scholarly journals On the chanting space and hymns that were sung in it. Searching for chanting-architectural connections in the middle ages

Muzikologija ◽  
2017 ◽  
pp. 145-173 ◽  
Author(s):  
Vesna Peno ◽  
Marija Obradovic
Keyword(s):  
Middle Ages ◽  
Cultural Transformation ◽  
Future Research ◽  
Historical Sources ◽  
Architectural Form ◽  
Liturgical Art ◽  
15Th Century ◽  
Byzantine Period ◽  
Significant Addition ◽  
Church Art

The search for the unexplained interactions of domestic medieval liturgical music and sacred architecture of the Moravian style has not been the subject of interdisciplinary study so far. A reflection on the potential relationg between church chanting and architecture is absent from the largest part of the existing literature on the development of medieval sacral art. The scarcity of written historical sources, and especially musical ones, made it particularly difficult to define the connection between the chanting circumstances and the changes in the architectural form of the late Byzantine period, which is almost a standardized Moravian architectural form. The earliest preserved bilingual - Greek-Slavic neumatic manuscripts, mentioning both the names of the first famous Serbian medieval composers, and the more or less well known late Byzantine musicians who had actively participated in the earliest religious services of the Serbian Church, confirm that the culmination of the chanting art in Serbia occured precisely at the turn of the 15th century and then until the fall of Serbia under Turkish rule. Comparing the available data, with a general insight into the migration flows that led to the Byzantinization of Serbian culture in that period, showed that after the reconciliation of the Serbian Patriarchate and the Patriarchate of Constantinople, in 1374, the world-class building tradition was adopted, which until then was sporadically seen on the Serbian soil. The architectural form of the Moravian style would become recognizable by the singing apses in the axis of the transept, in the middle of the already adopted form of the inscribed cross from the early 14th century. Within the framework of the overall church, political and cultural transformation that was visible in Serbian society, the chanting practice of the Serbian Church, or more precisely the greater affirmation of the liturgical art and the increase in the number of the chanters, certainly had a share both in acceptance and in the consistent implementation of the architectural solutions of the Moravian style. Future research should focus on the holistic analysis of the Moravian cultural heritage, in order to map the movement of the known and unknown Serbian Greek melods and determine the scope of their activity. The existing knowledge of the architectural features of the Moravian sacred buildings will thus receive a significant addition, from the liturgical and religious service in which each form of church art is individually represented as part of a much more complex artistic ensemble with which the Kingdom of Heaven on the Earth is iconized.

scholarly journals A Kampfschwert from the 15th century – a reinterpretation of the so called ‘Teutonic estoc’ from the Princes Czartoryski Collection in Cracow, Poland

2015 ◽  
Vol 1 (1) ◽  
Author(s):  
Maciej Talaga
Keyword(s):  
Middle Ages ◽  
Historical Sources ◽  
Scholarly Literature ◽  
15Th Century ◽  
The Subject ◽  
Inventory Number ◽  
The Middle Ages

The paper aims at reinterpreting the so called ‘Teutonic estoc’ (inventory number: MNK XIV-49) from the Czartoryski Princes Collection, Cracow, Poland. Due to the weapon’s unusual construction it has been necessary to draw up precise documentation - written, drawn and photographic. It has been supplemented with research in historical sources and scholarly literature on the subject. The results obtained indicate that the researched weapon is not a typical estoc. It seems that it is a specialized anti-armour sword (Kampfschwert in German) designed for fighting against a heavy armoured opponent in judicial combat. If this conclusion were correct, the ‘Teutonic estoc’ from Cracow would be the only known artefact of this kind to have survived from the Middle Ages. In order to falsify this hypothesis the artefact’s authenticity has been examined. An analysis of Royal Inventory records spanning from the year 1475 to 1792 and younger remarks about the researched weapon in press, private letters and scholarly literature has been conducted and briefly reported hereby. Its results seem to indicate that it is not a hoax.

scholarly journals A Kampfschwert from the 15th century – a reinterpretation of the so called ‘Teutonic estoc’ from the Princes Czartoryski Collection in Cracow, Poland

