scholarly journals Common scale features of the recent Greek and Serbian church chant traditions

Muzikologija ◽  
2008 ◽  
pp. 101-125 ◽  
Author(s):  
Vesna Peno
Keyword(s):  
The Balkans ◽  
The Third ◽  
Chromatic Scale ◽  
History Of ◽  
Scale Structures ◽  
Greek Hymns ◽  
The 19Th Century ◽  
First Time ◽  
Natural Scale ◽  
Full Height

This paper is an attempt to show the similarity between the Serbian and Greek Post-Byzantine chanting traditions, especially those which relate to the scale organization of modes. Three teachers and reformers from Constantinople, Chrisantos, Gregorios and Chourmousios, established a fairly firm theoretical system for the first time during the long history of church chant. One of the main results of their reform, beside changes relating to neums, was the assignment of strict sizes to the intervals in the natural tonal system. There are three kinds of natural scales: diatonic, chromatic and encharmonic. They all have their place in the Greek Anastasimatarion chant book, whose first edition was prepared by Petar Peloponesios, and later edited by Ionnes Protopsaltes. The first, first plagal and forth plagal modes are diatonic in each of their melos, with very few exceptions; the second and second plagal are soft and hard chromatic, while the third and varis are encharmonic. It is important to note that the Greek chanter is very conscious of the scale foundation of the melody, so he begins to chant the apechima foremost, the intonation formula that comprehends all indisposed details to enter the adequate mode, i. e. melos. One mode could use one sort of scale for all groups of melodies - melos. However, in some modes there are different melos, whose scale organisation is not equal at all. That means that it is not proper to equate mode with scale, but rather to look for the specific scale's shape through the melodies that belong to the melos. The absence of formal Serbian church music theory and, especially, the very conservative way in which church melodies are learnt by ear and by heart, has caused significant gaps, which preclude an adequate approach to the essentional principals of Serbian chant. Over the years many Serbian chanters and musicians have noted down church melodies, especially those from the Octoechos, in F or in G, with the key defined as either major or minor. However, it ought to be said that Serbian chanters in the recent past, as well as those who take part in worship today, do not consciously connect the mode, melos or melody with scale progression, but rather with melodic patterns. In other words, neither in the 19th century nor today have Serbian chanters sung characteristic intonation formulae for their respective scale structures, when crossing from one mode to another. The reason this practice has already been mentioned: they learn complete melodies by heart, without thinking about their scale system. In this paper I looked for a proper methodology by which similarities and changes between Greek and Serbian chanting traditions could be discovered. The basis for my comparison was served by the main chant book in two, very popular versions: the Greek Anastasimatarion of Joannes Protopsaltes and the Serbian Octoechos by Stevan Mokranjac. In the analysis it was essential to abstract important data concerning differences between the natural and tempered tone systems, which originated in the natural neumatic and staff notation, respectively. Greek melodies were transcribed, but with additional sharp and flat signs to indicate the natural values of intervals. In contrast, most Serbian melos were transposed into the final tones of the respective Greek hymns. The comparison confirmed my original expectations. The scale progression of Serbian melodies correspond to the natural scale progression of Greek hymns of the first, first plagal - fifth, third, varis - the third plagal and eight modes. They have the main tones which appear at the end of melodic patterns along with other main tones which represent the framework of the melody. Obvious discrepances are present in the syllabic, so called eirmologic melos of the second, fourth and sixth modes. Serbian scribes of church melodies generally noted these hymns in major (IVth and VIth modes) or major-minor (IInd mode), whereas in neumatic chant soft chromatic is typical for melodies of the same modes (IInd and IInd plagal) and the scale known as legetos hymns (of the IVth mode). But if one tries to chant Serbian melodies of the IInd and VIth modes using the intervals of the chromatic scale, and the melodies of IVth mode with intervals of legetos scale, the resulting sound is surprising. The similarity between the two traditions appears more than obvious. As an excuse for such an experiment, Mokranjac's testimony about his chanters serve well: 'these melodies never give the major third its full height. They sing it a little lower, not because the mode could not encompass a major third but because it goes against the character of these melodies that stand as they are written down here, and as they are sung by all our older experienced singers'. By accepting the staff notation system, Serbian church melodies are graphically fixed in the tempered major-minor system. The process of learning them from notes, especially using intonation from a piano or other temperd instrument, has meant that the various sizes of intervals of the second and third have led to only two sizes in the tempered system. Despite the consequences arising from the use of the staff system, which evidently reflect modern Serbian chant practice, it is a fact that key melodic elements from the neumatic chant tradition of the Orthodox people in the Balkans have been preserved.

