scholarly journals Speech Companions: Evaluating the Effects of Musically Modulated Auditory Feedback on the Voice

2019 ◽  
Author(s):  
Rébecca Kleinberger ◽  
George Stefanakis ◽  
Sebastian Franjou
Keyword(s):  
Auditory Feedback ◽  
Semantic Content ◽  
The Other ◽  
Pitch Contour ◽  
Vocal Qualities ◽  
Major Chord ◽  
Minor Chord ◽  
A Minor ◽  
The Voice ◽  
Musical Accompaniment

Changing the way one hears one’s own voice, for instance by adding delay or shifting the pitch in real-time, can alter vocal qualities such as speed, pitch contour, or articulation. We created new types of auditory feedback called Speech Companions that generate live musical accompaniment to the spoken voice. Our system generates harmonized chorus effects layered on top of the speaker’s voice that change chord at each pseudo-beat detected in the spoken voice. The harmonization variations follow predeter-mined chord progressions. For the purpose of this study we generated two versions: one following a major chord progression and the other one following a minor chord progression. We conducted an evaluation of the effects of the feedback on speakers and we present initial findings assessing how different musical modulations might potentially affect the emotions and mental state of the speaker as well as semantic content of speech, and musical vocal parameters.

Musical Harmony in Electric Hearing

2018 ◽  
Vol 36 (1) ◽  
pp. 40-52 ◽  
Author(s):  
Marie Knobloch ◽  
Jesko L. Verhey ◽  
Michael Ziese ◽  
Marc Nitschmann ◽  
Christoph Arens ◽  
...  
Keyword(s):  
Fine Structure ◽  
Music Perception ◽  
Normal Hearing ◽  
The Other ◽  
Temporal Fine Structure ◽  
Musical Harmony ◽  
Harmonic Progression ◽  
Electric Hearing ◽  
Major Chord ◽  
Minor Chord

A cochlear implant (CI) restores hearing for profoundly deaf patients by transmitting sound to an array of electrodes that stimulates the inner ear. The small number of frequency bands and limited transmission of temporal fine structure affects the music perception. The present work investigates the pleasantness of chords and chord sequences in adults using such electric hearing. In the first task, participants compared chord types according to their perceived pleasantness. Normal-hearing listeners judged the major chord and the minor chord as the most pleasant ones compared to other chord types. CI users appraised the major chord as more consonant than other chord types. The second task used four-chord sequences, half of which ended on an authentic V-I cadence. In the other presentations, the final tonic was replaced either by a transposed major chord or by a dissonant chord. The participants had to judge whether the ending was conclusive. While normal-hearing listeners preferred authentic cadences, all but one CI user assessed the modified cadences as similarly satisfying. The results indicate that CI users appreciated consonance of isolated chords to a certain extent similar to normal-hearing listeners. Nevertheless, the majority of CI users fail to register the musical syntax in the harmonic progression of cadences.

Neural Discrimination of Nonprototypical Chords in Music Experts and Laymen: An MEG Study

2009 ◽  
Vol 21 (11) ◽  
pp. 2230-2244 ◽  
Author(s):  
Elvira Brattico ◽  
Karen Johanne Pallesen ◽  
Olga Varyagina ◽  
Christopher Bailey ◽  
Irina Anourova ◽  
...  
Keyword(s):  
Auditory Cortex ◽  
Auditory System ◽  
Musical Training ◽  
The Other ◽  
Pitch Discrimination ◽  
Tonal Music ◽  
Pitch Change ◽  
Musical Pitch ◽  
Minor Chord ◽  
A Minor

At the level of the auditory cortex, musicians discriminate pitch changes more accurately than nonmusicians. However, it is not agreed upon how sound familiarity and musical expertise interact in the formation of pitch-change discrimination skills, that is, whether musicians possess musical pitch discrimination abilities that are generally more accurate than in nonmusicians or, alternatively, whether they may be distinguished from nonmusicians particularly with respect to the discrimination of nonprototypical sounds that do not play a reference role in Western tonal music. To resolve this, we used magnetoencephalography (MEG) to measure the change-related magnetic mismatch response (MMNm) in musicians and nonmusicians to two nonprototypical chords, a “dissonant” chord containing a highly unpleasant interval and a “mistuned” chord including a mistuned pitch, and a minor chord, all inserted in a context of major chords. Major and minor are the most frequently used chords in Western tonal music which both musicians and nonmusicians are most familiar with, whereas the other chords are more rarely encountered in tonal music. The MMNm was stronger in musicians than in nonmusicians in response to the dissonant and mistuned chords, whereas no group difference was found in the MMNm strength to minor chords. Correspondingly, the length of musical training correlated with the MMNm strength for the dissonant and mistuned chords only. Our findings provide evidence for superior automatic discrimination of nonprototypical chords in musicians. Most likely, this results from a highly sophisticated auditory system in musicians allowing a more efficient discrimination of chords deviating from the conventional categories of tonal music.

