scholarly journals Empleo flexible: el trabajo subcontratado en Jalisco

2016 ◽  
Vol 13 (22) ◽  
Author(s):  
Raquel Partida Rocha

Resumen:Este artículo, tiene el propósito de mostrar las nuevas formas de trabajo en Jalisco, fundamentado en la subcontratación vía las Agencias de Colocación (AC) . Se parte del supuesto que la reestructuración productiva originada en los años ochenta, provocó la flexibilidad en el empleo y esto dio lugar a la aparición del trabajo temporal y subcontratado a través de las AC. El documento pretende abrir la discusión y aportar algunos elementos sobre el tema. El texto se divide en tres apartados: en el primero se presentan algunas referencias respecto a las AC; en el segundo se realiza una caracterización de la definición de la subcontratación; y en el tercero se presenta un apartado de las AC en Jalisco.Palabras clave: trabajo en Jalisco, reestructuración productiva, flexibilidad laboral, empleo, subcontratación.Abstract:The purpose of this article is to show the new forms of labor in Jalisco, which is based on subcontracting via the Employment Agencies (EAs). The starting point is the assumption that the productive restructuring which originated in the 1980s caused job flexibility and this gave rise to the emergence of temporary and subcontracted work through the EAs. The document attempts to start a discussion, contributing some elements to the subject. This text is divided into three sections: in the first some references about the employment agencies are presented; in the second section a definition of subcontracting is characterized, and the third section is devoted to the EAs in Jalisco.Palabras clave: jobs in Jalisco, productive reestructuring, labor flexibility, employment, subcontracting.

2021 ◽  
Vol XIX (1) ◽  
pp. 49-62
Author(s):  
Karol Jasiński

The subject of interest of the author of the text is the common good as an inalienable element of the organization of the human community. The paper consists of three parts. The first part analyses the need for a common good as the basis of social and political life. The starting point was the distinction of four forms of common life (community, society, political body and state), defining the nature of society, presentation of three forms of relationship between man and society (individualism, collectivism and personalism) and identifying problems related to the definition of the common good. In the second part, the author presented a reflection on the procedural common good in the liberal tradition, the issue of impartiality and identification of the common good in the process of the debate. In the third part, attention is paid to the personalistic view of the common good, which is based on the integral development of personal human nature in the framework of the appropriate institutions and structures. This understanding of the common good is, in the author’s conviction, the best point of reference in social and political life.


2019 ◽  
Vol 29 (5) ◽  
pp. 135-150

The springboard for this essay is the author’s encounter with the feeling of horror and her attempts to understand what place horror has in philosophy. The inquiry relies upon Leonid Lipavsky’s “Investigation of Horror” and on various textual plunges into the fanged and clawed (and possibly noumenal) abyss of Nick Land’s work. Various experiences of horror are examined in order to build something of a typology, while also distilling the elements characteristic of the experience of horror in general. The essay’s overall hypothesis is that horror arises from a disruption of the usual ways of determining the boundaries between external things and the self, and this leads to a distinction between three subtypes of horror. In the first subtype, horror begins with the indeterminacy at the boundaries of things, a confrontation with something that defeats attempts to define it and thereby calls into question the definition of the self. In the second subtype, horror springs from the inability to determine one’s own boundaries, a process opposed by the crushing determinacy of the world. In the third subtype, horror unfolds by means of a substitution of one determinacy by another which is unexpected and ungrounded. In all three subtypes of horror, the disturbance of determinacy deprives the subject, the thinking entity, of its customary foundation for thought, and even of an explanation of how that foundation was lost; at times this can lead to impairment of the perception of time and space. Understood this way, horror comes within a hair’s breadth of madness - and may well cross over into it.


2021 ◽  
Vol 14 (2) ◽  
pp. 29-47
Author(s):  
Sylwester Jaśkiewicz

The article presents the subject of God’s love in Cardinal Wyszyński’s teaching. Primate Wyszyński puts God’s love at the very center of his theological thought. The theme of God’s love is discussed in seven sections: the first of them refers to the most famous words of Saint John’s “Deus Caritas est” (1 Jn 4:8,16), which are a short and brief definition of God; the second section develops Cardinal Wyszyński’s statement that there was a “time” in which only Love existed; the third section concerns the impartation of God’s love; fourth section describes the love of the Father; fifth section speaks of the greatest Love, which is the Incarnate Son of God, Jesus Christ; section six focuses on the Holy Spirit, who is the Spirit of Love; the last section speaks of Mary, Mother of Beautiful Love. The whole ends with the summary. In his teachings on the love of God, Cardinal Wyszyński started with the inner life of the Triune God, with the Person of the Father, and then focuses on the salvific mission of the Son of God and the sanctifying action of the Holy Spirit. In this way, he appreciates both the category of God the Father and God as a Father full of love.


