scholarly journals Vasiljevic’s collections of folk melodies: A Serbian musical treasure

Muzikologija ◽  
2016 ◽  
pp. 171-198
Author(s):  
Sanja Radinovic
Keyword(s):  
World War Ii ◽  
Developmental Stages ◽  
World War ◽  
The Public ◽  
Field Worker ◽  
Great Productivity ◽  
History Of ◽  
Full Sense ◽  
Available Technology ◽  
Post War

Miodrag A. Vasiljevic (1903-1963) was given a unique opportunity to span two great developmental stages in the history of Serbian ethnomusicology, occurring in the middle of the 20th century. The first of them was between the two World Wars, the stage in which Serbian musical folklore became Vasiljevic?s life passion and in which he accomplished his early professional achievements. In the next stage, which started after World War II, he reached the zenith of his creation in slightly less than twenty years, setting new standards of the discipline, and providing fundamental directions for his successors, thereby immeasurably enlarging the corpus of collected material. Due all of these revolutionary innovations from the post-war period, Vasiljevic is rightly considered to be not only the founder of modern Serbian ethnomusicology, but also the first person in Serbia worthy of being called an ethnomusicologist in the full sense of the word. Of the numerous results by which Vasiljevic permanently indebted his people, the most pronounced does not belong to the category of pioneering endeavours, but is manifested in his melographic opus - an achievement which even today has not been surpassed in Serbia in terms of its span, scope and value. Such great productivity in recording resulted from the fact that Vasiljevic had been devoted to melography from his childhood, and most intensely from 1932 to the end of his life. The exact number of examples which Vasiljevic transcribed directly in the field before 1951 and those which he recorded on a tape-recorder after that time is still unknown, since many of them are still unavailable to the public, but it can be assumed that there are several thousand melodies in total. Among them are 3,198 which have already been published. That precious corpus of Vasiljevic?s available material is contained in twelve collections (the largest number ever regarding any collector in Serbia so far), issued from 1950 to 2009. The first four collections offer comprehensive material from Kosmet, Sandzak, Macedonia and the region of Leskovac, and they were edited by Vasiljevic himself during the last ten years of his life or so. Posthumous publications were devoted to Montenegro, Vojvodina, Resava and various parts of central Serbia, as well as to the repertoires of the famous singer Hamdija Sahinpasic (1914/16-2003) from Sandzak, and gypsy female singer Malika Jeminovic Kostana (1872?-1945) from the vicinity of Vranje. Until now there have still not been any comprehensive studies on Vasiljevic?s ethnomusicological activity, although there are valuable articles. In these, Vasiljevic?s melographic contribution is usually emphasised much more than his scientific one, which is much more modest in its scope. Since the existing writings mostly deal with collections published during his life, this paper results from the intention to give a complete picture of the material, so all Vasiljevic?s collections were critically considered according to the chronology of their publication. Each of the publications emerged to witness to both Vasiljevic as a field worker and to some of the important stages of his own ethnomusicological development. The last part of the text focuses on the fact that a decline in production of ethnomusicological collection publications has been evident in Serbia over the last few decades. Nowadays, this negative trend is conditioned by two key reasons. One is the perfected and easily available technology of digital audio recording and the copying of sound recordings. The second is reflected in the general developmental orientation of the discipline.

scholarly journals Censura y oídos sordos ante la literatura sobre los campos de la muerte en la posguerra europea: Joaquim Amat-Piniella y Primo Levi = Censorship and deaf ears faced with the literature on the death camps in post-war Europe: Joaquim Amat-Piniella and Primo Levi

2019 ◽  
pp. 234
Author(s):  
Alejandro Pérez Vidal
Keyword(s):  
World War Ii ◽  
Cold War ◽  
Concentration Camp ◽  
Concentration Camps ◽  
World War ◽  
The Public ◽  
Primo Levi ◽  
History Of ◽  
Post War ◽  
The Cold War