Indonesian Literature’s Position in World Literature

TEKNOSASTIK ◽  
2018 ◽  
Vol 14 (2) ◽  
pp. 1
Author(s):  
Dina Amelia
Keyword(s):  
World Literature ◽  
The Other ◽  
National Literature ◽  
Western World ◽  
The World ◽  
The One ◽  
The Voice

There are two most inevitable issues on national literature, in this case Indonesian literature. First is the translation and the second is the standard of world literature. Can one speak for the other as a representative? Why is this representation matter? Does translation embody the voice of the represented? Without translation Indonesian literature cannot gain its recognition in world literature, yet, translation conveys the voice of other. In the case of production, publication, or distribution of Indonesian Literature to the world, translation works can be very beneficial. The position of Indonesian literature is as a part of world literature. The concept that the Western world should be the one who represent the subaltern can be overcome as long as the subaltern performs as the active speaker. If the subaltern remains silent then it means it allows the “representation” by the Western.

Wacana Kolonial dalam Novel Max Havelaar: Sebuah Kajian Poskolonial

Metahumaniora ◽  
2017 ◽  
Vol 7 (3) ◽  
pp. 411
Author(s):  
Abu Bakar Ramadhan Muhamad
Keyword(s):  
Point Of View ◽  
The Other ◽  
The Novel ◽  
Colonial Discourse ◽  
The Impact ◽  
The Voice

AbstrakHegemoni kolonialisme dalam budaya poskolonial merupakan alasan penelitian inikemudian mengkaji wacana kolonial dalam novel Max Havellar (MH) khususnya dampakditimbulkannya. Dampak dimaksud adalah posisi keberpihakan pemikiran tersirat darikarya tersebut. Hasil pembahasan menunjukkan, secara temporal maupun permanen MHmenyuarakan ketidakadilan dalam kondisi-kondisi kolonial menyangkut penindasan sangpenjajah terhadap terjajah. Hanya saja, upaya mengatasnamakan atau mewakili suarakaum terjajah terbukti mengimplikasikan ciri ideologis statis kerangka kolonialisme(orientalisme); yakni cara pandang Eropasentris, di mana “Barat” sebagai self adalah superior,dan “Timur” sebagai other adalah inferior. Dalam konteks poskolonialisme, MH dengan sifatkritisnya yang berupaya “menyuarakan” nasib pribumi terjajah, justru menampilkan stigmapenguatan kolonialitas itu sendiri secara hegemonik. Artinya, “menyuarakan” nasib pribumidimaknai sebagai keberpihankan kolonial yang kontradiktif, di mana stigma penguatankolonialitas justru lebih terasa, ujung-ujungnya melanggengkan hegemoni kolonial. Tidakmembela yang terjajah, tetapi memperhalus cara kerja mesin kolonial.AbstractThe hegemony of colonialism in the culture of postcolonial society is the reason this studythen examines the colonial discourse in the novel Max Havellar (MH) in particular the impactit brings. The impact in question is the implied position of thought in the work. The resultsof the discussion show that, temporarily or permanently, MH voiced injustice in the colonialconditions regarding the oppression of the colonist against the colonized. However, the effort toname or represent the voice of the colonized has proven to imply a static ideological characterin the framework of colonialism (orientalism); ie Eropacentric point of view, in which “West” asself is superior, and “East” as the other is the inferior. In the context of postcolonialism, MH withits critical nature that seeks to “voice” the fate of the colonized natives, actually presents thestigma of strengthening coloniality itself hegemonicly. That is, “voicing” the fate of the pribumiis interpreted as a contradictory colonial flare, where the stigma of strengthening colonialityis more pronounced, which ultimately perpetuates the hegemony of colonialism. No longerdefending the colonized, but refining the workings of the colonial machinery.

The Proximity of Other Skins

2019 ◽  
Author(s):  
Celine Parreñas Shimizu
Keyword(s):  
United States ◽  
South Korea ◽  
The United States ◽  
The Philippines ◽  
The Other ◽  
The West ◽  
Pain And Suffering ◽  
The Spectator ◽  
Existing Frames ◽  
The Voice

Transnational films representing intimacy and inequality disrupt and disgust Western spectators. When wounded bodies within poverty entangle with healthy wealthy bodies in sex, romance and care, fear and hatred combine with desire and fetishism. Works from the Philippines, South Korea, and independents from the United States and France may not be made for the West and may not make use of Hollywood traditions. Rather, they demand recognition for the knowledge they produce beyond our existing frames. They challenge us to go beyond passive consumption, or introspection of ourselves as spectators, for they represent new ways of world-making we cannot unsee, unhear, or unfeel. The spectator is redirected to go beyond the rapture of consuming the other to the rupture that arises from witnessing pain and suffering. Self-displacement is what proximity to intimate inequality in cinema ultimately compels and demands so as to establish an ethical way of relating to others. In undoing the spectator, the voice of the transnational filmmaker emerges. Not only do we need to listen to filmmakers from outside Hollywood who unflinchingly engage the inexpressibility of difference, we need to make room for critics and theorists who prioritize the subjectivities of others. When the demographics of filmmakers and film scholars are not as diverse as its spectators, films narrow our worldviews. To recognize our culpability in the denigration of others unleashes the power of cinema. The unbearability of stories we don’t want to watch and don’t want to feel must be borne.

