scholarly journals Review of music: Forgotten musical magazine of inter-war Belgrade

Muzikologija ◽  
2015 ◽  
pp. 119-133
Author(s):  
Aleksandar Vasic

The monthly magazine Review of Music was published six times in Belgrade from January to June 1940. Each edition comprised thirty-two pages, half of which were devoted to a sheet-music supplement, popular compositions of the time for voice and piano. Review of Music published 222 articles and scores in total. The aim of the magazine was to popularise classical music, but it also encompassed jazz, films and film music, theatre, literature, fashion, and even sport. Review of Music was different from all other Serbian inter-war music magazines, not only because of its wide range of topics, but also because it published anonymous articles, probably taken from other sources, but it is not known from where. This study analyses the articles about classical music in Review of Music. In several short chapters the author presents the concept of the magazine, its genre structure, themes addressed, and the style of its music writers. Selected examples show that article authors tended to exploit elements of narrative (with an emphasis on impressive details), humour, and moral teaching. The authors also especially emphasized the neutral attitude of Review of Music towards contemporary music, although the magazine published different views of contemporary composers concerning the aesthetics of modern music. Review of Music started four months after Germany invaded Poland. However, in the journal references to social and political events are non-existant. The journal seems to have been interested only in culture and the arts. However, the author of this study presents examples in which the political circumstances of the time can be perceived. One of these examples is the visit of the Frankfurt Opera House to Belgrade in 1940. That extraordinary cultural event was attended by Prince Paul Karadjordjevic and Princess Olga, the Yugoslav Prime Minister, and almost all other government ministers. In this news, any authority on the political situation of the time could see that the Yugoslav government and the political elite took care of delicate relations with Germany at that time. This is the first study to analyse the concept and content of classical music in Review of Music. This magazine is certainly an interesting source, not only for the history of Serbian music periodicals, but also for cultural history.

Author(s):  
Andrea Harris

This chapter explores the international and interdisciplinary backdrop of Lincoln Kirstein’s efforts to form an American ballet in the early 1930s. The political, economic, and cultural conditions of the Depression reinvigorated the search for an “American” culture. In this context, new openings for a modernist theory of ballet were created as intellectuals and artists from a wide range of disciplines endeavored to define the role of the arts in protecting against the dangerous effects of mass culture. Chapter 1 sheds new light on well-known critical debates in dance history between Kirstein and John Martin over whether ballet, with its European roots, could truly become “American” in contrast to modern dance. Was American dance going to be conceived in nationalist or transnationalist terms? That was the deeper conflict that underlay the ballet vs. modern dance debates of the early 1930s.


2019 ◽  
pp. 5-11
Author(s):  
H. V. Vdovychenko

The article classifies and highlights three stages spanning the last hundred years – pre-Soviet, Soviet and post-Soviet, of research and mythol- ogization of the life and creation of P.Tychyna, using the example of studying the philosophical attitudes of his early work in the Ukrainian state, the Ukrainian SSR, Ukraine and abroad. The specifics of the formation of the mentioned stages during 1918 – 2019 were systematically considered on materials, including little-known, studies of more than fifty representatives of domestic and foreing tychynology, as well as a wide range of materi- als of the poetic, prosaic, scientific-journalistic and epistolary heritage of P. Tychyna and his contemporary colleagues. In the context of this review an attempt was made of critical interdisciplinary analysis – cultural and philosophical and literary, of the ideological foundations and the results of the modernist and postmodern mythologization of the early creativity of P. Tychyna as the leading creator and symbol of Ukrainian Modernist and Socialist-Realistic literature and, in general, cultural development. The article identifies three leading aspects of defining and studying the philosophical foundations of P. Tychyna's early work in the twentieth – early twenty first centuries: 1) the absence of the formulation and systematic development of the topic in P. Tychyna studies, except for the initial attempts at each of its stages, so far; 2) the narrow specialty of individual attempts at such research, first of all, almost entirely literary or linguistic, but not professional philosophical and cultural philosophical; 3) the dominant conditionality of the major achievements of almost all of these studies, mainly the Soviet period, the political environment of the development of national humanities and, as a consequence, the consistent isolationist-Soviet-anti-European mythology of P. Tychyna's creative figure and heritage. In view of this, the development of this topic in the context of an interdisciplinary, critically-demythologizing scientific search, formed in the contemporary P. Tychyna studies, has been identified as promising.


