scholarly journals Лексика как классифицирующий признак современной поэзии [Vocabulary as a Classifying Feature оf Russian Postmodern Poetry]

2019 ◽  
Vol 6 ◽  
pp. 251-273
Author(s):  
Boris Orekhov
Keyword(s):  
Postmodern Poetry

The Line in Postmodern Poetry

Poetics Today ◽  
1990 ◽  
Vol 11 (2) ◽  
pp. 444
Author(s):  
B. McH. ◽  
Robert Frank ◽  
Henry Sayre
Keyword(s):  
Postmodern Poetry

scholarly journals A. Blok and poetic strategies of postmodernism

2021 ◽  
pp. 153-160
Author(s):  
Неля Магомедовна Шишхова ◽  
Кирилл Николаевич Анкудинов
Keyword(s):  
Cultural Tradition ◽  
Actual Problem ◽  
Cultural Expression ◽  
Avant Garde ◽  
Modern Times ◽  
New Concepts ◽  
Poetic Expression ◽  
And Performance ◽  
Postmodern Poetry ◽  
Creative Forces

Анализируется поэзия А. Блока, ее взаимосвязь с реалистическими, семантическими и перфомативными аспектами творчества русских постмодернистов. Тексты рассматриваются как способ мотивирования поэтических знаков в постмодернистской традиции. Они позволяют контекстуализировать модели выразительности в авангардистской поэзии и выделить основные парадигмы в ее трактовке, адаптировать художественные приемы и поиски нового языка. Отдельное вимание уделяется особенностям поэтического высказывания и ее взаимодействию с пространством стиха. Интерес акцентируется на диалектике разрушительных и созидательных сил в деконструктивизме наследия Вс. Некрасова, Д. Пригова, Т. Кибирова и др. Обсуждается актуальная проблема для теории современной поэзии: что стало с постмодерном как языком описания эпохи в XXI столетии. Особое внимание уделяется преемственности новых концепций с предыдущей культурной традицией в негативной и позитивной версиях. Тема особенно актуализируется благодаря выраженному стремлению представить тексты А.Блока и постмодернистской поэзии как культурное выражение новейшего времени. An analysis is made of the poetry of A. Blok, its relationship with the realistic, semantic and performance aspects of the work of Russian postmodernists. Texts are explored as a way to motivate poetic signs in the postmodern tradition. They make it possible to contextualize models of expressiveness in avant-garde poetry and highlight the main paradigms in its interpretation, adapt artistic techniques and searches for a new language. An attention is paid to the peculiarities of the poetic expression and its interaction with the space of the verse. The interest is focused on the dialectic of destructive and creative forces in the deconstruction of the legacy of Vs. Nekrasov, D. Prigov, T. Kibirov, etc. The paper discusses the actual problem for the theory of modern poetry: what has become with the postmodern as the language of describing the era in the 21st century. Particular attention is paid to the continuity of new concepts with the previous cultural tradition in negative and positive versions. The theme is especially actualized due to the expressed desire to present the texts of A. Blok and postmodern poetry as a cultural expression of modern times.

On Modern and Postmodern Poetry

1985 ◽  
Vol 26 (4) ◽  
pp. 482
Author(s):  
Linda Wagner ◽  
Carlos Baker ◽  
James E. B. Breslin ◽  
Anthony Libby
Keyword(s):  
Postmodern Poetry

From Image to Action: The Return of Story in Postmodern Poetry

1982 ◽  
Vol 23 (4) ◽  
pp. 411
Author(s):  
Marjorie Perloff
Keyword(s):  
Postmodern Poetry

Unending Design: The Forms of Postmodern Poetry

1993 ◽  
Vol 88 (2) ◽  
pp. 442
Author(s):  
Stephen Matterson ◽  
Joseph M. Conte
Keyword(s):  
Postmodern Poetry

Women and the Kingdom of Ambiguity: Black Comedy in "Solistki" ("Female Soloists")

Tekstualia ◽  
2014 ◽  
Vol 4 (39) ◽  
pp. 55-66
Author(s):  
Anna Spólna
Keyword(s):  
Social Norms ◽  
Women's Poetry ◽  
The World ◽  
Postmodern Poetry ◽  
The Grotesque

The paper discusses the uses of black humour in women’s poetry after 1989, collected in the anthology Solistki (2009). The humour underlying these poems is subversive. A cruel joke may serve the purpose of individuation, provocation, or protection from suffering. Poetic narratives highlight the grotesque aspects of the world in order to uncover the stigmatising stereotypes of gender or the pressure of social norms grounded in lies. They become axiological gestures, stressing the independence of heroines. Tragicomic laughter is occasionally a form of casting a spell on reality, playing with the macabre – a protest against illness and death. A clownish mix of humour and terror consciously disrupts the logic of communication, showing the blurred limits of frank confession in postmodern poetry. Poetic works by the ‘female soloists’ are intertextual, autotelic, polystyle. They are characterised by an exaggerated creativity of imagery that refl ects a paradoxical, fl uid reality. Poetry by women moves from a poetic joke to a serious existential and philosophical statement.

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