2015 ◽  
Vol 2015 (2) ◽  
pp. 1-21
Author(s):  
Maciej Talaga
Keyword(s):  
Middle Ages ◽  
Historical Sources ◽  
Scholarly Literature ◽  
15Th Century ◽  
The Subject ◽  
Inventory Number ◽  
The Middle Ages

Abstract The paper aims at reinterpreting the so called ‘Teutonic estoc’ (inventory number: MNK XIV-49) from the Czartoryski Princes Collection, Cracow, Poland. Due to the weapon’s unusual construction it has been necessary to draw up precise documentation - written, drawn and photographic. It has been supplemented with research in historical sources and scholarly literature on the subject. The results obtained indicate that the researched weapon is not a typical estoc. It seems that it is a specialized anti-armour sword (Kampfschwert in German) designed for fighting against a heavy armoured opponent in judicial combat. If this conclusion were correct, the ‘Teutonic estoc’ from Cracow would be the only known artefact of this kind to have survived from the Middle Ages. In order to falsify this hypothesis the artefact’s authenticity has been examined. An analysis of Royal Inventory records spanning from the year 1475 to 1792 and younger remarks about the researched weapon in press, private letters and scholarly literature has been conducted and briefly reported hereby. Its results seem to indicate that it is not a hoax.

Sicily before the Muslims. The Transformation of the Roman Villas between Late Antiquity and the Early Middle Ages, Fourth to Eighth Centuries CE

2016 ◽  
Vol 3 (1-2) ◽  
Author(s):  
Angelo Castrorao Barba
Keyword(s):  
Roman Empire ◽  
Middle Ages ◽  
Late Antiquity ◽  
Eighth Century ◽  
Future Research ◽  
Late Antique ◽  
Productive Activities ◽  
Byzantine Period ◽  
New Settlements

AbstractThis article treats the issue of transformation in the Sicilian countryside between Late Antiquity and the Byzantine period by analyzing the fate of the Roman villas. A brief synthesis of the European debate over the end of the Roman villas helps to find new interpretative keys for the Sicilian contexts within the changes of the settlement dynamics among the last centuries of the Roman Empire and the Muslim conquest of the island. Descriptions of the primary characteristics of the Late Antique villas in Sicily can be divided into two main phases: between the third and the fifth centuries, the villas were ‘monumentalized’ as a sign of the wealth of the owners and the reorganization of the Late Roman agrarian system; from the fourth/fifth to the eighth century, some villas were reoccupied and reused in different ways (burials, new settlements, productive activities, places of worship). The study also performs some statistical analysis about chronological trends to track long-term transformations of the villas. The article concludes with some reflections and questions for future research on the complexity of rural Sicilian society during Late Antiquity and the Byzantine period.

Serge Moscovici's "Réflexions sur la popularité des conspiracy mentalities"

2020 ◽  
Author(s):  
Olivier Klein
Keyword(s):  
Middle Ages ◽  
French Revolution ◽  
Social Representations ◽  
Social Representation ◽  
Future Research ◽  
Conspiracy Theories ◽  
The Enlightenment ◽  
The People ◽  
Social Representation Theory ◽  
The Masses

This is a pdf of the original typed manuscript of a lecture made in 2006. An annotated English translation will be published by the International Review of Social Psychology. I this text, Moscovici seeks to update his earlier work on the “conspiracy mentality” (1987) by considering the relationships between social representations and conspiracy mentality. Innovation in this field, Moscovici argues, will require a much thorough description and understanding of what conspiracy theories are, what rhetoric they use and what functions they fulfill. Specifically, Moscovici considers conspiracies as a form of counterfactual history implying a more desirable world (in which the conspiracy did not take place) and suggests that social representation theory should tackle this phenomenon. He explicitly links conspiracy theories to works of fiction and suggests that common principles might explain their popularity. Historically, he argues, conspiracism was born twice: First, in the middle ages, when their primary function was to exclude and destroy what was considered as heresy; and second, after the French revolution, to delegitimize the Enlightenment, which was attributed to a small coterie of reactionaries rather than to the will of the people. Moscovici then considers four aspects (“thematas”) of conspiracy mentality: 1/ the prohibition of knowledge; 2/ the duality between the majority (the masses, prohibited to know) and “enlightened” minorities; 3/ the search for a common origin, a “ur phenomenon” that connects historical events and provides a continuity to History (he notes that such a tendency is also present in social psychological theorizing); and 4/ the valorization of tradition as a bulwark against modernity. Some of Moscovici’s insights in this talk have since been borne out by contemporary research on the psychology of conspiracy theories, but many others still remain fascinating potential avenues for future research.