Bonobos

2018 ◽  
Keyword(s):  
19Th Century ◽  
Historical Data ◽  
Line Drawings ◽  
History Of ◽  
The 19Th Century ◽  
First Time

This is a comprehensive, illustrated catalogue of the 200+ marine chronometers in the collections of Royal Museums Greenwich. Every chronometer has been completely dismantled, studied and recorded, and illustrations include especially commissioned line drawings as well as photographs. The collection is also used to illustrate a newly researched and up-to-date chapter describing the history of the marine chronometer, so the book is much more than simply a catalogue. The history chapter naturally includes the story of John Harrison’s pioneering work in creating the first practical marine timekeepers, all four of which are included in the catalogue, newly photographed and described in minute detail for the first time. In fact full technical and historical data are provided for all of the marine chronometers in the collection, to an extent never before attempted, including biographical details of every maker represented. A chapter describes how the 19th century English chronometer was manufactured, and another provides comprehensive and logically arranged information on how to assess and date a given marine chronometer, something collectors and dealers find particularly difficult. For further help in identification of chronometers, appendices include a pictorial record of the number punches used by specific makers to number their movements, and the maker’s punches used by the rough movement makers. There is also a close-up pictorial guide to the various compensation balances used in chronometers in the collection, a technical Glossary of terms used in the catalogue text and a concordance of the various inventory numbers used in the collection over the years.

The Will of Cardinal Giordano Orsini (ob. 1438)

Traditio ◽  
1996 ◽  
Vol 51 ◽  
pp. 257-286 ◽  
Author(s):  
Christopher S. Celenza
Keyword(s):  
Fifteenth Century ◽  
Cultural History ◽  
Italian Renaissance ◽  
Short Introduction ◽  
Renaissance Humanism ◽  
The Third ◽  
Textual History ◽  
History Of ◽  
The Will ◽  
First Time

There are many still unstudied aspects of the cultural history of early Quattrocento Rome, especially if we consider the years before 1443, the date of the more or less permanent re-entry into the civitas aeterna of Pope Eugenius IV. The nexus between the still ephemeral papacy and the emerging intellectual movement of Italian Renaissance humanism is one of these aspects. It is hoped that this study will shed some light on this problem by presenting a document that has hitherto not been completely edited: the original will of Cardinal Giordano Orsini. As we shall see, this important witness to the fifteenth century provides valuable information on many fronts, even on the structure of the old basilica of Saint Peter. The short introduction is in three parts. The first has a discussion of the cardinal's cultural milieu with a focus on the only contemporary treatise specifically about curial culture, Lapo da Castiglionchio's De curiae commodis. The second part addresses the textual history of the will as well as some misconceptions which have surrounded it. The third part contains a discussion of the will itself, along with some preliminary observations about what can be learned from the critical edition of the text here presented for the first time.

scholarly journals The dramatization of the Holy Week in Švėkšna church in the first half of the 19th century

Menotyra ◽  
2017 ◽  
Vol 24 (1) ◽  
Author(s):  
Asta Giniūnienė
Keyword(s):  
19Th Century ◽  
Old Testament ◽  
18Th Century ◽  
Complicated Structure ◽  
Adam And Eve ◽  
Death Of Jesus ◽  
History Of ◽  
Church Art ◽  
The 19Th Century ◽  
First Time

