria Local Government System: An Assessment

2013 ◽  
pp. 110-123 ◽  
Author(s):  
Jude C Okafor ◽  
Ikechukwu H Orjinta
Keyword(s):  
Local Government ◽  
Local Governments ◽  
Government Reform ◽  
Constitutional Democracy ◽  
Financial Autonomy ◽  
The Third ◽  
Theoretical Perspectives ◽  
Nigerian Literature ◽  
The Impact ◽  
Subsequent Replacement

The 1976 Local Government Reform among other landmark changes unified the local government system in Nigeria, and the 1979 constitution made local governments the third tier of government and provided for a system of local government by democratically elected councils. More recently, elected local government councils have been dissolved and replaced with Transition Committees or Caretaker Committees appointed by the Governors’ of their respective states. This paper therefore, examines the impact of the caretaker committees in Nigerian Local Government on the practice of constitutional democracy. The discussion is framed by the theoretical perspectives and Nigerian literature on local government and constitutional democracy, and by the recent phenomenal wave of dissolving elected local government councils and subsequent replacement with caretaker committees. Contrary to popular belief, that local government as the third tier of government has failed to achieve the objective for which it was created, this paper observes that party politics has been the bane of Nigerian local government since its inception, and that democratically elected local councils with political and financial autonomy are the major conditions for an effective and efficient multi-purpose local government system in Nigeria.

Political Topicality and Literary Aesthetics in Wale Okediran’s Novels

Matatu ◽  
2017 ◽  
Vol 49 (1) ◽  
pp. 145-155
Author(s):  
Oyeh O. Otu
Keyword(s):  
The Novel ◽  
Literary Canon ◽  
Literary Aesthetics ◽  
Artistic Vision ◽  
Contemporary Writers ◽  
Nigerian Literature

The prolificity, contemporaneity, and topicality of Wale Okediran’s themes are irrefutable indices to his claim to a place in the Nigerian literary canon. His engagement with and exposé of Nigeria’s intractable neurotic leadership disorders are timely and highly commendable. Also worthy of note are the promotion and popularity that the Association of Nigerian Authors (ANA) has given his latest novel, Tenants of the House, as it fills a significant gap and promises a positive turn in the development of Nigerian literature. This essay examines Okediran’s topical themes in relation to his craftsmanship; it investigates his deployment of aesthetic devices in the realization of his artistic vision. It fundamentally asks: what constitutes literariness in Okediran’s novels? Where does this belong in the Nigerian tradition of the novel? If it marks a shift from the conventional novelistic tradition, in what ways does it advance it? Considering that Okediran is one of Nigeria’s most prolific contemporary writers, it is important to determine his place in the Nigerian canon and also to analyse critically the factors responsible for that position.

scholarly journals Thematic Preoccupation of Nigerian Literature: A Critical Approach

2017 ◽  
Vol 6 (3) ◽  
pp. 22
Author(s):  
Adetuyi, Chris Ajibade
Keyword(s):  
Short Story ◽  
Human Condition ◽  
Value Systems ◽  
Traditional Values ◽  
Critical Approach ◽  
Human Environment ◽  
The Past ◽  
Public Property ◽  
Economic Exploitation ◽  
Nigerian Literature

Nigerian literature takes "matter" from the realities of Nigerian living conditions and value systems in the past and present. In the Nigerian society the writer, be it a novelist, dramatist or poet is a sensitive "questioner" and reformer; as all literature in a way is criticism of the human condition obtainable in the society it mirrors. The writer often cannot help exposing the bad and the ugly in man and society. Thus much of Nigerian literature is a deploration of the harsh and inhuman condition in which the majority of Nigerians live in i.e. poverty, misery, political oppression, economic exploitation, excesses of the affluent, liquidation of humane Nigerian traditional values, and all forms of injustices which seem to be the lot of a large majority in most Nigerian societies.In drama, novel, poetry or short - story, the writer's dialogue with his physical and human environment comes out as a mirror in which his people and society can see what they look like. Every image painted by a skillful artist is expressed or put into writing / print, becomes public property and leaves itself open for evaluation by those who read and understand the language and expression. There is therefore a need to identify the thematic preoccupation of Nigeria literature which is the focus of this paper with a view to identifying their peculiarities with textual references.

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