Venedig und der „wilde Osten“

2020 ◽  
Vol 100 (1) ◽  
pp. 208-260
Author(s):  
Christof Paulus ◽  
Albert Weber
Keyword(s):  
Middle Ages ◽  
Information Acquisition ◽  
Research Field ◽  
15Th Century ◽  
Late Middle Ages ◽  
Ranking Criteria ◽  
Areas Of Interest ◽  
And Control

AbstractVenice is considered the best-informed community of the late Middle Ages. The study examines the availability of information for the second half of the 15th century, particularly with regard to the key year 1462/1463, and as a case study concentrates on areas of the supposed Venetian periphery of interest, above all Hungary and the two principalities of Wallachia and Moldavia. The result is a thoroughly differentiated system of information acquisition, verification and control. Means of communication, as well as different areas of interest of the Serenissima, can be identified. A distinction is made between information maps and communication maps. The latter also include the distribution of news from the lagoon city exchanged with foreign envoys. During the period concerned, news was exchanged in an astonishingly liberal way, in turn integrating the Serenissima into the information networks of the other Italian states. The study thus places the „information commodity“ within the research field of late medieval gift exchange and patronage structures. In short, a thoroughly pragmatic Venetian approach to news acquisition and evaluation can be observed. Verification of the quality of the information obtained was subject not least to quantitative and ranking criteria. Ultimately, the informational power of Venice was based above all on its outstanding reputation among its contemporaries.

WESTERN EUROPEAN AND BYZANTINE SOURCES OF THE MIDDLE AGES ABOUT THE RELATIONS BETWEEN WESTERN AND EASTERN CHRISTIANS AND THE CAPTURE OF CONSTANTINOPLE BY THE CRUSADERS IN 1204

2021 ◽  
pp. 60-73
Author(s):  
Dmitriy M. Abramov ◽  
Keyword(s):  
Roman Empire ◽  
Middle Ages ◽  
Historical Sources ◽  
The Cross ◽  
Western European ◽  
The Military ◽  
Detailed Picture ◽  
The Middle Ages

Historical sources and evidence of the eyewitnesses of the 4th crusade in many respects reflect the complexity and sharpness of the contradictions between the Western and Eastern Christendom at the turn of the 12th – 13th centuries. The evidence and narrations proceed from the most direct participants in the military events, broke out on the shore of the Bosporus in 1203–1204. The authors of those materials belonged to the two opposing camps, and therefore the analysis of those sources represents a sufficiently complete and detailed picture of the occurred tragedy. A thorough analysis of the sources makes it possible to at least partially see and comprehend the causes of the military confrontation between the Western and Eastern Christians, who represented – just a while ago, in the first half of the 11th century – the united Ecumenical Church. The sources vividly reflect the mood that prevailed in the crusaders’ encampment in April, 1204, hesitation and doubt of the bulk of the Cross Warriors who were not sure of the rightness of their actions in the preparation for the assault of Constantinople. Many of them understood that they would have to raise the sword against their fellow believers – the Christians of the East. But the most tragic outcome of the 1202–1204 Crusade was the crushing defeat of Constantinople by the Cross Warriors. For the Romans (Byzantines) that became the reason for the disintegration of the Roman Empire. For all Eastern Christians it indicated the demise of the capital of the Orthodox Christendom.

scholarly journals Early Modern Jewish History

2012 ◽  
Author(s):  
David B. Ruderman ◽  
Francesca Bregoli
Keyword(s):  
Early Modern ◽  
Middle Ages ◽  
Jewish History ◽  
18Th Century ◽  
Geographical Area ◽  
Panoramic View ◽  
Early Modernity ◽  
15Th Century ◽  
Modern Jewish History ◽  
Bibliographical Survey

