scholarly journals The non-aligned humanism of Rudolf Bruci: The composer and the society of self-management socialism

Muzikologija ◽  
2017 ◽  
pp. 83-97
Author(s):  
Nemanja Sovtic

In 1979 the oratorio We Are All a Single Party was performed, composed by the Yugoslav composer Rudolf Bruci, who in an interview for the Novi Sad daily newspaper Dnevnik explained his driving motives in the following way: ?I wanted to preserve the spirit of our revolutionary songs and to speak in a modern, familiar way, understandable to everyone, about the decades in which our revolution was born and grew; about the legendary activities of pre-war communists, the difficult days of the War of National Liberation, the liberation and reconstruction of the country, about Tito and his invaluable contribution to the development of our selfmanagement socialism and non-aligned humanism? (Dnevnik, 10 April, 1979). In this article I argue that the syntagm ?non-aligned humanism? is suitable for identifying the connection between the aesthetic and the political in Rudolf Bruci?s creative output, observed as a consistent author?s opus. At the core of this thesis lies the assumption that non-alignment in regard to the West or East was a major political and aesthetic orientation of Yugoslav self-management socialism. The intersubjective field of this self-management socialist pluralism produced creative entities - composers such as Bruci - whose works were created under the principles of direct political engagement and modernist aestheticism as different manifestations of the same ideology. Within the specific rationality of non-aligned humanism, the concrete poetic-morphological characteristics of Bruci?s compositions become coherent subjective (Bruci?s personal) and objective (social) achievements.

2018 ◽  
Vol 9 ◽  
pp. 95-109
Author(s):  
Ewa Matkowska

Propaganda campaigns and strategies accompanying the construction of the Berlin Wall The article deals with propaganda campaigns connected with the construction of the Berlin Wall. Propaganda activities assisted the police operations which were aimed at the separation of the east sector from the west sectors of Berlin. These activities took place before, during and after the operation 13, August 1961. In the first part of the paper I describe the prior campaign on the basis of daily newspaper „Neues Deutschland”, the main press organ of the political party SED. The two dominating topics are related: „the human trafficking” and the people regularly crossing the sector border. Refugees became the main topic of the campaign due to the constant mass outflow of people from 100 to even 300 thousand people fled through West Berlin annually. The fake story, common in the soviet Stalin era, tells about western agents recruiting and trading citizens of the GDR to the West. They were denominated by the propaganda as „head hunters” or „human traffickers”. The people regularly crossing the sector border became the inner enemy. They lived in the eastern sector and worked in the western sectors which resulted in higher revenue. By manipulating the aroused feeling of jealousy the propagandists turn the group into a scapegoat. They accuse them of lack of merchandise and of offences. To put an end to these activities the border had to be closed. The closer to the day of the operation, the more aggressive and hysteric becomes the campaign. The culminant events are the „show trials” at the end of July 1961 during which the assumed „human traffickers” are sentenced to prison. The second part of the article deals with post campaigns which aimed at integration of the citizens within the borders of the DDR.


Author(s):  
Tomasz Szczepanek

“Close Enough”: Images of the Failure of the 1990s’ Political Transformation in Poland as Exemplified by Władysław Pasikowski’s Psy [Pigs] and Andrzej Żuławski’s Szamanka [She-Shaman]This article problematizes the Polish cinema of the 1990s by analyzing it in terms of the aesthetic of failure. Of crucial importance for that interpretation is the postcolonial perspective. Seen from this perspective, Poland of the political transformation period appears a land of unfulfilled dreams of being-like-the-West. One of the spheres where this is visible is the Polish cinematography of that time.Close enough – obrazy porażki transformacji ustrojowej w Polsce lat dziewięćdziesiątych XX wieku na przykładzie Psów Władysława Pasikowskiego i Szamanki Andrzeja ŻuławskiegoNiniejszy tekst problematyzuje kwestię polskiego kina lat dziewięćdziesiątych XX wieku w kategoriach estetyki porażki. Kluczowe znaczenie dla tego rozpoznania ma perspektywa postkolonialna, w której Polska czasów transformacji jawi się jako kraina niespełnionych marzeń o byciu-jak-Zachód, co widać m.in. w kinematografii tamtego okresu.