Resumen: Esta comunicación estudia algunos aspectos de la memoria de experiencias concentracionarias en los años inmediatamente posteriores a la II Guerra Mundial. En la primera parte se centra en la historia editorial de K.L. Reich, novela de Joaquim Amat-Piniella, señalando en particular su publicación parcial en una revista del exilio y un proyecto de publicación completa en Barcelona en 1948. La segunda parte intenta explicar el limitado éxito inicial de K.L. Reich por comparación con lo que sucedió con obras parecidas en otros países europeos, y en particular con Se questo è un uomo, de Primo Levi; se intenta mostrar que el anticomunismo de la guerra fría dejaba poco espacio para la memoria pública de los campos de concentración y que fue en los ambientes de la izquierda antifascista en los que ésta tendió a cultivarse.Palabras clave: Joaquim Amat-Piniella, Primo Levi, testimonios de los campos de concentración, recepción, guerra fría.Abstract: The present study considers some aspects of the remembrance of concentration camp experiences in the years immediately following World War II. The first part focuses on the publishing history of K.L. Reich, by Joaquim Amat-Piniella, pointing out specially its partial publication in France in 1945 and a project to publish the whole novel in Barcelona in 1948. The second part seeks to explain the limited success of K.L. Reich when it was first published, by considering what happened to similar works in other European countries and, in particular, Primo Levi's Se questo è un uomo. It argues that the anti-communism of the Cold War left little room for the public remembrance of the concentration camps and that it was the anti-fascist leftists who were most inclined to keep this memory alive. Keywords: Joaquim Amat-Piniella, Primo Levi, concentration camp testimonies, reception, Cold War.

Charles de Gaulle and European Community

2020 ◽  
Vol 2020 (10-3) ◽  
pp. 70-81
Author(s):  
David Ramiro Troitino ◽  
Tanel Kerikmae ◽  
Olga Shumilo
Keyword(s):  
World War Ii ◽  
European Community ◽  
World War ◽  
Charles De Gaulle ◽  
The United Kingdom ◽  
History Of ◽  
The Common ◽  
Post War ◽  
De Gaulle

This article highlights the role of Charles de Gaulle in the history of united post-war Europe, his approaches to the internal and foreign French policies, also vetoing the membership of the United Kingdom in the European Community. The authors describe the emergence of De Gaulle as a politician, his uneasy relationship with Roosevelt and Churchill during World War II, also the roots of developing a “nationalistic” approach to regional policy after the end of the war. The article also considers the emergence of the Common Agricultural Policy (hereinafter - CAP), one of Charles de Gaulle’s biggest achievements in foreign policy, and the reasons for the Fouchet Plan defeat.

scholarly journals Who Reads Shashi? The Case of the Hiroshima Regional Newspaper

2012 ◽  
Vol 1 (1) ◽  
Author(s):  
Ann Sherif
Keyword(s):  
World War Ii ◽  
World War ◽  
International Media ◽  
The Public ◽  
Nuclear Age ◽  
History Of ◽  
Key Events ◽  
Regional Newspaper ◽  
Self Presentations

The company history of a newspaper company raises new questions about the genre of company histories. Who reads them? What features should readers and researchers be aware of when using them as a source? This article examines the shashi of the Chûgoku Shinbun, the Hiroshima regional newspaper. The atomic bombings of Hiroshima and Nagasaki in August 1945 were significant because of their perceived role in bringing World War II to an end and in signaling the start of the nuclear age. Most research to date has emphasized the role of national newspapers and the international media in informing the public about the extent of the damage and generating a framework within which to understand. I compare the representation of three key events in the Chûgoku Shinbun company history (shashi) to those in two national newspapers (Asahi and Yomiuri), as well as the ways that the Hiroshima company’s 100th and 120th year self-presentations reveal important concerns of the region and the nation, and motivations in going public with its shashi. These comparisons will reveal some of the merits and limits of using shashi in research. This article is part of a larger study on the work of the influence of regional press and publishers on literature in twentieth-century Japan.   

Brief aus der Schweiz

2019 ◽  
Vol 67 (2) ◽  
pp. 282-299
Author(s):  
Markus Wild
Keyword(s):  
World War Ii ◽  
Analytic Philosophy ◽  
Recent History ◽  
World War ◽  
The Public ◽  
Public Consciousness ◽  
History Of ◽  
Academic Philosophy ◽  
The Creation ◽  
The University

Abstract This letter focuses on both the recent history of academic philosophy in Switzerland and its present status. Historically, institutional self-consciousness of philosophy came to life during World War II as a reaction to the isolation of international academic life in Switzerland; moreover, the divide between philosophy in the French part and the German part of the country had to be bridged. One important instrument to achieve this end was the creation of the “Schweizerische Philosophische Gesellschaft” and its “Jahrbuch” (today: “Studia philosophica”) in 1940. At the same time the creation of the journal “Dialectica” (1947), the influence of Joseph Maria Bochensky at the University of Fribourg and Henri Lauener at the University of Berne prepared the ground for the flourishing of analytic philosophy in Switzerland. Today analytic philosophy has established a very successful academic enterprise in Switzerland without suppressing other philosophical traditions. Despite the fact that academic philosophy is somewhat present in the public, there is much more potential for actual philosophical research to enter into public consciousness. The outline sketched in this letter is, of course, a limited account of the recent history and present state of philosophy in Switzerland. There is only very little research on this topic.

