scholarly journals I lost time and space. Where am I? – Erzählen von chronischen Schmerzen

2021 ◽  
Author(s):  
Tabea Rothfuchs
Keyword(s):  
Time And Space ◽  
Lost Time

scholarly journals Søvnens tid og rum. Om at læse søvnen i På sporet af den tabte tid

2015 ◽  
Vol 30 (73) ◽  
Author(s):  
Jacob Ulrich
Keyword(s):  
The Novel ◽  
Time And Space ◽  
General Terms ◽  
Potential Problems ◽  
Lost Time ◽  
Function Of Sleep

Jacob Ulrich: “The Time and Space of Sleep: Reading Sleep in In Search of Lost Time”This article examines the significance and structuring function of sleep and sleep related instances in Marcel Proust’s In Search of Lost Time. Through close readings of narrative conceptions of time in the ouverture the article shows how descriptions of the narrator’s sleep both destabilize the narrative and form a narrative pattern to which the overall structure of the novel adheres. Secondly, the article focuses on spatiality and sleep, particularly the narrator’s bedroom, which appears as a privileged place where certain perceptual conditions are displayed and experimented with. Descriptions of sleep in the novel thus form a boundary or threshold that negotiates between inner and outer modes of perception. The article concludes by addressing, in more general terms, the potential problems involved when studying ‘sleep and literature’.

Economy as an Organism

2011 ◽  
pp. 140-151
Author(s):  
A. Golubev
Keyword(s):  
Time And Space

Practicability of viewing economy not as a mechanism but as an organism is grounded. The concept of "genetic economics" that is considered in time and space is defined. The orders of economic constancy are recommended. "Genetic economics" axiomatic statements are formularized.

Time Lost, Time Regained: Billy Wilder's The Private Life of Sherlock Holmes

2020 ◽  
Vol 1 (2) ◽  
pp. 189-202
Author(s):  
Laura Marcus
Keyword(s):  
Private Life ◽  
Sherlock Holmes ◽  
History Of ◽  
Part Structure ◽  
Lost Time

This article discusses Billy Wilder's 1970 film The Private Life of Sherlock Holmes, which, though not enthusiastically received by audiences at the time, has subsequently become a work highly valued by critics and cineastes. Radically cut from its original four-part structure by the studio, it has come to be perceived as a film about loss. This relates both to its themes – suppressed love, the vanished world of Holmes and Watson – and to the history of the film itself, whose missing episodes exist only in fragmentary form. The first part of the essay looks at the ways in which the film constructs an image of Sherlock Holmes (played by Robert Stephen), with a focus on the question of his sexuality, while the second part turns to the ways in which the film became an ‘obsession’ for one writer in particular, the novelist Jonathan Coe.

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