The article for the first time analyses the decoration parts of the Christ’s tomb of the second halfof the 18th century found a few years ago in Švėkšna church. The Christ’s tomb from the oldchurch was transferred to the  new church, which was built in 1804 and used until the  4thdecade of the 19th century. On the basis of the sources and remained fragments we can statethat this was a complicated structure of the Paschal decoration designed under the Europeanbaroque scenery principles. It was composed of the paintings on boards and canvas and mis-cellaneous accessories. The  Christ’s tomb paintings are characterised by a  symbolic allegoriccontent and artistry. The prophets of the Old Testament and characters the New Testamentreflecting the Paschal Triduum liturgy were depicted in the decoration. The survived outlinepaintings of Adam and Eve in Paradise, Noah waiting for the Saviour, and Angels Lamentingover the Death of Jesus are the exceptional iconography images in the Lithuanian church art.The decorations of the Christ’s tomb were created by the professional masters who decoratedthe churches in Samogitia in the second part of the 18th century. The images of suffering anddead Jesus used in the figuration of the Paschal Triduum influenced the spread of the Passionscenes. This is supported by an interesting archival fact about the shrine with a group of sculp-tures depicting the tomb of Christ in the Švėkšna churchyard.The fragments of the Paschal decorations in the Švėkšna church are important baroque scen-ery exhibits, which are valuable for the history of the Lithuanian church art and scenography.The investigation of the Holy Week figuration in the Švėkšna church is a valuable illustrationof this multidimensional cultural, religious and artistic phenomenon.

scholarly journals HISTORY OF ANTHROPOLOGICAL RESEARCHES OF BELARUSIAN CHILDREN, TEENAGERS AND YOUTH (the end of 19th– the beginning of the 21st century)

2018 ◽  
Vol 63 (3) ◽  
pp. 317-328
Author(s):  
O. V. Marfina
Keyword(s):  
Growth Rates ◽  
Physical Development ◽  
Acceleration Process ◽  
Historical Aspect ◽  
Somatic Development ◽  
Anthropological Study ◽  
History Of ◽  
Important Direction ◽  
The 19Th Century ◽  
First Time

The work purpose is to present history of anthropological study of physical development of the Belarusian children, teenagers and youth. This story originates at the end of the 19th century, at that time the anthropological science endured the period of the formation. In 1920 one of national objectives was health protection of younger generation; systematic study of physical development of the children’s population of BSSR began to be carried out. In the same time uniform methodical approaches were developed, mathematical data processing was introduced. Standards of physical development of the Belarusian children were for the first time created. In 1950 mass researches of health and physical status of children and teenagers in our republic were conducted by forces of doctors and hygienists. Results of their work allowed to establish dynamics and to reveal the main regularities of formation of a children’s organism. New age and sex standards of physical development of school children were created. Since 1970, the staff of department of anthropology of Institute of history NAN of Belarus conducts systematic complex researches of physical development of children, teenagers and youth. Researches include studying of intra group distinctions taking into account growth rates and definition like somatic development. Researches include studying of intra group distinctions taking into account growth rates and definition like somatic development. Thanks to this work in our republic the results illustrating the most important epoch-making regularities of physical development of newborns, preschool children, pupils of schools including acceleration process were received. In historical aspect the most important direction of anthropological researchers at the present stage is monitoring of physical development of the children’s population of Republic of Belarus. Reduction of massiveness of a skeleton was observed in consequence of which a thinner constitution of modern children at the age of 7–17 years is noticed. 

Anton Grigoryevich Rubinstein and his Russian Publishers

2021 ◽  
Vol 18 (3) ◽  
pp. 284-298
Author(s):  
Elena M. Shabshaevich
Keyword(s):  
Comparative Analysis ◽  
Creative Process ◽  
Historical Research ◽  
National Museum ◽  
Archival Documents ◽  
History Of ◽  
Publishing Houses ◽  
The 19Th Century ◽  
First Time ◽  
Extensive List

