scholarly journals Bayram sofra in Belgrade - a contribution to the interreligious dialogue and visibility of minority religious communities

2021 ◽  
Vol 69 (1) ◽  
pp. 19-46
Author(s):  
Aleksandra Djuric-Milovanovic ◽  
Jadranka Djordjevic-Crnobrnja

The paper focuses on the celebration of Ramadan Bayram and the organization of the feast Bayram sofra in Belgrade. The Islamic Community of Serbia and the Cultural Society of Muslims in Serbia - ?Gajret?, have been organizing the Bayram sofra since 2009 as the celebration which symbolizes the end of the Ramadan fasting. The celebration is held in the public space in front of the Bajrakli mosque in Belgrade. Since it is organized as part of the celebration of Ramadan Bayram, its meaning can be observed and analyzed in a religious, but also in a broader social context. In this paper, we observe the Bayram sofra in the context of learning about Islam, as the minority religious community, but also as an event which initiates interreligious dialogue at several different levels. Thus, we focus on identifying the elements of dialogue between the Islamic community and other religious communities, as well as the citizens of Belgrade, relying on some theoretical concepts of interreligious dialogue. The ethnographic research of the Bayram sofra started in 2020 with the main focus on the social and religious elements of Ramadan Bayram and the role of this religious festival in enhancing the visibility of this religious minority in Serbia.

2021 ◽  
Vol 15 (2) ◽  
Author(s):  
Joshua Sabih

The conflicting and different reactions to Covid-19 pandemic, ranging from a willingness to cooperate with health authorities to a violent rejection of all decisions and measures suggested or taken by local and international authorities are but expressions of framing meanings of and finding answers to why Covid-19 broke out on a such global scale beyond biological boundaries. This is to show why epidemics such as Covid-19 deserve to be investigated within their broader cultural, political, scientific, and geographic contexts. Religion or the religious rationale once again has made itself a site of interest in the public space; both as one of the many competing explanatory frameworks and as a scapegoat for contributing to the breakdown of the social order and for promoting unscientific, irrational and superstitious understandings and interpretations of Covid-19. As a matter of fact, certain religious communities across all the Abrahamic religions do present theological and eschatological interpretations of the pandemic. As we shall see, Messianic Jewish groups actually present a hermeneutical framework that consists of a theological-eschatological framework of the Covid-19 pandemic and a socio-political pantheism plan of action the aim of which is to maintain the believer immune to the attacks of secularism and its ills. On the latter point, I find Rabbi Amnon Yitzhak’s explanatory framework of the Covid-19 pandemic very informative as both to how the religious rationale is still at work in post-secular societies, and why Jewish ultra-orthodoxy’s theological-eschatological explanation and social pantheist response are worth investigating. In this article, Rabbi Amnon Yitzhak’s “perception, interpretation and response” to the Covid-19 pandemic and its global impact on both the biological and the social aspects shall be the primary subject of our analysis.


Author(s):  
Samuel Llano

This chapter provides an account of how organilleros elicited public anger because their activity did not fit into any of the social aid categories that had been in place since the late eighteenth century. Social aid in Spain relied on a clear-cut distinction between deserving and undeserving poor in order to rationalize the distribution of limited resources and reduce mendicancy on the streets. Organilleros could not, strictly speaking, be considered idle, since they played music, but their activity required no specific skills and was regarded with suspicion as a surrogate form of begging. The in-betweenness of the organillero caused further anger as it challenged attempts to establish a neat distinction between public and private spaces. On one hand, organillo music penetrated the domestic space, which conduct manuals of the nineteenth century configured as female; on the other, it brought women into the public space, which those manuals configured as male.


Author(s):  
Jonathan Stutz

AbstractWith the present paper I would like to discuss a particular form of procession which we may term mocking parades, a collective ritual aimed at ridiculing cultic objects from competing religious communities. The cases presented here are contextualized within incidents of pagan/Christian violence in Alexandria between the 4th and 5th centuries, entailing in one case the destruction of the Serapeum and in another the pillaging of the Isis shrine at Menouthis on the outskirts of Alexandria. As the literary accounts on these events suggest, such collective forms of mockery played an important role in the context of mob violence in general and of violence against sacred objects in particular. However, while historiographical and hagiographical sources from the period suggest that pagan statues underwent systematic destruction and mutilation, we can infer from the archaeological evidence a vast range of uses and re-adaptation of pagan statuary in the urban space, assuming among other functions that of decorating public spaces. I would like to build on the thesis that the parading of sacred images played a prominent role in the discourse on the value of pagan statuary in the public space. On the one hand, the statues carried through the streets became themselves objects of mockery and violence, involving the population of the city in a collective ritual of exorcism. On the other hand, the images paraded in the mocking parades could also become a means through which the urban space could become subject to new interpretations. Entering in visual contact with the still visible vestiges of the pagan past, with the temples and the statuary of the city, the “image of the city” became affected itself by the images paraded through the streets, as though to remind the inhabitants that the still-visible elements of Alexandria’s pagan topography now stood as defeated witnesses to Christianity’s victory.


