Ensemble & Ensemble of Me - What I Think About When I Think About Improvisation

2015 ◽  
Author(s):  
◽  
Ivar Grydeland

Ensemble & Ensemble of Me is an artistic research fellowship project carried out at the Norwegian Academy of Music, as part of The Norwegian Artistic Research Fellowship Programme between 2011 and 2015. In this project I produced solo improvisations deriving from the music of two improvising ensembles to which I belong: Dans les arbres and Huntsville, and I produced collective improvisations with the ensembles. The project’s key questions: - What are my concepts when improvising with the ensembles and when improvising alone? - How do the ensemble improvisations inform my solo improvisations? - What do I think about when I think about our and my own improvisations? The Haruki Murakami-paraphrase in the sub-heading indicates a process of on-going reflection upon what I regard as key aspects when I improvise. More specifically, what I regard as key aspects in the music of Dans les arbres and Huntsville, as well as for my own solo improvisations. These reflections reveal key aspects and main challenges that emerged during my attempts to create solo works informed by the ensembles. The reflections are chiefly documented in the form of a personal encyclopaedia. The encyclopaedia includes audio and visual examples, both from the final artistic results and from artistic activity during the project.

2017 ◽  
Vol 9 (4) ◽  
pp. 325-330 ◽  
Author(s):  
Matthew Kurien ◽  
Andrew Hopper ◽  
Alan J Lobo ◽  
Mark E McAlindon ◽  
Reena Sidhu ◽  
...  

Out of programme (OOP) opportunities are to be encouraged. This article gives an insightful view of the Sheffield Clinical Research Fellowship Programme. Unique trainee feedback is provided. The take home message is clear - trainees should grab OOP experiences with both hands! For consultants the logistics described are potentially transferrable to their own regions.


2020 ◽  
Author(s):  
Jim Albert Charlton Everett ◽  
Guy Kahane

Sacrificial moral dilemmas are widely used to investigate when, how, and why people make judgments that are consistent with utilitarianism. But to what extent can responses to sacrificial dilemmas shed light on utilitarian decision making? We consider two key questions: First, how meaningful is the relationship between responses to sacrificial dilemmas and what is distinctive of a utilitarian approach to morality? Second, to what extent do findings about sacrificial dilemmas generalise to other moral contexts where there is tension between utilitarianism and common-sense intuitions? We argue that sacrificial dilemmas only capture one point of conflict between utilitarianism and common-sense morality, and new paradigms are needed to investigate other key aspects of utilitarianism, such as its radical impartiality


2021 ◽  
Vol 6 (1) ◽  
pp. 1
Author(s):  
Fariborz Zelli ◽  
Lasse Gerrits ◽  
Ina Möller

This article, and the special issue it introduces, seek to contribute to the emerging and much-needed dialogue between the study of global governance and the study of social complexity. We hold that, while there is wide acceptance that global governance is becoming increasingly complex, studying this complexity still faces significant challenges in terms of concepts, theory, and methodology.The article outlines why that dialogue is needed, and how the complexity sciences can help us address some of these challenges. It then introduces key questions central to such an integrated research programme, for instance: under what conditions can a global governance system be regarded as complex? Which methods can help us recognize and assess patterns of stability, iteration, and change in global governance? How can a theory-driven analysis take into account that complexity may influence spaces for political agency, i.e. that it may alter key aspects of legitimacy, accountability, transparency, technocracy, and power and ultimately the strategical options of certain actors? Finally, the article looks ahead to the special issue and summarizes how the authors contribute crucial conceptual, theoretical, and methodical ideas for addressing these and other questions.


1989 ◽  
Vol 145 ◽  
pp. 75-79
Author(s):  
G Dam

Sedimentological studies of the Upper Triassic to Lower Jurassic succession in central East Greenland were initiated in 1987 as a three-year research fellowship programme supported by British Petroleum Development, London (Dam, 1988). The study is primarilya lithofacies analysis, but ichnology, palynology sourcerock analysis, porosity/permeability analysis and diagenetic studies are also included in the programme. The stratigraphic interval includes the Kap Stewart and Neill Klinter Formations which have many features in common with stratigraphically equivalent formations in offshore mid- and northem Norway that form some of the most important potential petroleum reservoirs in these areas.


2019 ◽  
Vol 19 ◽  
pp. 1-12
Author(s):  
Maria Paz López-Peláez-Casellas ◽  
Cecilio García-Herrera

This article is a contribution to the debate which has been taking place for some years now around the use of artistic research methodologies in conservatories. To be precise, it supports a methodology centred on artistic activity, which is not conditioned by the dictates of science and the need to obtain results. Within this current of thought, we have developed a new methodology of artistic research, a/r/tography, which is adapted from Fine Arts, and is aimed at teachers in music conservatories and makes it possible to simultaneously research, perform and teach a piece of music.


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