The article presents a focused look at the professional relations of the composer and pianist Anton Grigoryevich Rubinstein (1829—1894) with his main Russian publishers — V.V. Bessel and P.I. Jurgenson. The article is based on musical and historical research concerning the history of the Bessel and Jurgenson publishing houses, works on copyright, A.G. Rubinstein’s epistolary, and archival documents from the Russian National Museum of Music. For the first time in music science, there are revealed some pages of the history of personal and business contacts of the three named persons, primarily the conflicts related to the rights to publish the composer’s works in Russia. The first documented contract for the publications of A.G. Rubinstein was received by P.I. Jurgenson (for op. 82, 1868). However, the contract of A.G. Rubinstein with the trading house “Bessel and Co.”, concluded in 1871 (though Rubinstein’s first work had been published by Bessel two years earlier), was much more extensive and significant. Under this contract, it was supposed to publish more than fifty A.G. Rubinstein’s works of various genres, so in the 1870s, V.V. Bessel became the main Russian publisher of the composer. However, in 1879, A.G. Rubinstein unexpectedly changed his main publisher in Russia. This position was taken by P.I. Jurgenson, whose trading house also published an extensive list of Rubinstein’s compositions, as well as his literary works. This is evidenced by several notarized contracts, stored in the Russian National Museum of Music, between Rubinstein and “P.I. Jurgenson” company. Thus, the two leading Russian publishers of A.G. Rubinstein legally formalized their relations with the composer, which allows us to follow, in a reasoned and substantive way, the process of maturation of the institution of copyright for music publications in Russia in the last third of the 19th century.Using the example of A.G. Rubinstein, in comparison with the position of M.A. Balakirev, the article also raises the issue of granting copyright to a publisher not only in Russia, but also “forever and for all countries”. The comparative analysis of publications of the same composer by different publishing companies is also new to Russian musicology, this helps identify certain accents that publishers put in popularizing A.G. Rubinstein’s works. The publication of the composer’s works by various publishers also highlights new aspects in his creative process, in the history of the creation, receipt of the opus number, and the titles of some of his works.

Revisiting the Memory of Solferino: Knowledge Production and the Laws of War

2021 ◽  
pp. 256-275
Author(s):  
Eyal Benvenisti ◽  
Doreen Lustig
Keyword(s):  
Civil Society ◽  
19Th Century ◽  
Knowledge Production ◽  
Agenda Setting ◽  
International Committee ◽  
Red Cross ◽  
Laws Of War ◽  
History Of ◽  
The 19Th Century ◽  
First Time

During the course of the second half of the 19th century, the rules regulating the conduct of armies during hostilities were internationally codified for the first time. The conventional narrative attributes the codification of the laws of war to the campaign of civil society, especially that of the founders of the Red Cross—Henry Dunant and Gustav Moynier. In what follows, we problematize this narrative and trace the construction of this knowledge. We explore how the leading figures of the Red Cross, who were aware of the shortcomings of their project, were nonetheless invested in narrating its history as a history of success. Their struggle to control the narrative would eventually confer the International Committee of the Red Cross (ICRC) with considerable interpretive and agenda-setting authority in the realm of the laws of war. We dwell on the meaning of this conscious exercise in knowledge production and its normative ramifications.

Pedagogical Principles of Child Custody in European Countries

2019 ◽  
Vol 11 (2) ◽  
pp. 182-190
Author(s):  
Marija Czepil ◽  
Oresta Karpenko
Keyword(s):  
Significant Contribution ◽  
18Th Century ◽  
Theory And Practice ◽  
European Countries ◽  
Custody Of Children ◽  
Living Together ◽  
Innovative Idea ◽  
History Of ◽  
The 19Th Century ◽  
First Time

The article describes the forms of orphans’ care, custody of children deprived of parental care, their emergence and development in European countries of the 18th century – the first half of the 19th century. Attention is focused on the theory and practice of custodial education, socio-pedagogical concepts, which are based on the principle of family and living together, where you care for the child and love him. The concept of upbringing in Children’s homes, which for the first time in the history of upbringing was implemented in Switzerland, was highlighted. A significant contribution to the theory and practice of upbringing was the adoption to Rescue houses kids of both sexes. At that time that was an innovative idea.

Sprachwandel und Etymologie in Der Spanischen Sprachwissenschaft Des Siglo De Oro

1984 ◽  
Vol 11 (1-2) ◽  
pp. 95-116
Author(s):  
Werner Bahner
Keyword(s):  
National Language ◽  
Siglo De Oro ◽  
Good Opportunity ◽  
Starting Point ◽  
The Social ◽  
History Of Linguistics ◽  
History Of ◽  
The One ◽  
The 19Th Century ◽  
First Time