J. M. Synge ◽  
2021 ◽  
pp. 136-168
Author(s):  
Seán Hewitt

While travelling in the ‘Congested Districts’ of Mayo and Connemara with Jack Yeats in early summer 1905, on commission for The Manchester Guardian, Synge wrote a short vignette which he later added to the fourth part of his as-yet-unpublished prose narrative, The Aran Islands. The vignette in question takes the form of an inserted ‘set piece’ in which a crow is found trying to smash a golf ball. Here, the manuscript reveals the effects of the Guardian commission in confirming Synge’s oppositions to modernization in the west of Ireland and in prompting an increasing irony towards his earlier Romanticism. Taking this ‘set piece’ as its starting point, this chapter mobilizes Synge’s reading in socialism, and his correspondence and drafts for the Guardian commission, to demonstrate the writer’s socialist proclivities and to chart their nuances. Drawing on the earlier chapters of the book, this chapter shows that Synge’s socialism is rooted in nature and mystical experience, and in thought patterns borrowed from Spencerian evolutionism: he opposes modernization when it takes on a homogenizing form which he perceives as anti-nature. By showing that for Synge the aesthetic is politicized, and the political aestheticized, this chapter also registers a recalibrated Synge, evolving a more modernist response to his own notoriety. It concludes by positing the revision of his subsequent article, ‘The People of the Glens’, as a measure of an increasingly ironic sensibility, leading into the elaborate ironical, political structures of his final completed play, The Playboy of the Western World.


1963 ◽  
Vol 5 (2) ◽  
pp. 177-211
Author(s):  
James Becket

Of all the generalizations about Chile, those dealing with geography are the most accurate. Geographical facts have given shape and character to Chilean life and Chilean problems. Nature gave the heart of Chile patches of excellent soil and a climate kind to man. But this central valley is isolated, bounded on the north by desert, the east by towering mountains, the west by a cold and tempestuous ocean, and the south by the end of the world. Ownership of the land has been the keystone of Chilean history, and the fertile land is in the core region of the nation. There, in Mediterranean Chile, live three-quarters of the nation's population, there resides the political power in a unitary republic in which the president appoints provincial governors and there are no provincial assemblies, there are owned and managed the enterprises of north and south.


2019 ◽  
Vol 2 (2) ◽  
pp. 223-250
Author(s):  
Ririn Risnawati

This study examines the Political News Analysis of the Sovereignty of the People's Sovereignty on Eradicating Corruption as the Independence of the Mass Media in Proclaiming the Performance of the Jokowi-JK Government which focuses on 1 year of its administration (20 October 2014 October 20 2015). This research is based on two things, namely: first, how is the analysis of the political news regarding Corruption Eradication in the local mass media (Kedaulatan Rakyat) in reporting on the performance of the Jokowi-JK government; second, how the independence of the local mass media in reporting on the performance of the Jokowi-JK government in the area of ??corruption eradication. Media independence is seen from the method of Qualitative Approach with Critical Paradigm namely Critical Discourse Analysis; using Teun A. van Dijk's Model Analysis of text production involving aspects of cognition and social context.  The production of text in the political news regarding the Eradication of Corruption in Judging the Performance of the Jokowi-JK Government presented by the Kedaulatan Rakyat SKH is a strong text structure. The Kedaulatan Rakyat Daily Newspaper is able to provide detailed Semantic Structure and more coherent relationships between words / sentences. In addition, the Kedaulatan Rakyat Daily Newspaper minimizes graphics and metaphor as rhetorical elements so as to be able to present more real and factual news. starting from text, social cognition and social context. The news on SKH Kedaulatan Rakyat is able to present the factual news objectivity in accordance with the truth and relevance. Not only that, the objectivity of the news about justice is able to be fulfilled by the People's Sovereignty SKH by presenting balanced news and explaining it more neutral without the support of the mass media. Keywords: Political News, Independence, Mass Media, Eradication of Corruption


Author(s):  
Phyllis Lassner

Espionage and Exile demonstrates that from the 1930s through the Cold War, British Writers Eric Ambler, Helen MacInnes, Ann Bridge, Pamela Frankau, John le Carré and filmmaker Leslie Howard combined propaganda and popular entertainment to call for resistance to political oppression. Instead of constituting context, the political engagement of these spy fictions bring the historical crises of Fascist and Communist domination to the forefront of twentieth century literary history. They deploy themes of deception and betrayal to warn audiences of the consequences of Nazi Germany's conquests and later, the fusion of Fascist and Communist oppression. Featuring protagonists who are stateless and threatened refugees, abandoned and betrayed secret agents, and politically engaged or entrapped amateurs, all in states of precarious exile, these fictions engage their historical subjects to complicate extant literary meanings of transnational, diaspora and performativity. Unsettling distinctions between villain and victim as well as exile and belonging dramatizes relationships between the ethics of espionage and responses to international crises. With politically charged suspense and narrative experiments, these writers also challenge distinctions between literary, middlebrow, and popular culture.


