scholarly journals Linguistic landscape of memorial spaces in multinational communities: The case of Banat Bulgarians in Serbia

2016 ◽  
Vol 72 (1-2) ◽  
pp. 7-31
Author(s):  
Biljana Sikimic ◽  
Motoki Nomaci
Keyword(s):  
World War Ii ◽  
20Th Century ◽  
Catholic Church ◽  
Point Of View ◽  
Linguistic Landscape ◽  
World War ◽  
Language And Culture ◽  
Mixed Marriages ◽  
Majority Population ◽  
The Family

For the linguistic landscape analysis of private signs of Banat Bulgarians we chose two cemeteries, both of them multiethnic, since Banat Bulgarians in Serbia do not form a majority population in any village. The cemetery in Jasa Tomic/Modos is religiously mixed, but the Catholic and Orthodox part are still divided. Banat Bulgarians in Konak village are buried in the Catholic cemetery; there is a separate Orthodox cemetery for the majority population. These two villages (Jasa Tomic and Konak) were selected because they share a similar situation from the diachronic socio-linguistical point of view: apart for a brief time during World War II, the Bulgarian/Paulician language was hardly taught since the early 20th century; Bulgarian was used only in the family and the Catholic church (there are prayer books in Banat Bulgarian); there were many mixed marriages; there was no revival of language and culture As inscriptions on all existing Banat Bulgarian Cyrillic headstones are in Serbian and none of the cemeteries visited have inscriptions in Bulgarian, or rather in the Bulgarian Cyrillic, this indicates that the use and knowledge of standard Bulgarian is limited among the Banat Bulgarians. At the same time, the use of Banat Bulgarian in the Latin alphabet on a proportionally large number of headstones up to the end of the 20th century in the Serbian part of the Banat, and also actively today in Vinga in the Romanian part of Banat, indicates the great importance of the Banat Bulgarian language in preserving the identity of Banat Bulgarians.

“Our City, Our Hearths, Our Families“: Local Loyalties and Private Life in Soviet World War II Propaganda

Slavic Review ◽  
2000 ◽  
Vol 59 (4) ◽  
pp. 825-847 ◽  
Author(s):  
Lisa A. Kirschenbaum
Keyword(s):  
World War Ii ◽  
The State ◽  
Private Life ◽  
Point Of View ◽  
Narrow Sense ◽  
World War ◽  
Party Discipline ◽  
Counter Narrative ◽  
National Symbols ◽  
The Family

During World War II, images of mothers constituted one of the most striking—and lasting—additions to Soviet propaganda. The appearance of “Mother Russia” has been understood as a manifestation of the Soviet state's wartime renunciation of appeals to Marxism-Leninism and its embrace of nationalism. Yet “Mother Russia” (rodina-mat', more literally, the “motherland mother“) was an ambiguous national figure. The word rodina, from the verb rodit', to give birth, can mean birthplace both in the narrow sense of hometown and in the broad sense of “motherland,” and it suggests the centrality of the private and the local in wartime conceptions of public duty. Mothers functioned in Soviet propaganda both as national symbols and as the constantly reworked and reimagined nexus between home and nation, between love for the family and devotion to the state. From this point of view, the new prominence of mothers in wartime propaganda can be understood as part of what Jeffrey Brooks has identified as the “counter-narrative” of individual initiative and private motives, as opposed to party discipline, that dominated the centrally controlled press's coverage of the first years of the war.

scholarly journals Between Homeland and Emigration. Tuwim’s Struggle for Identity

2017 ◽  
Vol 36 (6) ◽  
pp. 35-47
Author(s):  
Hans-Christian Trepte
Keyword(s):  
World War Ii ◽  
20Th Century ◽  
World War ◽  
Political Activities ◽  
Language And Culture ◽  
The Holocaust ◽  
Language And Literature ◽  
Polish Language ◽  
Polish Jews ◽  
Jewish Descent

Julian Tuwim belongs to the pantheon of the greatest Polish writes of the 20th century. His Polish-Jewish descent, his attitude towards the Polish language, towards Jews in Poland, his political activities as an emigrant as well as his controversial involvement with the communist Poland still fuel many critical discussions. Polish language and culture were for him much more important than the categories of nation or state. However, whereas for Polish nationalists and antisemites Tuwim remained “only” a Jew, Jewish nationalists considered him a traitor. It was in exile that his attitude towards his Jewish countrymen began to change, especially after he learnt about the horror of the Holocaust in occupied Poland. Thus, he began writing his famous, dramatic manifesto, We, the Polish Jews. After World War II, Tuwim came back to Poland, hoping to continue his prewar career as a celebrated poet. His manifold contributions to the development of the Polish language and literature, within the country and abroad, cannot be questioned, and the dilemmas concerning his cultural and ethnic identity only make him a more interesting writer. Julian Tuwim belongs to the pantheon of the greatest Polish writes of the 20th century. His Polish-Jewish descent, his attitude towards the Polish language, towards Jews in Poland, his political activities as an emigrant as well as his controversial involvement with the communist Poland still fuel many critical discussions. Polish language and culture were for him much more important than the categories of nation or state. However, whereas for Polish nationalists and antisemites Tuwim remained “only” a Jew, Jewish nationalists considered him a traitor. It was in exile that his attitude towards his Jewish countrymen began to change, especially after he learnt about the horror of the Holocaust in occupied Poland. Thus, he began writing his famous, dramatic manifesto, We, the Polish Jews. After World War II, Tuwim came back to Poland, hoping to continue his prewar career as a celebrated poet. His manifold contributions to the development of the Polish language and literature, within the country and abroad, cannot be questioned, and the dilemmas concerning his cultural and ethnic identity only make him a more interesting writer.