A Dual Act Analysis of Slurs

2018 ◽  
Author(s):  
Elisabeth Camp
Keyword(s):  
Semantic Content ◽  
The Other ◽  
Conventional Implicature ◽  
Clear Cases ◽  
Perlocutionary Effect ◽  
Communicative Role

Slurs are incendiary terms—many deny that sentences containing them can ever be true. And utterances where they occur embedded within normally “quarantining” contexts, like conditionals and indirect reports, can still seem offensive. At the same time, others find that sentences containing slurs can be true; and there are clear cases where embedding does inoculate a speaker from the slur’s offensiveness. This chapter argues that four standard accounts of the “other” element that differentiates slurs from their more neutral counterparts—semantic content, perlocutionary effect, presupposition, and conventional implicature—all fail to account for this puzzling mixture of intuitions. Instead, it proposes that slurs make two distinct, coordinated contributions to a sentence’s conventional communicative role.

Laryngeal Movement Disorders and Their Management

2016 ◽  
Vol 1 (3) ◽  
pp. 75-82 ◽  
Author(s):  
Thomas Murry ◽  
Claudio F. Milstein
Keyword(s):  
Movement Disorders ◽  
Upper Airway ◽  
Management Options ◽  
Current Information ◽  
Voice Changes ◽  
A Minor ◽  
The Voice ◽  
Methods Of Treatment

This review describes the current information related to laryngeal neuropathic disorders and the possible management options available. Voice changes may range from severe hoarseness due to choking and coughing to a mild intermittent dysphonia possibly accompanied by unusual breathing. Neither the sound of the voice nor the lack of hoarseness should suggest that the problem itself is a minor one. Laryngeal neuropathic disorders may be the outcome of inflammation, irritation, infection, or a combination of these that causes a disruption in normal sensation. When sensory mediators no longer function normally, breathing, phonation, and even swallowing changes may be affected. Clinicians must be aware of the numerous sensory related disorders in the upper airway and currently accepted methods of treatment.

scholarly journals IV. On certain Analogies observed by the Greeks in the Use of their Letters; and particularly of the Letter ΣΙΓΜΑ

1790 ◽  
Vol 2 (2) ◽  
pp. 111-153
Author(s):  
Andrew Dalzel
Keyword(s):  
The Other ◽  
Philosophical Investigation ◽  
The Voice

The power of pronouncing articulate sounds is one of the most obvious marks which distinguish man from the other animals. No philosophical investigation is necessary for pointing it out, and therefore it has not escaped the notice of the poets, the most ancient of all authors. In the works of Homer and Hesiod, we often meet with the expression μέϱοπες ἄνθϱωποι, men having an articulate voice; the word μέϱοψ being evidently compounded of μείϱω, to divide, and ὄψ, the voice.

A modified Runge-Kutta method

SIMULATION ◽  
1968 ◽  
Vol 10 (5) ◽  
pp. 221-223 ◽  
Author(s):  
A.S. Chai
Keyword(s):  
Error Estimate ◽  
Linear Combination ◽  
Experimental Results ◽  
The Other ◽  
New Method ◽  
Kutta Method ◽  
Starting Values ◽  
Runge Kutta Method ◽  
Runge Kutta ◽  
A Minor

It is possible to replace k2 in a 4th-order Runge-Kutta for mula (also Nth-order 3 ≤ N ≤ 5) by a linear combination of k1 and the ki's in the last step, using the same procedure for computing the other ki's and y as in the standard R-K method. The advantages of the new method are: It re quires one less derivative evaluation, provides an error estimate at each step, gives more accurate results, and needs a minor change to switch to the RK to obtain the starting values. Experimental results are shown in verification of the for mula.

scholarly journals II.—General Theorems on Determinants

1880 ◽  
Vol 29 (1) ◽  
pp. 47-54
Author(s):  
Thomas Muir
Keyword(s):  
The Other ◽  
Elementary Theorem ◽  
A Minor

The rows of a determinant of the nth order having been separated into two sets, one containing the first p rows and the other the rest, if each minor of the pth degree formed from the first set be multiplied by a minor, called its complementary, formed from the second set, and the result have its sign chosen in accordance with a certain law, it is well known as an elementary theorem that the aggregate of the products thus obtained is equal to the original determinant.

Sign in / Sign up

Export Citation Format

Share Document