scholarly journals Authenticity and fundamental onthology

2015 ◽  
Vol 58 (4) ◽  
pp. 149-182
Author(s):  
Milan Brdar
Keyword(s):  
A Priori ◽  
Object Relation ◽  
Primary Role ◽  
Fundamental Ontology ◽  
Starting Point ◽  
The World ◽  
The Subject ◽  
The One ◽  
The Way

What does Heidegger?s discussion of authenticity of Dasein, as presented in Sein und Zeit (1927), contribute to the completion of his program of fundamental ontology (aiming at the sense of being as such)? Aiming to answer to this question the author examines the way authenticity is constructed. The author specifically emphasizes the fact that the authenticity is completed within what is given in ?the One? (?das Man?), in the process by which Dasein realizes within its way of being his own specification or concretization. Furthermore Heidegger claims, on the one hand, that it is not possible to rank authenticity and inauthenticity as being something of ?higher? and ?lower? order, and, on the other hand, that the world has a transcendental status with primary role of the One (das Man). Therefore Dasein understands all from the world, builds its understanding by taking it from the world and constructing out of it its own specification. This has two important consequences: the first is the realization that authenticity has no significance for fundamental ontology, for the understanding of the Being that the Dasein has acquired is equally valuable whether it is authentic or not; and the second is that authenticity is of negligible significance, for the understanding that the Dasein has is obtained from the One, and because the world has a transcendental status, hence it is a priori as far as the understanding of all Being goes. Why then Heidegger deals with authenticity? Reason is to be found not in preparing work for fundamental onthology but in Heidegger?s anticartesianism. As he sketched the concept of Dasein in contrast to Descartes? subject, he created a problem for himself. Just as Descartes had a problem with finding the way to bring the subject to the world, Heidegger is facing a problem: How can the Dasein, as something integrated into the world as beingin- the-world and being-with-Others, come to itself? Finding the answer to this question does not engage fundamental ontology, for it must be obtained as a precondition for creating the starting point for it. Finally, the author discusses a problem that emerges from this perspective: What is the source of Heidegger?s turn (Kehre)? Emphasized as reasons are Heidegger?s anthropocentrism and remnants of the subject-object relation. Anthropocentrism, however, was already overcomed in SuZ with the thesis about the trancendentalty of the world and by de-centering the subject given the primacy of understanding as contained in the One. As for the subject-object relation, it was overcome through the very discussion of authenticity on the basis of the thesis that the Dasein and the world are in original unity. It follows, then, that Heidegger did not offer the real reasons for his turn, hence the question remains: Why Heidegger did not remain satisfied with those results? That remains to be uncovered by further analyses of his philosophy!

Ibn al-‘Arabi, Muhyi al-Din (1164–1240)

2018 ◽  
Author(s):  
Neal Robinson
Keyword(s):  
The Other ◽  
Inner Experience ◽  
Divine Essence ◽  
The World ◽  
The Subject ◽  
The Creation ◽  
One And Many ◽  
The One ◽  
Southeast Spain ◽  
The Way