2018 ◽  
Vol 12 (1) ◽  
pp. 163-176
Author(s):  
Katarina Rukavina

The paper analyses the concept of space in contemporary art on the example of Suprematist Composition No. 1, Black on Grey by Kristina Leko from 2008. Referring to Malevich’s suprematism, in December 2008 Leko initiated a project of art intervention in Ban Jelačić Square in Zagreb, where she intended to cover in black all commercials, advertisements, signs and names of various companies. This poetic intervention, as the artist calls it, was intended to prompt people to relativise material goods in the pre-Christmas period. However, despite the authorisation obtained from the city authorities, the companies concerned refused to remove their respective advertisements, be it for only for 24 hours, so this project has never been realised. The project, however, does exist in the virtual space, which is also public, and continues to act in the form of documentation. The non-feasibility of the intervention, or rather its invisibility on Jelačić Square, makes visible or directly indicates the ordering of the powers and the constellation of values in the social sphere, thus raising new questions. Indeed, in this way it actually enters the public space, sensitising and expanding it at the same time.


2018 ◽  
pp. 86-105
Author(s):  
Carlos Hugo Soria Caceres

RESUMENLas infraestructuras de transporte presentes sobre el territorio condicionan las relaciones sociales y de comunicación de muchos espacios. Grandes estaciones, puertos o aeropuertos se presentan como ejes de centralidad sobre los que se distribuyen flujos de mercancías y personas, configurando a su vez el diseño y la funcionalidad de las ciudades. Hoy en día, con el avance producido en sectores como el ferrocarril de alta velocidad, las estaciones han transformado su función principal de nudo de intercambio, proyectándose como nuevos espacios comerciales y de negocio. En este artículo se analiza este nuevo fenómeno de transformación espacial y social vinculado a la alta velocidad ferroviaria, focalizando su ámbito en España. Se desgrana a su vez el papel de las comunidades sociales, políticas y empresariales para la ciudad y el espacio público presentes en las nuevas estaciones de ferroviarias. Palabras clave: ferrocarril; espacio público; urbanismo. ABSTRACTThis work aims to discuss the transport infrastructures presents on the territory and the conditions to the social and communication relations of many spaces. Large stations, ports or airports are presented as axes of centrality on which flows of goods and people are distributed, configuring in turn the design and functionality of cities. Nowadays, with the advance produced in sectors such as high-speed rail, the stations have transformed their main function as an exchange hub, projecting themselves as new commercial and business spaces. This article analyzes this new phenomenon of spatial and social transformation linked to high-speed rail, focusing its scope in Spain. At the same time, the role of the social, political and business communities for the city and the public space present in the new railway stations.Keywords: railroad; public space; urbanism.


2021 ◽  
Vol 6 ◽  
Author(s):  
Eni Maryani ◽  
Preciosa Alnashava Janitra ◽  
Reksa Anggia Ratmita

The fast-growing social media in Indonesia has opened up opportunities for spreading feminist ideas to a wider and more diverse audience. Various social media accounts especially Instagram that focus on gender advocacy and feminism such as @indonesiafeminis, @lawanpatriarki, and @feminismanis have developed in Indonesia. However, the development of the social media platform also presents groups that oppose feminists. One of the accounts of women’s groups that oppose feminists is @indonesiatanpafeminis.id (@indonesiawithoutfeminist.id). The research objectives are namely to analyze the diversity of issues and reveal the discourse contestation that developed in the @indonesiatanpafeminis.id, and dynamic relationships on the online and offline spaces between groups of feminists and anti-feminists or the other interest. This research employed the digital ethnography method that utilized observation, interview, and literature study as data collection techniques. This study found that the online conversations at @indonesiatanpafeminis.id revealed misconceptions on feminism from a group of women with a religious identity. Furthermore, the conversation also tends to strengthen patriarchal values with religious arguments that are gender-biased. However, the @indonesiatanpafeminis.id serves as a public space for open debates and education on feminist issues. The anti-feminist group behind the @indonesiatanpafeminis.id are women who identify themselves in a certain Muslim circle that has political, cultural, and religious agendas. One of the agendas is to influence the public to reject the Sexual Violence Eradication Bill. This study also noted the Muslim supporters of anti-feminism in Indonesia are less popular compared to progressive religious-based Muslim women organizations such as Aisyiyah (Muhammadiyah), Muslimat NU (Nahdlatul Ulama), and Rahima (Center for Education and Information on Islam and Women’s Rights). The study also evokes discussion on how the feminist and anti-feminist discourses can be utilized to criticize and develop the women’s movement or feminism in a multicultural context.