Fifteen Years of Central Banking in Honduras

1967 ◽  
Vol 9 (4) ◽  
pp. 488-506 ◽  
Author(s):  
Richard A. LaBarge ◽  
Frank Falero
Keyword(s):  
World War Ii ◽  
Central Bank ◽  
Interest Rates ◽  
Central Banking ◽  
Primary Sources ◽  
World War ◽  
Monetary Policies ◽  
The Public ◽  
History Of ◽  
Commercial Paper

The purpose of this paper is to draw together from primary sources the case history of formative policy years for the Central Bank of Honduras. This bank, like others formed throughout the underdeveloped world in the post-World War II era, was created in 1950 as a vehicle for stimulating economic growth. In retrospect over 186 months of operations this particular Central Bank has an unusually outstanding policy record—a record which argues forcefully for appropriate monetary policy as a stimulant to economic advance.The first meeting of Central Bank directors was held on May 31, 1950, for the purpose of establishing the major monetary policies under which the Bank would commence operations July 1. At that meeting the directors established a schedule of maximum interest rates to be charged by the public commercial banks and a schedule of rates at which eligible commercial paper of 12 months maturity or less could be rediscounted with the Central Bank.

scholarly journals W kręgu badań nad dziejami emigracyjnego parlamentaryzmu Recenzja publikacji: Depozyt Niepodległości. Rada Narodowa Rzeczypospolitej Polskiej na uchodźstwie (1939–1991), red. Zbigniew Girzyński, Paweł Ziętara

2020 ◽  
Vol 5(160) ◽  
pp. 221-228
Author(s):  
Paweł Gotowiecki
Keyword(s):  
World War Ii ◽  
National Council ◽  
World War ◽  
National Minorities ◽  
Current State ◽  
History Of ◽  
The Republic ◽  
State Of Research ◽  
Post War

The reviewed publication contains post-conference materials, presented during the conference held in 2016 in Warsaw, entitled “The Deposit of Independence. National Council of the Republic of Poland in Exile (1939–1991)”. The volume consists of 18 articles, published in chronological and topical order, devoted to the selected issues of the history of the Polish parliamentarianism in exile during World War II and in the post-war period. The authors of the articles discussed various aspects of the activities of the National Council of the Republic of Poland in Exile, such as the participation of national minorities in the work of the quasi-parliament, biographies of the chosen parliamentarians, or the selected elements of “parliamentary practices”. This publication is not a synthesis but it supplements and develops the current state of research on the activities of the Polish quasi-parliamentary institutions in exile.

scholarly journals Kina na Dolnym Śląsku: rekonesans historyczny

2019 ◽  
Vol 26 (35) ◽  
pp. 129-145
Author(s):  
Andrzej Dębski Andrzej Dębski
Keyword(s):  
World War Ii ◽  
The Internet ◽  
World War ◽  
The Press ◽  
History Of ◽  
Historical Database ◽  
Post War ◽  
The 1960S ◽  
Mass Entertainment ◽  
Lower Silesia

The highest level of cinema attendance in Lower Silesia after World War II was recorded in 1957. It was higher than before the war and lower than during the war. In the years that followed it steadily declined, influenced by global processes, especially the popularity of television. This leads us to reflect on the continuity of historical and film processes, and to look at the period from the 1920s to the 1960s as the ‘classical’ period in the history of cinema, when it was the main branch of mass entertainment. The examples of three Lower Silesian cities of different size classes (Wroclaw, Jelenia Gora, Strzelin) show how before World War II the development from ‘the store cinema [or the kintopp] to the cinema palace’ proceeded. Attention is also drawn to the issue of the destruction of cinematic infrastructure and its post-war reconstruction. In 1958 the press commented that ‘if someone produced a map with the towns marked in which cinemas were located, the number would increase as one moved westwards’. This was due to Polish (post-war) and German (pre-war) cinema building. The discussion closes with a description of the Internet Historical Database of Cinemas in Lower Silesia, which collects data on cinemas that once operated or are now operating in the region.

scholarly journals The Lviv Train Station Restaurant as a Soviet Enterprise, 1944-1980

2017 ◽  
Author(s):  
Andriy Zayarnyuk
Keyword(s):  
World War Ii ◽  
Economic System ◽  
System Organization ◽  
Organization Structure ◽  
World War ◽  
Train Station ◽  
Western Ukraine ◽  
History Of ◽  
Post War