Ibn al-‘Arabi was a mystic who drew on the writings of Sufis, Islamic theologians and philosophers in order to elaborate a complex theosophical system akin to that of Plotinus. He was born in Murcia (in southeast Spain) in AH 560/ad 1164, and died in Damascus in AH 638/ad 1240. Of several hundred works attributed to him the most famous are al-Futuhat al-makkiyya (The Meccan Illuminations) and Fusus al-hikam (The Bezels of Wisdom). The Futuhat is an encyclopedic discussion of Islamic lore viewed from the perspective of the stages of the mystic path. It exists in two editions, both completed in Damascus – one in AH 629/ad 1231 and the other in AH 636/ad 1238 – but the work was conceived in Mecca many years earlier, in the course of a vision which Ibn al-‘Arabi experienced near the Kaaba, the cube-shaped House of God which Muslims visit on pilgrimage. Because of its length, this work has been relatively neglected. The Fusus, which is much shorter, comprises twenty-seven chapters named after prophets who epitomize different spiritual types. Ibn al-‘Arabi claimed that he received it directly from Muhammad, who appeared to him in Damascus in AH 627/ad 1229. It has been the subject of over forty commentaries. Although Ibn al-‘Arabi was primarily a mystic who believed that he possessed superior divinely-bestowed knowledge, his work is of interest to the philosopher because of the way in which he used philosophical terminology in an attempt to explain his inner experience. He held that whereas the divine Essence is absolutely unknowable, the cosmos as a whole is the locus of manifestation of all God’s attributes. Moreover, since these attributes require the creation for their expression, the One is continually driven to transform itself into Many. The goal of spiritual realization is therefore to penetrate beyond the exterior multiplicity of phenomena to a consciousness of what subsequent writers have termed the ‘unity of existence’. This entails the abolition of the ego or ‘passing away from self’ (fana’) in which one becomes aware of absolute unity, followed by ‘perpetuation’ (baqa’) in which one sees the world as at once One and Many, and one is able to see God in the creature and the creature in God.

scholarly journals Music code of poetry Dmitry Kremeny

2019 ◽  
Vol 66 (3) ◽  
pp. 186-190
Author(s):  
Olha Petrenko
Keyword(s):  
World Music ◽  
Music Culture ◽  
Semantic Richness ◽  
Wide Range ◽  
The World ◽  
The Subject ◽  
Poetic Texts ◽  
The One ◽  
Musical Cues

The article deals with the role of musical images in the poetry of Dmitry Kremen. The subject of study is the music code, which is present in many works of the poet. Musical signs, symbols, links play a significant role in vocabulary, phraseology and other ways of poetic expressiveness. Familiarity with the subject world of D. Kremin's poetic texts includes a wide range of concepts related to the world of sounds. The additional accents of a musical-conceptual thesaurus arise when musical cues form certain speech turns that acquire the meaning of metaphors. Musical signs in the lyrics of Dmitry Kremin imply awareness of a wide range of sound associations, which the poet interprets from the standpoint of his own value attitude to them. Beethoven, Chopin, Mozart are the names-symbols of the world music culture, which occupy a significant place in the thesaurus of Dmitry Kremin's poetic texts. Behind these subject designations lies the vast world of artistic and figurative generalization and lyrical and philosophical reflections that are gaining coded meaning. Familiarity with the poetry of Dmitry Kremin proves that the leitmotif of many of his texts is the image of a violin, which acquires different semantic shades. Thus, in Beethoven's poetry, the poet emphasizes the value of music as a special language, devoid of words, but empowered to embody emotional and semantic richness, and therefore capable of being the language of angels. Music code the poetry of Dmitry Kremen is a multidimensional system in which the concept of "music" acts as a concept as a set of meaningful characters and their semantic meanings. In the process of decoding Dmitry Kremin's poetry, one can discover the deep semantic loads of the musical code, on the one hand – as the embodiment of the categories of high, sublime, valuable and eternal in the human sense, on the other – as a symbol of the extra-material, mystical, language of which the angels speak. Decoding the poet's texts is the process of extracting recognition codes and perception codes. The codes of perception in the poetry of Dmitry Kremenya are meaningful loads of texts, its semantic components, which highlight the deep meanings of texts. Through the musical code, the poet embodies the content of the categories of the sublime and the beautiful. The music code shows the understanding of poetry of Dmitry Kremenin a deeply metaphorical sense.

scholarly journals Re-rigging Othering: Subversive Infantilisation in Contemporary Bosnian-Herzegovinian Prose

2014 ◽  
Vol 6 (7) ◽  
pp. 1259-1273
Author(s):  
Fedja Borčak
Keyword(s):  
Mass Media ◽  
Bosnia And Herzegovina ◽  
The Other ◽  
Subject Position ◽  
Literary Texts ◽  
Western Discourse ◽  
The World ◽  
The Subject ◽  
The Way

In this article I put forward the concept of subversive infantilisation to designate a phenomenon in contemporary Bosnian literature, which by using a certain kind of childish outlook on the world undermines paternalistic and balkanist Western discourse on Bosnia and Herzegovina. By analysing primarily the portrayal of the role of mass media in a few literary texts, principally books by Nenad Veličkovié and Miljenko Jergovié, I highlight the way in which these texts “re-rig” and by means of irony and exaggeration illuminate the problematic logic inherent in the subject position from which one represents the other. Textual characteristics of subversive infantilisation are contextualised further and seen as a discursive continuation of experiences of the 1990s war in Bosnia and Herzegovina.