The term “early modernity” as the name of a period roughly extending from the end of the 15th century to the end of the 18th century has been only recently employed by historians of Jewish culture and society. Despite a plethora of new studies in the last several decades, few attempts have been made to define the period as a whole as a distinct epoch in Jewish history, distinguishable from both the medieval and the modern periods. Some historians have remained indifferent to demarcating the period, have simply designated it as an extension of the Middle Ages, or have labeled it vaguely as a mere transitional stage between medievalism and modernity without properly describing its distinguishing characteristics. A few historians have used the term “Renaissance” to apply to the cultural ambiance of Jews living in Italy in the 15th and 16th centuries alone without delineating the larger period and the more comprehensive geographical area. The bibliographical survey that follows focuses on the entire period of three hundred years and attempts to provide a panoramic view of European and Ottoman Jewries both as distinct subcommunities and in their broader connections with each other.

scholarly journals “Making the face beautiful”(feature on medieval beauty products)

2020 ◽  
pp. 73-79
Author(s):  
Radivoj Radic
Keyword(s):  
Middle Ages ◽  
Medical Texts ◽  
Medieval Medicine ◽  
15Th Century ◽  
Late Middle Ages ◽  
The Face ◽  
Bad Breath ◽  
Ambivalent Relationship ◽  
The Church ◽  
Beauty Products

In the Middle Ages, people had an ambivalent relationship to the beauty products: some were fully supportive of the attempts to beautify oneself, while the others, first and foremost the representatives of the church, frowned upon this notion. This feature represents a show?case of the advice and recipes for beautification from two medical collections created in the late Middle Ages. These are the Byzantine medical treatise (dating from 11th to 14th century) and the collection of Serbian medieval medicine, the so-called Hodoch Code (dating from the end of the 14th or beginning of the 15th century). The treatise is focusing more on the practical advice than theoretical knowledge, and its greatest part is dedicated to pharmacology. Hodoch Code (Hodoski zbornik) is in fact a therapeutic collection, and it consists of diverse medical texts. These collections contain the advice how to make one?s face white, hair black or blond, but most certainly rich in volume, as well as recipes for treating facial lines, warts, freckles, cracked lips or bad breath.

Jihad as an Individual Duty (farḍ al-ʻayn) in the Ideology of Circassian Sultans (1382–1517)

2021 ◽  
Vol 25 (4) ◽  
pp. 352-365
Author(s):  
Evgeny I. Zelenev ◽  
Milana Iliushina
Keyword(s):  
Middle Ages ◽  
Essential Feature ◽  
Theory And Practice ◽  
15Th Century ◽  
History Of Development ◽  
Balanced Approach ◽  
History Of ◽  
Mamluk Period ◽  
The Individual ◽  
Key Aspects

This article is devoted to the study of the development of the theory and practice of jihad during the rule of the Circassian sultans in Egypt and Syria (1382–1517). The purpose of the study is to trace the development of key aspects of jihad, to identify features of its perception in the Mamluk state. An essential feature of the theory of jihad in the Mamluk period is the interpretation of jihad as farḍ al-ʿayn (the individual duty of every Muslim). While studying the theory of jihad, the authors rely on a holistic and balanced approach justified in the papers of M. Bonner and D. Cook and their interpretation of the concept of jihad, which has a centuries-old history of development and a sophisticated, multi-layered set of meanings. Another methodological basis of the present paper was the concept of minimalism and maximalism, developed by Yusef Waghid. The source base for the study of jihad theory is the works of Ibn al-Nahhas (d. 1411), a prominent philosopher of the Mamluk era. The interpretation of jihad as an individual duty of every Muslim, substantiated by Ibn al-Nahhas, was the foundation of the volunteer movement that developed in Egypt and Syria in the 15th century. The doctrine of jihad where the concepts of justice (al-‘adl) and truth (al-ḥaqq) play a key role, was used by the Mamluks and then by the Ottomans as a powerful ideological tool to manipulate the minds of Muslims. The relevance of the study is that the findings are not only true for the Middle Ages but are directly related to the present.

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