Artistic Research as a Process of Unfolding

2018 ◽  
Author(s):  
Darla Crispin

As artistic research work in various disciplines and national contexts continues to develop, the diversity of approaches to the field becomes ever more apparent. This is to be welcomed, because it keeps alive ideas of plurality and complexity at a particular time in history when the gross oversimplifications and obfuscations of political discourses are compromising the nature of language itself, leading to what several commentators have already called ‘a post-truth’ world. In this brutal environment where ‘information’ is uncoupled from reality and validated only by how loudly and often it is voiced, the artist researcher has a responsibility that goes beyond the confines of our discipline to articulate the truth-content of his or her artistic practice. To do this, they must embrace daring and risk-taking, finding ways of communicating that flow against the current norms. In artistic research, the empathic communication of information and experience – and not merely the ‘verbally empathic’ – is a sign of research transferability, a marker for research content. But this, in some circles, is still a heretical point of view. Research, in its more traditional manifestations mistrusts empathy and individually-incarnated human experience; the researcher, although a sentient being in the world, is expected to behave dispassionately in their professional discourse, and with a distrust for insights that come primarily from instinct. For the construction of empathic systems in which to study and research, our structures still need to change. So, we need to work toward a new world (one that is still not our idea), a world that is symptomatic of what we might like artistic research to be. Risk is one of the elements that helps us to make the conceptual twist that turns subjective, reflexive experience into transpersonal, empathic communication and/or scientifically-viable modes of exchange. It gives us something to work with in engaging with debates because it means that something is at stake. To propose a space where such risks may be taken, I shall revisit Gillian Rose’s metaphor of ‘the fold’ that I analysed in the first Symposium presented by the Arne Nordheim Centre for Artistic Research (NordART) at the Norwegian Academy of Music in November 2015. I shall deepen the exploration of the process of ‘unfolding’, elaborating on my belief in its appropriateness for artistic research work; I shall further suggest that Rose’s metaphor provides a way to bridge some of the gaps of understanding that have already developed between those undertaking artistic research and those working in the more established music disciplines.

Radical transformations in the global geopolitical reality led to the immediate development of the latest form of geopolitical conflict – hybrid war. The urgency of understanding is indicated the concept of "hybrid war", of systematization geopolitical concepts, development and implementation of reaching a consensus technology in global and regional hybrid wars. The main characteristic features of the Russian-Ukrainian hybrid war are considered from the point of view of classical and modern geopolitical concepts are considered. Emphasis is placed on the fact that the Russian-Ukrainian hybrid war is taking place in a fundamentally new world geopolitical environment. Denouement of hostilities from the aggressor countryindicates the inability to achieve the goal by non-forceful methods. It is proved that the main geostrategic goals of Russia are associated with an attempt to turn its own Eurasian resources into the only ones in the world. Thus, firstly, it will create competition for the Atlantic geopolitical system, and secondly, it could lead most states, including Ukraine, to energy depletion, which would contribute to institutional destruction and a crisis of the legitimacy of power. It is being proved that the main reason for the Russian-Ukrainian hybrid war is Russia's desire to restore regional and world leadership. This geostrategy is based on a well-founded geopolitical Eurasian concept of Russia, which gives Russian expansion a civilizational meaning and justifies the need to unite the Eurasian continent as a counterweight to the expansion of Atlanticism. From the standpoint of the civilization approach, the geopolitical vulnerability of Ukraine is emphasized due to the fact that it is on the verge of a collision of two powerful civilizations - Eurasian and European. It is noted that during the escalation of the confrontation, the geopolitical border became a real front line, and the territory of Ukraine is used as a springboard for military action. Geostrategic factors are highlighted that explain the conditions for the existence of modern relations between the aggressor state and the object state.


2004 ◽  
Vol 32 (04) ◽  
pp. 641-650 ◽  
Author(s):  
N. Kannathal ◽  
Joseph K. Paul ◽  
C.M. Lim ◽  
K.P. Chua ◽  
P.K. Sadasivan

Reflexology is a 4000-year-old art of healing practiced in ancient India, China and Egypt. In the beginning of the 20th century, it spread to the Western world. Reflexologic clinics and massage centers can be found all around the world. In spite of the widespread popularity, to the best of our knowledge, no serious research work has been done in this area, although much scientific research work has been carried out in other Eastern techniques like meditation and yoga. This is why a humble attempt is done in this work to quantitatively assess the effect of reflexological stimulation from a systems point of view. In this work, nonlinear techniques have been used to assess the complexity of EEG with and without reflexological stimulation. We prefer the nonlinear approach, as we believe that the effects are taking place in a subtle way, since there is no direct correlation between reflexological points and modern neuroanatomy.