Metaphor as argument: A stylistic genre-based approach

2012 ◽  
Vol 21 (2) ◽  
pp. 119-135 ◽  
Author(s):  
Dany Badran
Keyword(s):  
Rhetorical Analysis ◽  
The Other ◽  
One Dimension ◽  
Situational Context ◽  
Other Hand ◽  
The Subject ◽  
The One ◽  
Reader Reaction ◽  
The Way

One of the most intriguing questions in both stylistic and rhetorical analyses relates to determining textual effect on readers, aesthetic or otherwise. Whether the power of the text is directly associated with the role of the text producer and his or her intentions, the linguistic, paralinguistic, extralinguistic and situational context of the text, the background and socio-cognitive expectations of the reader, or a combination of some or all of these factors (or other factors) is a question that is still the subject of stylistic and rhetorical analysis today. This article is a further step in this direction. It attempts to investigate one dimension of textual effect, namely uniformity in reader reaction to an argumentative poem entitled Dinner with the Cannibal, by focusing on the roles that genre and metaphor play in ideologically positioning readers. It argues, on the one hand, that literature is the dominant genre in this hybrid literary-argumentative poem, channelling the readers’ initial interpretations almost exclusively in the interest of more traditional literary interpretative approaches. On the other hand, and more importantly, it focuses on the role that metaphor, as a cognitive link between text producer and reader, plays in the construction of an extremely controlled, uniform interpretation of the argumentative dimension to the poem. The overall effect of the way genre and metaphor function in this argumentative poem, it is concluded, is highly ideological.

scholarly journals A crise dos fundamentos das ciências modernas: Uma leitura a partir de Edmund Husserl

2015 ◽  
Vol 7 (14) ◽  
pp. 27
Author(s):  
Rogério Miranda de Almeida ◽  
Irineu Letenski
Keyword(s):  
20Th Century ◽  
Edmund Husserl ◽  
Modern Science ◽  
Subject Knowledge ◽  
Starting Point ◽  
The World ◽  
Logical Investigations ◽  
The Subject ◽  
Scientific Positivism

Estas reflexões têm como objetivo principal analisar a crise dos fundamentos das ciências modernas na perspectiva de Edmund Husserl. Com efeito, na primeira metade do século XX, o autor das Investigações lógicas levanta o brado em torno da existência de uma crise científica e, ao mesmo tempo, procura diagnosticar as causas e remediar os males que acarretaram tal crise. Mais precisamente, o pensamento husserliano tem como ponto de partida a crítica aos limites e à possibilidade do conhecimento proposto pelas filosofias de Descartes e de Kant. Mas Husserl ataca igualmente o espírito reducionista do positivismo científico – com o desenvolvimento e a sofisticação de suas técnicas – assim como a imposição não menos reducionista do historicismo que, ao afastarem o “sujeito do mundo”, romperam suas “relações primigênias”, espoliando assim o papel do sujeito na construção do conhecimento.Abstract: These reflections aim principally at analyzing the crisis of the modern science foundations from Edmund Husserl’s perspective. Indeed, at the first half of the 20th century, the author of Logical Investigations points vehemently out to the existence of a scientific crisis and tries, at the same time, to diagnose the causes and to show a solution to the disadvantages that brought about such a crisis. More precisely, the Husserlian thought has as its starting point the critique against the limits and the possibilities of knowledge proposed by the philosophies of Descartes and Kant. However, Husserl also attacks the reducing spirit of scientific positivism – together with the development and sophistication of its techniques – as well as the no less reducing and imposing historicism. Both trends have not only removed the “world subject”, but also disrupted its “primeval relations” having, thus, deprived the role of the subject in the construction of knowledge.Keywords: Husserl, crisis, sciences, subject, knowledge.  