Author(s):  
Paolo Bartoloni

The Italian poet Dante Alighieri (1265–1321) is invoked several times in the work of Giorgio Agamben, often in passing to stress a point, as when discussing the political relevance of désoeuvrement (KG 246); to develop a thought, as in the articulation of the medieval idea of imagination as the medium between body and soul (S, especially 127–9); or to explain an idea, as in the case of the artistic process understood as the meeting of contradictory forces such as inspiration and critical control (FR, especially 48–50). So while Agamben does not engage with Dante systematically, he refers to him constantly, treating the Florentine poet as an auctoritas whose presence adds critical rigour and credibility. Identifying and relating the instances of these encounters is useful since they highlight central aspects of Agamben’s thought and its development over the years, from the first writings, such as Stanzas, to more recent texts, such as Il fuoco e il racconto and The Use of Bodies. The significance of Agamben’s reliance on Dante can be divided into two categories: the aesthetic and the political. The following discussion will address each of these categories separately, but will also emphasise the philosophical continuity that links the discussion of the aesthetic with that of the political. While in the first instance Dante is offered as an example of poetic innovation, especially in relation to the use of language and imagination, in the second he is invoked as a forerunner of new forms of life. Mediality and potentiality are the two pivots connecting the aesthetic and the political.


2013 ◽  
Vol 3 (2) ◽  
pp. 161-183
Author(s):  
Mary L. Mullen

This article considers the politics and aesthetics of the colonial Bildungsroman by reading George Moore's often-overlooked novel A Drama in Muslin (1886). It argues that the colonial Bildungsroman does not simply register difference from the metropolitan novel of development or express tension between the core and periphery, as Jed Esty suggests, but rather can imagine a heterogeneous historical time that does not find its end in the nation-state. A Drama in Muslin combines naturalist and realist modes, and moves between Ireland and England to construct a form of untimely development that emphasises political processes (dissent, negotiation) rather than political forms (the state, the nation). Ultimately, the messy, discordant history represented in the novel shows the political potential of anachronism as it celebrates the untimeliness of everyday life.


Author(s):  
Nguyen Van Dung ◽  
Giang Khac Binh

As developing programs is the core in fostering knowledge on ethnic work for cadres and civil servants under Decision No. 402/QD-TTg dated 14/3/2016 of the Prime Minister, it is urgent to build training program on ethnic minority affairs for 04 target groups in the political system from central to local by 2020 with a vision to 2030. The article highlighted basic issues of practical basis to design training program of ethnic minority affairs in the past years; suggested solutions to build the training programs in integration and globalization period.


Mediaevistik ◽  
2020 ◽  
Vol 32 (1) ◽  
pp. 11-53
Author(s):  
Bernard S. Bachrach

During the first thirty-three years of his reign as king of the Franks, i.e., prior to his coronation as emperor on Christmas day 800, Charlemagne, scholars generally agree, pursued a successful long-term offensive and expansionist strategy. This strategy was aimed at conquering large swaths of erstwhile imperial territory in the west and bringing under Carolingian rule a wide variety of peoples, who either themselves or their regional predecessors previously had not been subject to Frankish regnum.1 For a very long time, scholars took the position that Charlemagne continued to pursue this expansionist strategy throughout the imperial years, i.e., from his coronation on Christmas Day 800 until his final illness in later January 814. For example, Louis Halphen observed: “comme empereur, Charles poursuit, sans plus, l’oeuvre entamée avant l’an 800.”2 F. L. Ganshof, who also wrote several studies treating Charlemagne’s army, was in lock step with Halphen and observed: “As emperor, Charlemagne pursued the political and military course he had been following before 25 December 800.”3


Sign in / Sign up

Export Citation Format

Share Document