Otto Hilgenfeldt (1900–1983): tribute to an important pioneer of European hand surgery

2011 ◽  
Vol 37 (3) ◽  
pp. 205-210
Author(s):  
A. Gohritz ◽  
A. L. Dellon ◽  
F. E. Müller ◽  
P. M. Vogt
Keyword(s):  
World War Ii ◽  
20Th Century ◽  
Hand Surgery ◽  
Middle Finger ◽  
Point Of View ◽  
Hand Injuries ◽  
World War ◽  
First Case

The German surgeon Otto Hilgenfeldt (1900–1983) was a great innovator in European hand surgery in the 20th century, particularly in respect of the tactile (sensate) thumb and grip reconstruction in amputation injuries. His experience, beginning in the 1930s, helped him to treat hundreds of soldiers with mutilating hand injuries from 1941 to 1945 during World War II. While totally isolated and without any access to international publications, he devised many innovative ideas such as a neurovascular middle finger transposition for pollicization (first case done in July 1943) and a sensory dorsoradial first metacarpal flap for thumb resurfacing. His book Operative thumb replacement and substitution of finger losses published in 1950 is regarded as one of the most important German contributions to modern hand surgery. Hilgenfeldt’s life and work remain fascinating and exemplary from a historical and surgical point of view. Many of his pragmatic surgical solutions remain valid despite the advent of microsurgery.

Cosmetic Allergen in the Past and Present

2017 ◽  
Vol 2 (3) ◽  
Keyword(s):  
World War Ii ◽  
20Th Century ◽  
Normal Skin ◽  
World War ◽  
Patch Tests ◽  
The Past ◽  
Skin Conditions ◽  
Cosmetic Dermatitis ◽  
Facial Dermatitis ◽  
International Research Project

For almost 20 years after the end of World War II, many Japanese women were challenged by a dark secondary hyper pigmentation on their faces. The causation of this condition was unknown and incurable at the time. However this symptom became curable after a number of new cosmetic allergens were discovered through patch tests and as an aftermath, various cosmetics and soaps that eliminated all these allergens were put into production to be used exclusively for these patients. An international research project conducted by seven countries was set out to find out the new allergens and discover non-allergic cosmetic materials. Due to these efforts, two disastrous cosmetic primary sensitizers were banned and this helped to decrease allergic cosmetic dermatitis. Towards the end of the 20th century, the rate of positives among cosmetic sensitizers decreased to levels of 5% - 8% and have since maintained its rates into the 21th century. Currently, metal ions such as the likes of nickel have been identified as being the most common allergens found in cosmetics and cosmetic instruments. They often produce rosacea-like facial dermatitis and therefore allergen controlled soaps and cosmetics have been proved to be useful in recovering normal skin conditions.

The Formation of a Budding Man Alone: The God Boy (Murray Reece, 1976)

2018 ◽  
Author(s):  
Alistair Fox
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
New Zealand ◽  
Religious Beliefs ◽  
Coming Of Age ◽  
World War ◽  
Value System ◽  
Feature Films ◽  
The Family

This chapter analyses the earliest of the New Zealand coming-of-age feature films, an adaptation of Ian Cross’s novel The God Boy, to demonstrate how it addresses the destructive impact on a child of the puritanical value-system that had dominated Pākehā (white) society through much of the twentieth century, being particularly strong during the interwar years, and the decade immediately following World War II. The discussion explores how dysfunction within the family and repressive religious beliefs eventuate in pressures that cause Jimmy, the protagonist, to act out transgressively, and then to turn inwards to seek refuge in the form of self-containment that makes him a prototype of the Man Alone figure that is ubiquitous in New Zealand fiction.

“I WRITE LETTER, AND AROUND GOES BATTLE”: CULTURAL GAPS IN WARTIME

2019 ◽  
pp. 67-72
Author(s):  
Anna Kimerling
Keyword(s):  
World War Ii ◽  
Cultural Models ◽  
Family Care ◽  
World War ◽  
Family Control ◽  
Individual Level ◽  
The Family ◽  
Care Practices ◽  
Flow Of Information ◽  
Cultural Gaps

The article is devoted to the features of the wartime culture. The source was a unique collection of letters from the fronts of World War II, written by political instructor Arkady Georgievich Endaltsev. The war led to the breakdown of familiar cultural models. It is important to understand how, adaptation to new standards occurred on an individual level. For A. Endaltsev, family care practices were a way to bridge cultural gaps. They are reflected in the letters. There, framed by ideologically verified stamps, one can find financial assistance to the family, control over the education of the daughter, the need for a continuous flow of information about the life of the wife and children.