scholarly journals Na tronie i obok tronu. O kobietach w życiu publicznym Polski przedrozbiorowej

2018 ◽  
pp. 207-218
Author(s):  
Marceli KOSMAN
Keyword(s):  
Political Culture ◽  
18Th Century ◽  
Women's Liberation ◽  
Monographic Study ◽  
Women’S Liberation ◽  
The World ◽  
The Subject ◽  
Democratic Systems ◽  
The Way

The royal throne was a permanent element of feudal political culture, and the institution of the monarchy, albeit decidedly less significant, has survived until today, playing a primarily symbolic role in the democratic systems in Europe. The subject of the paper looks at the role of Polish rulers’ wives, as the majority of monarchs started a family, and their offspring later took the throne. This was the case of both great dynasties – the Piasts, from the mid-10th century, i.e. from the baptism of Mieszko I, and the Jagiellons (until 1572). After these dynasties ended, the period of elective kings, who were crowned with their wives, started. Over the years, at the very least, the informal role of the queens was growing. This process paved the way to women’s liberation, and, as of the end of the 18th century, it also encompassed the families of magnates and affluent gentry. A meaningful statement can be found in the poetry written by Bishop Ignacy Krasicki in the latter half of the same century, when he addressed men saying: “we rule the world, and women rule us”. The paper is only a sketch and promises a more in-depth monographic study.

scholarly journals Understanding the growth of the Fediverse through the lens of Mastodon

2021 ◽  
Vol 6 (1) ◽  
Author(s):  
Lucio La Cava ◽  
Sergio Greco ◽  
Andrea Tagarelli
Keyword(s):  
Online Social Networks ◽  
Structural Features ◽  
Primary Role ◽  
Extensive Analysis ◽  
Open Questions ◽  
Starting Point ◽  
Set Up ◽  
The One ◽  
Distinguishing Features

AbstractOpen-source, Decentralized Online Social Networks (DOSNs) are emerging as alternatives to the popular yet centralized and profit-driven platforms like Facebook or Twitter. In DOSNs, users can set up their own server, or instance, while they can actually interact with users of other instances. Moreover, by adopting the same communication protocol, DOSNs become part of a massive social network, namely the Fediverse. Mastodon is the most relevant platform in the Fediverse to date, and also the one that has attracted attention from the research community. Existing studies are however limited to an analysis of a relatively outdated sample of Mastodon focusing on few aspects at a user level, while several open questions have not been answered yet, especially at the instance level. In this work, we aim at pushing forward our understanding of the Fediverse by leveraging the primary role of Mastodon therein. Our first contribution is the building of an up-to-date and highly representative dataset of Mastodon. Upon this new data, we have defined a network model over Mastodon instances and exploited it to investigate three major aspects: the structural features of the Mastodon network of instances from a macroscopic as well as a mesoscopic perspective, to unveil the distinguishing traits of the underlying federative mechanism; the backbone of the network, to discover the essential interrelations between the instances; and the growth of Mastodon, to understand how the shape of the instance network has evolved during the last few years, also when broading the scope to account for instances belonging to other platforms. Our extensive analysis of the above aspects has provided a number of findings that reveal distinguishing features of Mastodon and that can be used as a starting point for the discovery of all the DOSN Fediverse.

scholarly journals The Role of Elected Scholars on Interfaith Harmony in Pakistan - A Research Study

2020 ◽  
Vol 3 (01) ◽  
pp. 1-18
Author(s):  
Dr. Hafiz Ghulam Anwar Azhari ◽  
Zahoor Alam
Keyword(s):  
Research Study ◽  
Vital Role ◽  
The Other ◽  
Internal Conflicts ◽  
Other Hand ◽  
The World ◽  
Welfare Society ◽  
The One ◽  
The Way