This article is a micro-history of a restaurant in post- World War II Lviv, the largest city of Western Ukraine. Offering a case study of one public dining enterprise this paper explores changes in the post-war Soviet public dining; demonstrates how that enterprise’s institutional structure mediated economic demands, ideological directives, and social conflicts. It argues that the Soviet enterprise should be seen as a nexus between economic system, organization structure of the Soviet state, and everyday lives of Soviet people. The article helps to understand Soviet consumerist practices in the sphere of public dining by looking into complex, hierarchical organizations enabling them.

scholarly journals Polish books production in exile in the years 19391950: statistical and geographical perspectives

2019 ◽  
Vol 13 ◽  
pp. 273-289
Author(s):  
Oskar Stanisław Czarnik
Keyword(s):  
World War Ii ◽  
External Factors ◽  
Cultural Tradition ◽  
World War ◽  
Polish People ◽  
The World ◽  
History Of ◽  
The Subject ◽  
Post War

The subject of this article is an overview of Polish publishing in the exile during the World War II and first post-war years. The literary activity was mostly linked to the cultural tradition of the Second Polish Republic. The author describes this phenomenon quantitatively and presents the number of books published in the respective years. He also tries to explain which external factors, not only political and military, but also financial and organizational, affected publications of Polish books around the world. The subject of the debate is also geography of the Polish publishing. It is connected with a long term migration of different groups of people living in exile. The author not only points out the areas where Polish editorial activity was just temporary, but also the areas where it was long-lasting. The book output was a great assistance to Polish people living in diasporas, as well as to readers living in Poland. The following text is an excerpt of the book which is currently being prepared by the author. The book is devoted to the history of Polish publishing in exile.

scholarly journals CONFLICT MANAGEMENT IN THE MILIEU OF UKRAINIAN POST-WAR EMIGRATION: THE EXPERIENCE OF THE UKRAINIAN ART MOVEMENT (1945–1948)

2019 ◽  
pp. 62-66
Author(s):  
Serhiy Denysiuk
Keyword(s):  
World War Ii ◽  
Displaced Persons ◽  
World War ◽  
Monetary Reform ◽  
Starting Point ◽  
The World ◽  
Common Purpose ◽  
History Of ◽  
Post War ◽  
Higher Purpose

The history of Ukraine has got many examples of how different personalities were able to unite and direct their efforts in meaningful way for higher purpose. One of such interesting pages is an activity of Ukrainian Art movement (UAM) –unification of Ukrainian writers in emigration, who after the end of World War II turned up in camps for displaced persons in Germany and Austria. The leadership of union helped to create such climate in the organization that would maximize imaginative work and minimize confrontational points among its members. The peculiar quality check of the organization and its ability to withstand the devastating tendencies was a debate in UAM about relevant problems of searching for ways of development Ukrainian culture in emigration conditions. Its starting point was Y. Shevelov`s report «The styles of contemporary Ukrainian literature in emigration» (1945), which he pronounced at the First congress of organization. The reviewer proclaimed the mission of new organization - to create a nationwide and a sub-region writing, which can reach worldwide recognition. The main direction of its development Y. Shevelov determined the creation of deeply peculiar Ukrainian literary style. The idea of national-organic style has caused mixed reactions and criticism in the Ukrainian emigration environment. The national-organic style does not anticipate a forced imposition on his writers. This style does not mean an isolation of narrow national limits and departure from European influences and traditions. It includes only blind copying borrowed samples. Supplemented the concept of Y. Shevelov with his ideas such persons as I. Bagryany, Y. Kosach, I.Kosteckii and other representatives of UAM`s, who defended national origin in literature. The most irreconcilable opponent of Y. Shevelov and his theory of national-organic style became a literary scholar, critic, translator V. Derzhavin. There were several reasons for the conflict between these creative personalities among which, in particular, differences between generations, to which they belong. In the modern scientific literature one can come across for approval that a deepening conflict between Y. Shevelov and V. Derzhavin led to the split and termination of the organization activity. Such an estimate is untrue, because the real reason for the termination of the organization was hold at the 1948 a monetary reform in Germany and mass departure of Ukrainian emigrants from displaced persons camps to the other countries of the world. Well, conflicts, which took place in the history of Ukrainian Art Movement, did not lead to the division of the organization into hostile camps, as its members were united by the common purpose of creating new Ukrainian literature, that would take a worthy place in the world culture.

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