Author(s):  
Felipe Gaytán Alcalá

Latin America was considered for many years the main bastion of Catholicism in the world by the number of parishioners and the influence of the church in the social and political life of the región, but in recent times there has been a decrease in the catholicity index. This paper explores three variables that have modified the identity of Catholicism in Latin American countries. The first one refers to the conversion processes that have expanded the presence of Christian denominations, by analyzing the reasons that revolve around the sense of belonging that these communities offer and that prop up their expansion and growth. The second variable accounts for those Catholics who still belong to the Catholic Church but who in their practices and beliefs have incorporated other magical or esoteric scheme in the form of religious syncretisms, modifying their sense of being Catholics in the world. The third factor has a political reference and has to do with the concept of laicism, a concept that sets its objective, not only in the separation of the State from the Church, but for historical reasons in catholicity restraint in the public space which has led to the confinement of the Catholic to the private, leaving other religious groups to occupy that space.


Author(s):  
Guillaume Heuguet

This exploratory text starts from a doctoral-unemployed experience and was triggered by the discussions within a collective of doctoral students on this particularly ambiguous status since it is situated between student, unemployed, worker, self-entrepreneur, citizen-subject of social rights or user-commuter in offices and forms. These discussions motivated the reading and commentary of a heterogeneous set of texts on unemployment, precariousness and the functioning of the institutions of the social state. This article thus focuses on the relationship between knowledge and unemployment, as embodied in the public space, in the relationship with Pôle Emploi, and in the academic literature. It articulates a threefold problematic : what is known and said publicly about unemployment? What can we learn from the very experience of the relationship with an institution like Pôle Emploi? How can these observations contribute to an understanding of social science inquiry and the political role of knowledge fromm precariousness?


HUMANIKA ◽  
2016 ◽  
Vol 23 (1) ◽  
pp. 46
Author(s):  
Nashrul Wahyu Suryawan ◽  
Endang Danial

The background of this research is the social diversity of Indonesian people. This situation causes conflicts among Indonesian people which need solutions to minimilize the effects of the conflict among the society. The study over the value of unification and harmony of the Religious Community Forum is one of the implementation of the unification spirit, the aspect of toleration, which needs to be spread out among the society. The goal of this research is to dig down how the Religious Community Forum works in  increasing the Malang multicultural society understanding over the value of unification. It is also to know how the Religious Community Forum increases the society toleration and the importance of unification among Malang society diversity.  Alt last but not least, the study over the unification value functions as a report of how the Religious Community Forum maintain the Indonesian people unification. This research use subjects of the Religious Community Forum members, religion leaders, government officers, and Malang people. The approach used in this research is qualitative with case study method. The data collection techniques used in this study are observation, interview, documentation, and participation. Meanwhile, the data is analyzed by using data reduction, data display, and verivication.The findings of this research are: 1) The activities done by the Religious Community Forum contain the unification value; the unification and harmony religious communities, conflicts and dialogues counseling, toleration, socialization over the government policy of the unification and harmony of diverse society; 2)The Religious Community Forum contains social aspects; the diversity value, toleration, pluralism, and the society unification,  which can be descended to the next generation; 3) The forum has some roles in maintaining and keeping the unification value of multicultural society through the activities applied in the society. Malang government supports and coordinates any institution works in society unification and harmony. The actions taken shows that the government are concerned on the unification of multicultural society. Thus, it can be concluded that the activities done by the Religious Community Forum of Malang contain the unification value


SAGE Open ◽  
2019 ◽  
Vol 9 (1) ◽  
pp. 215824401882449
Author(s):  
Noor-ul-Ain Sajjad ◽  
Ayesha Perveen

The article studies art, as presented in Orhan Pamuk’s My Name Is Red, as a heterotopia based on Michel Foucault’s six principles. After outlining the six principles of heterotopia as enunciated by Foucault, the study excavates heterotopia of crisis and deviation from the novel. Art as a medium of representation has cathartic potential creating heterotopia in societies dominated by public discourses against art. It provides the artist with a medium for personal and private expression, thus creating a desanctified space. The notion that art that is made public restricts such liberty for the artist is proposed and justified. In My Name Is Red, characters such as Elegant Effendi and Olive can be seen tormented by the conflict between the social and the heterotopic. True expression of their art makes both of them lose their place, albeit in different ways. This implies that if a heterotopia of deviation has to be made public, in most cases, the honesty of expression is tampered with by the artist, even if unconsciously, because of societal pressures. Heterotopia of deviation is not compatible with the public gaze and making it public will create a heterotopia of crisis for the honest artists. This is why the artist hides his real creative inspiration. If art could be accepted as a desanctified medium without any moral or hegemonic judgment, it might attain its desired impact which politicization of the medium restricts in many judgmental societies. Pamuk pens this dilemma down by taking his readers back to the 16th-century Istanbul while drawing a parallel to the present era.


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