1948 ◽  
Vol 39 (3) ◽  
pp. 417-421 ◽  
Author(s):  
N. S. Borkhsenius

The determination of mealybugs closely related to Pseudococcus comstocki (Kuw.) has presented considerable difficulty in the past. Green (1921, p. 189) and Hough (1925, p. 52 and 1925a, p. 13) have given details of the distinguishing features for P. comstocki (Kuw.) and P. maritimus (Ehrh.) but the grounds given for the separation of the former from other closely related species are not fully satisfactory. The representatives of this group of mealybugs are becoming more and more widely spread throughout the world and of greater economic importance yearly. A correct designation of these insects is, therefore, of particular importance not only from the point of view of quarantine legislation but also of control measures. Research work on the morphological characteristics of species closely related to Pseudococcus comstocki (Kuw.) has been carried out on very large quantities of material from different parts of the world.


2018 ◽  
Vol 5 (1) ◽  
pp. 55-66
Author(s):  
Karna Mustaqim

The determination of academic research on the field of the arts education troubling its own artistic practices. It was assumed by clarifying the objective and method of doing the research, art was believed would be contributing to a greater intellectualisation, otherwise it is just an art practice without justification from science, and therefore no contribution worth to human knowledge. Since it contrastive to the nature of artistic practice embodied in the arts itself, which unfortunately not even realize by the artist his/herself. Whilst it is well said by Joseph Kosuth (1971) that: “the artist, not unlike a scientist for whom there is no distinction between working in the laboratory and writing a thesis, has now “to cultivate the conceptual implications of his art propositions, and argue their explication.” This paper is about explicating the writer as the artist himself who done the livedexperience of drawing performs as the research processed. Artists use drawings an activity or a way of understanding the meaning of who we are and how we lived in the world. However, the objective of this research is an exceptional one, it searches for the dual experiences of the researcher as the artist as the instrument who producing the drawing and as the spectators himself welcoming and appreciating as he/she reveals him/ herself capable of wondering. In a particular way, this research is to show that through the making of drawings, the drawing performs lived-experience, that it can be another paradigm so called art-based or artistic research.


Author(s):  
Garrett Hardin

Europe-focused histories present the world as it appeared to Europeans and to the cultures derived from that continent. It is said that the New World was discovered in 1492—a statement that would have surprised the Aztecs had they heard it. Adopting for the moment the Eurocentric point of view, we note that whereas before 1492 there were about 24 acres of Europe per European, afterward there were some 120 acres of land per European. The fivefold increase presumes the legitimacy of property gained by conquest. This sudden wealth led to what W. P. Webb called an "age of exuberance." No wonder, as Catton and Riley remarked, "Opportunities thereafter seemed limitless. . . [and] it is not surprising that an optimistic belief in 'progress' developed." The age of exuberance has lasted for over four centuries, but seems to be drawing to a close as the sixth century looms on the horizon. Epicurus proclaimed two important default positions: (1) nothing can be created out of nothing, and (2) no existing thing can be converted into nothingness. These are universally accepted by natural scientists, who view them as conservative statements since they refer to the conservation of things. Are economists conservative, in this sense? The record is mixed. Economists demand that their helpers, the accountants, balance their books exactly; and an economist is likely to tell his beginning students that "There's no such thing as a free lunch." But before the course is far advanced the conservative sense of this incantation seems often to be forgotten. The manmade complexities of the world of finance make it difficult to recognize the underlying conservation of true wealth. Scientists have had an easier time dealing with matter and energy. By 1879 the conservation of these entities had been well established in the natural sciences, but in that year the "single taxer" Henry George (1839-1897) defiantly proclaimed non-conservation in the social sciences (see Box 7-1). Real estate developers and commercial promoters in general still sing George's song.


2021 ◽  
Vol 75 (1) ◽  
pp. 48-51
Author(s):  
S. Zhirenov ◽  

The article examines the relationship between man and the bird world in the mythical period between the past and the present from a linguocognitive point of view. Cultural semantics of mythical texts with the participation of ornithonyms makes it possible to analyze the linguistic picture of the world in the worldview of an ethnic group. In the research work, a thesaurus of logical, cognitive, mythological, poetic, and linguistic sets of models was formed in well-established precedent texts devoted to ornithonyms, including Samruk kus and Kumai. The article notes that the language units created by means of ornithonyms in Kazakh mythology are closely related to the worldview, culture, psychology, and traditions of the ethnic group. One of the categories that reflect the national identity of an ethnic group is the mythical, national, and folk idea of ornithonyms. It is widely shown that the huge potential of linguistics is determined by the close interaction of other disciplines, such as anthropology, cognition, psychology, philosophy, and mythology.