Glasnik prava ◽  
2021 ◽  
Vol 12 (1) ◽  
pp. 35-51
Author(s):  
Edina Kočan

The author presents a comparative legal analysis of the segments of construction law in Croatian and Slovenian law, with the aim of pointing out the differences that exist between them. Considering that this is a relatively new legal institute, which was somewhat earlier standardized in Slovenian law in relation to Croatian law, in the introductory exposition, a brief review was made of the occurrence of the construction law and the reasons for earlier non-regulation. The second part of the paper is dedicated to the stipulations of Act on ownership and Property Code of the Republic of Slovenia. This part refers to the conceptual definition of the construction law, in order to classify it in a certain broader unit, to which it belongs - genus proximum - searching for the closest relative, emphasizing the important characteristics that make it specific in relation to other property rights. In the third part of the paper, the author analyses the stipulations related to the subject of building rights, with reference to the dilemmas that exist in that sense, both in Croatian and Slovenian jurisprudence, as well as in the legal science of some other countries. The fourth part of the paper is dedicated to the stipulations that regulate the acquisition and duration of construction rights. Considering that derivative acquisition, among other things, characterizes the existence of bases and ways of acquisition, first possible bases of acquisition are presented, and then entry in appropriate public books as a way of acquiring this right and its duration. The concluding part of the paper summarizes the results of the analysis and evaluates the considered legal solutions, with the presentation of reasoned objections to the existing regulations, all with the aim of eventual amendment of the right to build in the legal systems in question.


1998 ◽  
Vol 41 (1) ◽  
pp. 97-120 ◽  
Author(s):  
MICHELLE O'CALLAGHAN

The career of the MP and poet Christopher Brooke, in particular his The ghost of Richard the third (1614) and his activity in the 1614 ‘addled’ parliament, forms the basis of this study of Jacobean political culture. Brooke's career foregrounds the close interaction of political and literary cultures in the period; he was a leading member of the political circle, the ‘Sireniacs’, which had strong parliamentary ties, and was one of the Inns of Court-based ‘oppositional’ Spenserian poets. Together with his fellow ‘Sireniac’ MPs, Brooke vehemently opposed the definition of impositions as the domain of absolute rather than ordinary powers of the crown because of the threat this posed to the rights of parliament and the subject. The ghost of Richard the third provides an example of parliamentary debates entering a wider print culture, where impositions merged with broader civic issues. Political language in this period was not confined to the realms of high theory and Brooke's poem illustrates the complex mediation of political discourses through literary forms. A humanist discourse of tyranny provided Brooke with a coded language, enabling him to articulate his concern for the health of the commonwealth and to address areas of ideological conflict in early Stuart political culture.


2005 ◽  
Vol 1 ◽  
pp. 51
Author(s):  
Loukia Droulia

<p>This paper deals with the subject of Modern Greek consciousness which can be said epigrammatically to have its starting point in the Provisional Constitution of Greece ratified by the Assembly of Epidaurus in January 1822. For it was then necessary that two crucial questions be answered, namely who were to be considered as citizens of the new state about to be created and what regions it covered. The attempt to find answers to these questions necessarily led to the re-examination of the Greek nation's historical course over the millenia.</p><p>For this purpose the terms that express the concepts which register the self-definition of a human group and their use over time, are here examined as well as the links that formed the connection between the groups of Greek-speaking Orthodox Christians who, as a result of historical circumstances, had until then been geographically scattered. One solid link was the unbroken use of their common language; the "ancestral culture" was the other definitive element which had a continuous though uneven presence throughout the centuries. Finally the "place", having preserved the same geographical name, "Hellas", through the centuries although its borders were certainly unclear, now took on a weighty significance as regards the conscious identification of the historical land with the new state that the Greeks were struggling to create in the nineteenth century. These and other factors contributed to the acceptance by the Greek nation of the nomenclature <em>Ellines, Ellada</em> which were unanimously adopted during the Greek war of Independence, instead of the terms <em>Graikoi, Romioi, Graikia</em>.</p>