The Athenaeum ◽  
2020 ◽  
pp. 133-156
Author(s):  
Michael Wheeler

This chapter assesses the Athenæum's 'hospitality' towards a wide range of ideologies and social backgrounds among candidates and members. Non-partisan politically, it accommodated both sides in the Reform debates of the 1830s, with members engaging in pamphlet wars rather than calling for resignations, as happened at the political clubs. Similarly, the pattern of early Rule II elections indicates a willingness to introduce new members of outstanding ability in science, literature, and the arts who were known to be the chief antagonists of equally prominent existing members. The chapter looks at some of the flashpoints in the club's history between 1860 and 1890, when liberal opinion in politics, religion, and science assumed the ascendancy in Britain, and the Athenæum strove to maintain its tradition of tolerance and balance. It is at these flashpoints, and at times when conservative sexual mores influenced public life, that the relationship between national developments and the life of the club, conducted on the margins between the private and the public, is most revealing.


2020 ◽  
pp. 78-96
Author(s):  
Lisa McCormick

This chapter presents a cultural approach to studying competitions that involves conceptualizing competitions as performative events where individuals and collectivities present and negotiate meanings. In the first part of the chapter, the promise of this approach is illustrated through an analysis of international competitions in classical music. It presents four arguments concerning the wider cultural significance and interactional structure of music competitions which result from interpreting them as complex performances. The second part of the chapter explores how these arguments could be extended by considering the political, educational, media, and vocational context surrounding international classical music competitions. The final part of the chapter suggests directions for future research by outlining a systematic comparison of competitions across the arts and beyond.


ARISTO ◽  
2019 ◽  
Vol 7 (2) ◽  
pp. 336
Author(s):  
Jusuf Harsono

The existence of art Reyog Ponorogo until now it is a traditional art Ponorogo Regency, community pride even in politics is needed by the existence of the political elite, nevertheless the availability of the arts it politically sufficiently interesting to observe in the political dynamics localized in Ponorogo. How the political elite or the state doing my hegemony on all aspects of this art Reyog Ponorogo. This study using several methods to get clarification on the problems on some of them are with the interview, observation, and documentation. The result showed that elite politics or the state has made various ways to Hegemony art Reyog Ponorogo as a mass mobilization of effective local. especially in the dynamics of politics.


Politics ◽  
2003 ◽  
Vol 23 (3) ◽  
pp. 207-214 ◽  
Author(s):  
Darren G. Lilleker

Conducting interviews can be a fundamentally important part of a research project that analyses the motivations and activity of those within the political process. However the logistics of interviewing are fraught with a number of serious obstacles and what information one can glean may not always serve the purpose that was originally intended. This article offers some observations gathered from conducting interviews with a wide range of political actors which is intended to help prepare all those considering interviewing for the first time.


2017 ◽  
Vol 2 (2) ◽  
pp. 151
Author(s):  
Jurna Petri Roszi

The Soeharto government became an interesting theme for nearly every research because of uniqueness of the rule known as the authoritarian nature. However, the uniqueness is only studied until the result of the authoritarian who has raised the anxiety of almost all the people and eventually led to the cessation of Soeharto as head of the State Indonesia. Judging from the perspective of law, the political transition of the period not only political influence, but also influenced the formation of law. This research will discuss about factors influencing absorption of Islamic Law into legislation. In the Order Baru era efforts to ground Islamic law into legislation experienced a variety of responses, both from among Muslims and non-Muslims. Factors affecting the absorption of Islamic law in Indonesia can not be separated from the perennial struggles and tensions in positioning religious relations (shari'a) and the state, between the secularization project and the Islamization of the state and society. This tension occurs in two different important settings. First, the level of scholastic or theoretical-idealistic. Second, the realistic-politic or ideological-empirical level. The debate within the ideological framework has implications for the legal sphere debate. The same complexity is also encountered in internal Muslims because the meaning of sharia itself has its own problems. Where the mazhab of thought and Islamic legal system is not single. The findings of this research is the development of Islamic law in the Order Baru era seen from the legal products that serve as case studies in this study such as UU no. 1 year 1974 about Marriage born at the time of Indonesian political configuration is in otteriter political configuration, but the character of Islamic law product that produced is responsive. Likewise law products UU no. 7 of 1989 on Religious Courts, from the perspective of the formation of a law of responsive character because it is accommodative to Religious Courts institution which is an important part in institutional Islamic law in Indonesia, although UU no. 7 Year 1989 was born when the authoritarian political configuration and in terms of implementation of legal material is conservative. This is seen from the low attention of the political elite to realize the UUPA and even the existence of the institution has existed long before the formal law. In addition, the birth of UUPA is late compared to other judicial laws. Furthermore, the same thing happened to the Compilation of Islamic Law, the Order Baru government's configuration is still considered undemocratic. But in terms of content fully contains the provisions raised from the books of Islamic jurisprudence fiqh containing aspects of marriage, inheritance and perwakafan law. Keywords: Islamic Law, Order Baru, Legislation


