scholarly journals Nigerian Drama and Ideological Commitment: A Study of Selected Plays of Femi Osofisan and Olu Obafemi

2021 ◽  
Vol 6 (2) ◽  
pp. 151-163
Author(s):  
Florence. A. Elegba
2020 ◽  
Vol 22 (1) ◽  
pp. 65-82
Author(s):  
Anthony P. McIntyre

This article examines how a specific form of lifestyle programming indexes both national concerns and transnational financial trends as well as diffuse social fissures in Irish life. Emerging in the late 1990s amid a construction boom, Irish property television adapted and thrived through the subsequent post-2008 crash, the concomitant implementation of austerity policies and an ensuing housing crisis. This boom-to-bust cycle was precipitated by the financialization of property within Ireland, a process whereby housing and commercial property became embedded in transnational financial market cycles. Through an analysis of three key examples of the genre, this article argues that for the most part, Irish property television seeks to hold at bay anxieties generated by a growing wealth and income disparity in the state. While this programming displays an ideological commitment to the “investor subjects” of home-ownership, increasingly the concerns of those excluded from this version of the good life are evident.


1973 ◽  
Vol 4 (2) ◽  
pp. 148-162 ◽  
Author(s):  
John P. Entelis

One of the primary reasons for Lebanon's political viability over nearly three decades of independence in a volatile political environment has been the relative success of well-organized, intensely nationalistic Lebanese groups in mobilizing effective support for the system. The most significant such organization is the Lebanese Katâ'ib Party (LKP), which has exceeded others in its membership support, structural stability, ideological commitment, and coercive powers to influence government policy.


1995 ◽  
Vol 28 (3) ◽  
pp. 301-342 ◽  
Author(s):  
Elizabeth H. Tobin ◽  
Jennifer Gibson

In Christoph Wetzel's 1988 painting, An Everyday Story, the divided canvas proudly depicts women's accomplishments in the German Democratic Republic (Figure 1). On one side, a woman operates a large piece of heavy machinery in a rolling mill, cool and competent behind the enormous mass of metal and gears. On the other side, the same woman helps her two children prepare for school in the morning. In the act of combing her daughter's hair, she looks out directly at the viewer, her expression asking: “And what are you surprised at?” This painting, displayed as part of a 1995 exposition on art commissioned by government agencies in the GDR, graphically displays that government's ideological commitment to women's paid labor, especially in jobs that, in capitalist societies, are often thought to be inappropriate for women.


2006 ◽  
Vol 38 (6) ◽  
pp. 659-677
Author(s):  
Adam E. Nir ◽  
Michal Katz ◽  
Mousa Karayanni ◽  
David Gordon ◽  
Adar Lavie

2017 ◽  
Vol 128 (614) ◽  
pp. 2414-2449 ◽  
Author(s):  
Wayne Geerling ◽  
Gary Magee ◽  
Vinod Mishra ◽  
Russell Smyth

Author(s):  
G. Blaine Baker

AbstractThis is a 'will-in-context' study of a Toronto bequest of the 1880s that shows how a testator's ideological commitment to freedom of willing and his retention of high-powered legal talent to actualize that commitment were derailed by a hapless or avaricious executor, unpredictable real-estate markets, a lethargic court, and eccentric beneficiaries. It also suggests that self-made private law like contracts, trusts, and wills may be as doctrinally, textually, or administratively contradictory, indeterminate, or unpredictable as state-made public or regulatory law has often been shown to be.


2020 ◽  
Vol 72 (3) ◽  
pp. 276-282
Author(s):  
Robert Warrior

Abstract Noting the entwined histories of settler colonialism and racial capitalism, Robert Warrior investigates the place of Native Americans in colonial hierarchies manifest across US history, from an 1804 encounter in Washington, DC, between the Osage people and Thomas Jefferson—in which Jefferson claims that the Osage were among “the finest men we have ever seen”—to the January 2019 media event surrounding Nathan Phillips and Nicholas Sandmann on the National Mall. Drawing from the work of Arica Coleman, he notes that Jefferson’s seeming high regard for the Osage people masks his ideological commitment to racial purity, and he casts these reflections alongside movements such as Standing Rock and Black Lives Matter.


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