2020 ◽  
Vol 21 (2) ◽  
Author(s):  
Peter Milčák

The article aims to provide a clear picture of the Czech Republic’s approach toward coping with the creative industries in the context of their numerous shortcomings and ambiguities. The theoretical framework of the article is divided into three primary parts, each dealing with a different set of problems. The first part deals with the problems arising from the scattered definition of the concept of creative industries along with potential linguistic problems arising from understanding the meaning of words creative industries in different cultures. The second part deals with the issue of the creation of various tools and methods for incorporating creative industries within national economies. The third part deals with the subject of creating public policies in the field of culture and the possible dilemmas associated with them. At the end of each section, space is dedicated to describing the Czech Republic’s approach concerning dealing with these problems. Methodologically the article is built upon the secondary research of relevant research papers written by academics researching the field of creative industries and on the analysis of the statistical data provided by the Czech Statistical Office. Findings resulting from the article points to the increased long-term efforts of state officials to establish the concept of creative industries fully


2021 ◽  
Vol 03 (04) ◽  
pp. 382-389
Author(s):  
Dina Mohammed INAD

Brand plays a major role in the success of companies, the corporate identity has become firmly established in the business communication environment, and can play a major role in the success of the company. Spatial symbols do not take a mere narrative structural formation, because their presence is not a neutral, static presence, but rather plays an active role in brand design and even in determining its functional options. Accordingly, dealing with these symbols was of great importance, as they are one of the components of the semantic construction of the design work , It is one of the foundations that constitute the designer's vision towards achieving the desired goal of the design, In this context, the search for spatial symbols becomes justified, especially if the design is among the works that show the act of belonging to the place. the importance of the tagged study (the employment of spatial symbols in the design of brands) to clarify the subject through three chapters. The first chapter includes the research problem and the need for it Which is represented by the following question (What are spatial symbols and how are they employed in the brand)? The aim of the study was (to identify spatial symbols in brand design). It includes the importance of the research, the limits of the research, and the definition of terms. As for the second chapter, it included the theoretical framework consisting of four sections that included the first topic (the symbol and identity of the place) and the second topic (symbols in graphic design), while the third topic included (the brand design). The fourth topic included (research applications), as the researcher adopted the descriptive approach, the method of content analysis in analyzing research models. In the third chapter, the research reached the results and conclusions, including: 1-As a result, the spatial symbols in the brand achieve the depth of belonging and the cultural embodiment of the country to be employed in the brand. 2-The spatial symbols in the design of the brand have had a creative impact on the recipient, and it helps him identify the spatial references of the industrial establishment (cement factories).


Author(s):  
V. S. Lazarev

Introduction. In the first part of the article, an attempt was made to trace some of the evolution of the concept of a “document”, which is now understood as any material object that can be used to obtain the information necessary for a person. In the second part, assuming that such an interpretation of the concept of a “document” is fruitful for possible reconsideration of viewpoints on the objects of bibliometrics, scientometrics and informetrics, a number of definitions of the objects of these three “metrices” have been examined with a speculative “inlining” the new meaning of the term “document” to the definitions of objects.Materials and methods. Comparative analysis of the viewpoints of the objects of bibliometrics, scientometrics and informetrics that were expressed in some examples of definitions of these scientific fields; speculative “inlining” the new meaning of the term “document” in them; consideration the meanings of the objects of “metrices” altered as a result of the mentioned “inlining”.Results. It is shown how noticeably the understanding of the objects of bibliometrics, scientometrics and informetrics can be revised as the result of the use of the updated “broad” interpretation of the concept of a “document” and how much the interpretations of the objects of bibliometrics, scientometrics and informetrics can be even closer in their meanings than previously was recognized.Discussion and conclusion. Such a comparative analysis of the objects of the “metrices” might be helpful for identifying both similarities and differences among bibliometrics, scientometrics and informetrics. This is important, since the awareness of them is an obvious starting point for the mutual enrichment of “metrices” with knowledge and concepts. A more complete and detailed analysis of representations of the objects of the “metrices” in comparison with the updated “broad” interpretation of the concept of the “document”, as well as a comparison of the methodological components of “metrices” is the subject of further research.


e-Finanse ◽  
2016 ◽  
Vol 12 (1) ◽  
pp. 21-31
Author(s):  
Dominik Filipiak ◽  
Agata Filipowska

AbstractDue to the constantly growing interest in alternative investments, the art market has become the subject of numerous studies. By publishing sales data, many services and auction houses provide a foundation for further research on the latest trends. Determining the definition of the artistic value or formalisation of appraisal may be considered quite complex. Statistical analysis, econometric methods or data mining techniques could pave the way towards better understanding of the mechanisms occurring on the art market. The goal of this paper is to identify, describe and compare solutions (and related challenges) that help to analyse, make decisions and define state of the art in the context of the intersection of econometrics on art markets and computer science. This work is also a starting point for further research.


Sign in / Sign up

Export Citation Format

Share Document