2020 ◽  
Author(s):  
Elcio Alberton

Mystagogical education of the teaching staff in the contemporary civilizatory metamorphose deals with the deep transformations which the civilization passes through, considering the sociological, environmental, political, economic and technological aspects. It deals with human being in this complex relationship analyzing the possible consequences of this process and, in the same way, it points alternative to a right assimilation and the convenience in this new world that rises up result of the metamorphosical process. The main indication remains in comprehending the adoption of mystagogical attitude by the teaching staff and in the formation of the educators. When the subject is the education task intending to overcome its utilitaristic function and preparation for the transactional environment, it suggests that the education points supportive and mystical alternatives in the teaching / learning. It proposes the cultivation and the preparation of the integrator people which teaching condition gets over the technical and the professional perspective, being firstly mystagogos (mystic educators) i.e, people teaching more with their lives and examples than words and contents. The text suggests that the educator’s task is to value the relationship between ourselves, others, the world and the supernatural. The searching points that more than technically prepared teachers, the mystic takes in account the human dimension considering all the potentiallities of the human being to develop himself under professional, intellectual, emotional, spiritual and social point of view.


Author(s):  
Geoffrey Jones

The book tells the unknown story of entrepreneurs who believed business could help create a more sustainable world. It challenges the received point of view that such green entrepreneurs are a recent phenomenon, and instead traces their origins much further back in the convictions of people committed to unusual lifestyles, in the zeal of radicals, and in the often unsuccessful efforts of visionaries to bring a new world into being long before the world was ready for it. This book looks at many such individuals in the United States, Europe, and elsewhere, and in industries as diverse as architecture, natural beauty, organic food, recycling, solar and wind energy, and sustainable finance. In each industry, the book explores the drivers of green entrepreneurship over time, how businesses were built, and the lessons to be learned. It is shown that it was only from the 1980s that green businesses were able to break out of marginal positions, yet the scaling of such businesses and the rise of corporate environmentalism raised new issues of legitimacy. The historical achievement of green entrepreneurs remains that through their willingness to be unconventional, they opened up new ways of thinking about sustainability, and have laid the foundations for the sustainable world of the future.


2020 ◽  
Vol 22 (3) ◽  
pp. 53-60
Author(s):  
Tatjana V. Shvetsova ◽  
◽  
Anton P. Zemlyanikin ◽  

Studying the work of Russian writers from the perspective of modern literary approaches is one of the leading problems of the theory and history of literature. Many research works are written within that framework. Designed on the basis of such an approach, this article is devoted to the analysis of one of the aspects of A. F. Pisemsky’s novel «Men of the Forties». We examined the image of the novel’s protagonist, Pavel Vikhrov, from the point of view of his committing an actively responsible act marking his place in the world. The central problem of the article is the cognitive modeling of the act of a literary hero. The article studies the nature of the act of a literary hero in the artistic space of a Russian novel; the capacity of the cognitive approach to studying the behavior of a literary hero is analyzed. The performer of the act is a hero introduced into a number of literary universals, i.e. «a man of the forties». The novelty of the research work is largely determined by the combination of literary research methods and the technologies of categorical-system and cognitive analysis of texts. The result of the analysis is an algorithm for creating a model of the act of a literary hero and applying it to a specific work. The authors of the article come to the conclusion that the description of the act of a literary hero using cognitive models allows: firstly, to understand the motives of the act of A. F. Pisemsky’s hero; secondly, to discover the essence of this act; thirdly, to study the features of A. F. Pisemsky’s artistic picture of the world through the act of a literary hero.


2021 ◽  
Vol 3 (1) ◽  
pp. 59-72
Author(s):  
Bayu Aji Sastra Jendra

A media that can connect every human being in all corners of the world so that it creates a new world, namely the online or virtual world. From here it is very possible for an exchange of ideology to occur through a discourse carried by an individual or a group which could be through a content channeled through a medium such as Tiktok for example. The purpose of this research is to analyze critical discourse on the contents in Tiktok media related to FF and PUBG games. The research method used is qualitative with a critical paradigm as a foundation in the point of view used. The theory used in this study is Norman Fairclough's critical discourse analysis with descriptive analysis, interpretation and explanation methods. The result of this research is the discovery of differences in discourse that are raised in each content in Tiktok media, where each content framing is carried out with the characteristics of each individual, so that the meaning of the discourse raised can be known by the general public.


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