Islam is a humanity based religion and unity plays of a vital role in it. It is not possible for a humane person to deny the importance of unity for a better society. It is the one thing that leads the nations of the world in the way of progress and prosperity. On the other hand chaos and anarchy is such a curse that makes a nation fall into the depths of disgrace. No enemy needs to fight such nation to defeat it. Their own internal conflicts and chaos is enough to dismantle them. Unfortunately this egoism and prejudice has reached its climax among the Muslims of Pakistan. We have failed ourselves in building a balanced progressive and welfare society based on two nation theory. Witnessing this situation many scholars from different schools of thoughts have tried their best towards the progress of inter-Muslim harmony and tolerance. In this regard they have highlighted the evil effects of chaos and positivity of unity. They have also brought forward such advises both in speech and written through which damage caused by sectarianism can be handled.

scholarly journals El problema de la donación en la reflexión de Patočka

2021 ◽  
pp. 19
Author(s):  
Marco Barcaro
Keyword(s):  
The Self ◽  
The Third ◽  
The World ◽  
History Of ◽  
The Subject ◽  
Phenomenal Field ◽  
Pure Immanence ◽  
The Way

Esta contribución presenta como el concepto filosófico de “donación” es reinterpretado en la reflexión de Patočka. Partiendo de la lección husserliana, gracias a la cual las cosas son dadas en la pura inmanencia de la consciencia, él critica esta orientación “subjetivista” porque no desarrolla adecuadamente el tema del aparecer en el campo fenomenal. La segunda sección analiza tres desplazamientos metódicos que abarcan: el rol del sujeto, su relación con la trascendencia, el darse a sí mismo del mundo en su totalidad. La tercera sección compara la reflexión de Patočka con dos referencias cruzadas a algunos intentos similares en la historia de la fenomenología. El tema de “la donación”, por tanto, nos traslada al mayor problema con el que ha trabajado siempre la filosofía: la manifestación del mundo. Patočka intentó esclarecer este problema mediante dos metáforas (el espejo y la pintura), pero también subrayó cómo concierne el modo en el que el hombreinterpreta la propia existencia.This paper presents how the philosophical key concept of givenness is reinter-preted in Patočka's reflection. Starting from the Husserlian idea, according to which things are given in the pure immanence of consciousness, Patočka criticized this "subjectivist" orientation because it doesn’t adequately develop the appearing in the phenomenal field. The second section analyzes three main methodical shifts concerning: the nature and the role of the subject, its relationship with the transcendence, the self-giving of the world as a whole. The third section compares Patočka's reflection and two cross-references to similar undertaking in the history of phenomenology. The theme of givenness brings us back in the end to the biggest problem within which philosophy has always worked: world manifestation. Patočka tried to clarify this issue through two metaphors (the mirror and the painting), but he also highlighted as it concerns the way in which man interprets his existence. 

Self-Knowledge as Non-Dual Awareness: A Comparative Study of Plotinus and Indian Advaita Philosophy

2017 ◽  
Vol 11 (2) ◽  
pp. 117-148
Author(s):  
Binita Mehta
Keyword(s):  
Comparative Study ◽  
Object Relation ◽  
The Self ◽  
The Subject ◽  
Self Knowledge ◽  
The One ◽  
Real Self ◽  
Dual Consciousness ◽  
Knowledge Demands

AbstractThe paper examines the problem of self-knowledge from the perspectives of Plotinus and the Indian Advaita (non-dual) school. Analyzing the subject-object relation, I show that according to both Plotinus and Advaita thinkers, full self-knowledge demands complete absence of otherness. Plotinus argues that if self-consciousness is divided into subject-object relation then one will know oneself as contemplated but not as contemplating (v.3.5) and no real self-knowledge obtains in this case. Śaṅkara, who constitutes an important representative of Advaita thought, points out that the self cannot know itself as an object because what is called an object to be known becomes established when it is separated from the self, the subject. I argue that at the level of the One, similar to the state of ātman consciousness in Advaita framework, the soul experiences itself in expansive non-dual consciousness. Lastly, I examine the role of non-duality as the foundation of knowledge.

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