At the Edge of the World: Caves and Late Classic Maya World View. By Karen Bassie-Sweet. (Norman: Oklahoma University Press, 1996. Pp. 245. Illustrations. Notes. Bibliography. Index. Appendix. $38.95.)

1998 ◽  
Vol 54 (3) ◽  
pp. 445-447
Author(s):  
Samuel Y. Edgerton
Keyword(s):  
World View ◽  
Classic Maya ◽  
Late Classic ◽  
The World

At the Edge of the World: Caves and Late Classic Maya World View

1999 ◽  
Vol 49 (3) ◽  
pp. 388
Author(s):  
Jorge Rogachevsky ◽  
Karen Bassie-Sweet
Keyword(s):  
World View ◽  
Classic Maya ◽  
Late Classic ◽  
The World

scholarly journals Lord of the Maya Creations on his jaguar throne: the eternal return of Elder Brother God L to preside over the 21 December 2012 transformation

2011 ◽  
Vol 7 (S278) ◽  
pp. 203-213
Author(s):  
John B. Carlson
Keyword(s):  
Popular Culture ◽  
Rites Of Passage ◽  
Classic Maya ◽  
Ancient Maya ◽  
Eternal Return ◽  
Late Classic ◽  
Cultural Contexts ◽  
The World ◽  
Western Scholarship

AbstractSpeculation about what ancient Maya texts have to say about 2012 is becoming a global phenomenon in popular culture. This speculation, largely apocalyptic, is more often based on acquaintance with historical Western interpretations than on familiarity with the texts themselves and their cultural contexts. This paper approaches the 2012 phenomenon through close readings of Maya texts and images considered within the contexts of historical and contemporary Maya culture and Western scholarship. It focuses on images of mythological events depicted on two Late Classic Maya vessels: the ‘Vase of the Seven Gods’ (Kerr no. 2796) and the ‘Vase of the Eleven Gods’ (Kerr no. 7750). These images are interpreted as representing deities, gathered in ‘cosmogonic conclave’, preparing to re-create the world with their sacrifices at the last completion of a great cycle and the beginning of a new 5,125-year 13-Bakˈtun Maya ‘Long Count’. The rites of passage are presided over by an enigmatic Venus-warrior/sacrificer deity previously known only as God L. God L's principal name and nature had remained undeciphered and his identity obscure until the author's researches resulted in the decipherment and ‘reading’ presented here. This study offers an explication of why God L, whom the author has demonstrated is the Maya god of tobacco among his many aspects, takes the senior role in presiding over these 13-Bakˈtun completion rituals and why it is reasonable to hypothesize that the same entities would be back for the fulfillment of the present cycle in 2012.

Ayurveda and Communicable Diseases

2017 ◽  
Vol 2 (05) ◽  
Author(s):  
Ashok G. Naikar ◽  
Ganapathi Rao ◽  
Panchal Vinayak J.
Keyword(s):  
Oral Tradition ◽  
World View ◽  
Close Association ◽  
Practical Aspect ◽  
Oral Traditions ◽  
Local Health ◽  
The People ◽  
The World ◽  
Pertinent Question ◽  
Cultural Domination

Indian medical heritage flows in two distinctive but mutually complimenting streams. The oral tradition being followed by millions of housewives and thousands of local health practitioners is the practical aspect of codified streams such as Ayurveda, Siddha, Unani. These oral traditions are head based and take care of the basic health needs of the people using immediately available local resources. Majority of these are plant based remedies, supplemented by animal and mineral products. Many of the practices followed by these local streams can be understood and evaluated by the codified stream such as Ayurveda. These streams are not static, historical scrutiny of their evolution shows the enriching phenomena at all times. Thus we have more than 7000 species of higher and lower plants and hundreds of minerals and animal product used in local health tradition to manage hundreds of disease conditions. A pertinent question that arises here is that in which basis these systems got enriched. Is it just trial error method over a point of time which gave rise to this rich tradition, is it an intuitive knowledge born out of close association with nature. One of the reasons for this attitude can be, that one is always made to believe that the science means that which can be explained by western models of logic and epistemology. The world view being developed and adopted by the dominant western scientific paradigm never fits in to the world view being followed and practiced by the indigenous traditions. This is well accepted by us due to the last 200 yrs of political and cultural domination by western and other alien forces.

The Writings of Skryabin

2018 ◽  
Author(s):  
Simon Nicholls ◽  
Michael Pushkin ◽  
Vladimir Ashkenazy
Keyword(s):  
World View ◽  
Creative Activity ◽  
Creative Play ◽  
Religious Feeling ◽  
The World ◽  
The Face ◽  
Section Viii ◽  
The Universe ◽  
Final Text ◽  
Life Work

An introduction by Boris de Schloezer gives the genesis of the final text in the section, the Preliminary Action, and explains its relation to Skryabin’s projected life-work, the Mystery. Section I: an effusion of Orthodox religious feeling from teenage years. Sections II-VII: Around 1900, an expression of rejection of God in the face of disillusion is followed by the text of the choral finale of the First Symphony, declaring faith in the power of art. An unfinished opera libretto, symbolic in narrative, expressing belief in Art’s power to seduce and persuade. Three notebooks develop a world view in which the world is the result of the self’s creative activity. The creation of art and of the universe are identical. There is a higher self, identical with divinity. Forgetfulness of individuality leads to freedom and universal consciousness. Section VIII: The literary poem written during the composition of the symphonic Poem of Ecstasy summarises the scenario developed in the notebooks. Life starts with the desire to create, delight in creative play meets opposition, the creative goal is achieved and disappointment sets in. The process is repeated until it is realized that the struggle is itself joyful and self-affirmation is achieved. Section IX: The text of the Preliminary Action is symbolic in structure. Primal Male and Female Principles emerge; the Female is identified with Death. Life arises from the union of energies. Struggle and bloodshed follow. The conclusion is an impulse towards unification, the synthesis of experience and dematerialisation. Both the complete first draft and the incomplete revision are included.

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