Author(s):  
Janinka Greenwood

Arts-based research encompasses a range of research approaches and strategies that utilize one or more of the arts in investigation. Such approaches have evolved from understandings that life and experiences of the world are multifaceted, and that art offers ways of knowing the world that involve sensory perceptions and emotion as well as intellectual responses. Researchers have used arts for various stages of research. It may be to collect or create data, to interpret or analyze it, to present their findings, or some combination of these. Sometimes arts-based research is used to investigate art making or teaching in or through the arts. Sometimes it is used to explore issues in the wider social sciences. The field is a constantly evolving one, and researchers have evolved diverse ways of using the communicative and interpretative tools that processes with the arts allow. These include ways to initially bypass the need for verbal expression, to explore problems in physically embodied as well as discursive ways, to capture and express ambiguities, liminalities, and complexities, to collaborate in the refining of ideas, to transform audience perceptions, and to create surprise and engage audiences emotionally as well as critically. A common feature within the wide range of approaches is that they involve aesthetic responses. The richness of the opportunities created by the use of arts in conducting and/or reporting research brings accompanying challenges. Among these are the political as well as the epistemological expectations placed on research, the need for audiences of research, and perhaps participants in research, to evolve ways of critically assessing the affect of as well as the information in presentations, the need to develop relevant and useful strategies for peer review of the research as well as the art, and the need to evolve ethical awareness that is consistent with the intentions and power of the arts.


Author(s):  
Glyn Parry ◽  
Cathryn Enis

We conclude that the Dudley ascendancy was a political project that needs to be understood through the methodologies of material, political, and cultural history. This adds to the recent more nuanced understanding of religious allegiance in early modern England, and historians’ emerging challenge to an assumed consensus among the élite. We suggest new approaches to the Dudleys, the cultural legacy of Edward Arden, and new ways for historians of politics and theatre to examine the political activities of particular peerage families. We suggest how further investigation of Drayton Bassett could offer new understanding of how people in early modern Warwickshire negotiated their social and political interactions. The chapter re-examines the Shakespeares’ applications for coats of arms in 1596 and 1599–1600, by which date the family name had gained a new lustre, through published praise in 1598 of William’s skill in imitating a wide range of revered classical authors, and through the commercial, social capital that now accrued to a name which publishers from 1598 used for greater profits, using Shakespeare’s name not only on his own work, but on those of other authors. In a different social context, the recovered status of the Arden name at Court explains why the Shakespeares now wished to impale their arms with the Ardens, so recently attainted in blood. Robert Arden had survived years of Burghley’s abuse of the legal process to conceal major flaws in Edward Arden’s condemnation, so that after Burghley’s death, in May 1599 Elizabeth partially restored the Arden name.


Author(s):  
Ruslan M. Kliuchnyk ◽  

The article is devoted to the place and role of a Journalist in modern Politics. The main professional characteristics of a modern Journalist have been considered. It has been suggested that the requirements for Journalists will continue to grow in the future. A particular attention has been paid to Journalists who disagree with the political regime, whether democratic or not. Journalists covering political events cannot always stay indifferent to what they say and write about. The political events provoke their reaction. It is determined by the peculiarities of human perception as a subject of cognition of a certain kind of information. A striking example of the influence of an opposition Journalist on the political process is the phenomenon of the Wikileaks website and its creator, Julian Assange, Australian Journalist and Programmer. He started to publish the information compromising the political elite. Publication of information, compromising the political elite, has led to a rethinking of the role of a blogger in political life. In 2016, Wikileaks became an effective tool to discredit Hillary Clinton, the pro-government Democratic Party candidate in the US presidential elections. It was noted that Matthew Lee, Associated Press Journalist, is widely known for his point of view on the foreign policy of the USA (��� ��������� � ���������). He became famous for his use of trolling and provoking against officials by asking tough questions. This, in particular, made him a subject of political life. We have come to the conclusion that a journalist can become a prominent figure in national and international Politics. His participation in Politics is determined by his role in decision-making, as well as by his influence on the mass audience. As a result, journalists are exposed to attacks because of their professional activity. Democratic countries have issued regulations designed to protect journalists. In this article system and comparative approaches have been used. The documents in text and video formats facilitates our research. We have considered the papers of modern scientists regarding this problem. The article can be useful for professors, doctorates, lecturers, students and the wide range of people who are interested in political communication.


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