Summary The Renaissance constitutes a new phase in the history of linguistics. The study of modern languages in particular contributed to enlarge the scope of philological concern as scholars try to promote and to codify a young national language. During this time philologists give particular attention to the origin of these vernaculars, distinguishing the different stages in their evolution and developing an especial awareness of chronology. For the representatives of a national philology, Latin is the starting point, the mould according to which the vernaculars are described and classified. Soon, however, more and more traits are recognized which are particular to these living languages, and which do not agree with the traditions of Latin grammar. On the one hand, modifications on the theoretical level are called for, and, on the other, there is a good opportunity to demonstrate the particularity of a given vernacular. All these tendencies can be found for the first time in the writings on Cas-tillian by the great philologist Antonio de Nebrija (1444–1522). Nebrija recognized a series of phonetic correspondences which, much later in the 19th century, are transformed into ‘phonetic laws’ by a rigorous methodology. In so doing the elaboration of orthographic principles had been for him a stimulus for his explications. In his “Diálogo de la lengua”, Juan de Valdés (devoted himself more extensively to the social aspects of Castillian, to linguistic changes, and to the historical causes for the distribution of Romance languages on the Iberian peninsula, stressing expecially the role of the ‘Reconquista’. The work of Bernardo José de Aldrete (1560–1641) offers a synthesis of all these efforts concerning the evolution of Castillian. He discusses all the substrata and superstrata of the language, sketches the different stages of development of his native tongue, examines Old Castillian with the help of medieval texts, and exploits what Nebrija had noted about the phonetic correspondences. In terms of scholarship, Aldrete’s work constitutes the culmination point in the movement engaged in supporting the rights of the Castillian language et in documenting its sovereignity vis-à-vis the Latin tradition.

Some Observations on the Role of Ducats in the Balkans in Late Medieval and Modern Times

Rural History ◽  
2006 ◽  
Vol 17 (2) ◽  
pp. 117-147 ◽  
Author(s):  
ALEKSANDAR N. BRZIĆ
Keyword(s):  
Rural Population ◽  
Western Europe ◽  
Late Medieval ◽  
Historical Approach ◽  
The Balkans ◽  
Modern Times ◽  
History Of ◽  
First Time ◽  
Evolutionary Aspects

Ducats were issued for the first time in the second half of the thirteenth century. Although practically invisible in Western Europe nowadays, they are still hoarded and used by the rural population of the Balkans. The wealth stored in them is considerable; its level does not show signs of structural decline yet, even in the age of the almighty euro. The history of the use of ducats in the Balkans can be divided into three distinctive periods. Using a descriptive economic-historical approach, the characteristics of these periods, their main evolutionary aspects and particularities are being observed and explained. An overview of countries issuing ducats in the Balkans is given and some economic comparisons used to illustrate the significance of ducats as an economic phenomenon. Finally, the very important question of the use of ducats in jewelry in the Balkans is considered.

scholarly journals An Assessment of the Emergence of Muttahida Majlis-e-Amal (MMA) in Khyber Pakhtunkhwa, Pakistan, in the 2002 General Elections

2021 ◽  
Vol VI (I) ◽  
pp. 142-153
Author(s):  
Jamal Shah ◽  
Zahir Shah ◽  
Syed Ali Shah
Keyword(s):  
Political Parties ◽  
Turning Point ◽  
Election Campaign ◽  
National Assembly ◽  
Political Force ◽  
The Third ◽  
Causative Factors ◽  
General Elections ◽  
History Of ◽  
First Time

Though Pakistani politics is heavily influenced by religion assumed to be the reason d'etat of the creation of Pakistan, prior to 2002, religious, political parties had never achieved effective electoral results. The October 2002 elections for the National and Provincial Assemblies were a turning point for the religious, political parties in the history of Pakistan. It was the first time that a conglomeration of six religious, political parties, the Jamaat-i-Islami, the Jamiat-i-Ulema-iPakistan (JUP-N), Jamiat-i-Ahle Hadith (JAH-S), the Jamiat-Ulema-iIslam (JUI-F), Jamiat-Ulema-i-Islam (JUI-S), and the Tehrik-i-Jaferia Pakistan (TJP) swept the polls under the umbrella of the Muttahida Majlise-Amal (MMA) (United Council for Action) due to the active support of the Army and America. The alliance emerged as the third-largest political force in the country, with 45 out of the 272 National Assembly general seats. Moreover, the MMA got an overwhelming mandate in the KhyberPakhtunkhwa (KP) and Baluchistan, allowing it to form a government in the KP and became a coalition partner in Baluchistan. The present study is an attempt to answer the question, "what were the causative factors of MMA's emergence and whether it achieved what it promised during the election campaign?".

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