LABOR'S CHANGING RESPONSES TO MANAGEMENT RHETORICS: A STUDY OF ACCOUNTING-BASED INCENTIVE PLANS DURING THE FIRST HALF OF THE 20TH CENTURY

1999 ◽  
Vol 26 (2) ◽  
pp. 133-162 ◽  
Author(s):  
Leslie S. Oakes ◽  
Mark A. Covaleski ◽  
Mark W. Dirsmith
Keyword(s):  
World War Ii ◽  
20Th Century ◽  
Accounting Information ◽  
Profit Sharing ◽  
World War ◽  
Post World War Ii ◽  
Research Questions ◽  
Incentive Plans ◽  
Information Change

This study compares organized labor's reactions to changing management rhetorics as these rhetorics surrounded accounting- based incentive plans, including profit sharing. Results suggest that labor's perceptions of profit sharing changed dramatically from the 1900–1930 period to post-World War II. The shift, in turn, prompts an exploration of two research questions: (1) how and why did the national labor discourse around the management rhetoric and its emphasis on accounting information change, and (2) how did this change render unions more governable in their support for accounting-based incentive plans?

scholarly journals Re-evaluating DSM-I

2015 ◽  
Vol 46 (3) ◽  
pp. 449-456 ◽  
Author(s):  
R. Cooper ◽  
R. K. Blashfield
Keyword(s):  
World War Ii ◽  
20Th Century ◽  
International Classification Of Diseases ◽  
World War ◽  
Statistical Manual ◽  
Dsm 5 ◽  
Mental Diseases ◽  
Classification Of Diseases ◽  
The Military

The DSM-I is currently viewed as a psychoanalytic classification, and therefore unimportant. There are four reasons to challenge the belief that DSM-I was a psychoanalytic system. First, psychoanalysts were a minority on the committee that created DSM-I. Second, psychoanalysts of the time did not use DSM-I. Third, DSM-I was as infused with Kraepelinian concepts as it was with psychoanalytic concepts. Fourth, contemporary writers who commented on DSM-I did not perceive it as psychoanalytic. The first edition of the DSM arose from a blending of concepts from the Statistical Manual for the Use of Hospitals of Mental Diseases, the military psychiatric classifications developed during World War II, and the International Classification of Diseases (6th edition). As a consensual, clinically oriented classification, DSM-I was popular, leading to 20 printings and international recognition. From the perspective inherent in this paper, the continuities between classifications from the first half of the 20th century and the systems developed in the second half (e.g. DSM-III to DSM-5) become more visible.

Neotypification of Terminalia paniculata (Combretaceae)

Phytotaxa ◽  
2017 ◽  
Vol 326 (1) ◽  
pp. 88
Author(s):  
TAPAS CHAKRABARTY ◽  
VENKATACHALAM SAMPATH KUMAR
Keyword(s):  
World War Ii ◽  
Indian Subcontinent ◽  
Original Material ◽  
World War ◽  
Botanical Survey ◽  
Peninsular India ◽  
The Family ◽  
Central National Herbarium ◽  
Terminalia Paniculata ◽  
Southern Regional

While preparing a revised treatment of the family Combretaceae for “Flora of India Project,” our attention was drawn on Terminalia paniculata Roth (1821: 383) which was described on the basis of a specimen collected by Benjamin Heyne from peninsular India. The species is well documented in Indian Floras (e.g. Wight & Arnott 1834, Beddome 1869, Brandis 1874, Clarke 1878, Cooke 1903, Talbot 1911, Gamble 1919 and Chandrabose 1983). Gangopadhyay & Chakrabarty (1997) in their revision of the family Combretaceae of Indian subcontinent mentioned that the type of this species is not extant. The type material of T. paniculata housed in the Berlin herbarium (B; herbaria acronyms follow Thiers 2017) was presumably destroyed during the World War II. In the Kew herbarium (K), there is a collection by Benjamin Heyne (K000786096: image!) identified and listed in Wallich’s Numerical List as T. triopteris B.Heyne ex Wallich (1831: no. 3980B). This material contains two twigs, one flowering and the other fruiting and this appears to be a specimen not seen by Roth (1821) since he clearly mentioned in the protologue: “Fructum non vidi.” Thus, as per the provisions of the Code (Mc Neill et al., 2012), as there is no other extant original material (Article 9.7) traceable, a neotype (Articles 9.11 and 9.13) is designated here for T. paniculata from Peninsular India, where Benjamin Heyne made botanical explorations (Burkill, 1965). The neotype specimen is housed in the Central National Herbarium, Botanical Survey of India, Howrah, India (CAL) and its duplicate in the Madras Herbarium, Botanical Survey of India, Southern Regional Centre, Coimbatore, India (MH).

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