scholarly journals Final work plan: Expedited Site Characterization of the IES Industries, Inc., Site at Marshalltown, Iowa. Ames Expedited Site Characterization Project, Version 1.0

Author(s):  
2021 ◽  
Vol 14 (10) ◽  
Author(s):  
Bhavesh Pandey ◽  
Ravi Sankar Jakka ◽  
Ashok Kumar ◽  
Mukat Lal Sharma

2021 ◽  
Vol 7 (1) ◽  
Author(s):  
Olalekan A. Balogun-Agbaje ◽  
Olubusola A. Odeniyi ◽  
Michael A. Odeniyi

Abstract Background Poly-γ-glutamic acid (γ-PGA) is a biopolymer of microbial origin, consisting of repeating units of l-glutamic acid and/or D-glutamic acid. The biopolymer has found use in the fields of agriculture, food, wastewater, and medicine, owing to its non-toxic, biodegradable, and biocompatible properties. Due to its biodegradability, γ-PGA is being tipped to dislodge synthetic plastics in drug delivery application. High cost of production, relative to plastics, is however a clog in the wheel of achieving this. Main body of abstract This review looked at the production, nanoparticles fabrication, and drug delivery application of γ-PGA. γ-PGA production optimization by modifying the fermentation medium to tailor towards the production of desirable polymer at reduced cost and techniques for the formulation of γ-PGA nanoparticle as well as its characterization were discussed. This review also evaluated the application of γ-PGA and its nanoparticles in the delivery of drugs to action site. Characterization of γ-PGA and its nanoparticles is a crucial step towards determining the applicability of the biopolymer. γ-PGA has been used in the delivery of active agents to action sites. Conclusion This review highlights some of the efforts that have been made in the appraisal of γ-PGA and its nanoparticles for drug delivery. γ-PGA is a candidate for future extensive use in drug delivery.


1994 ◽  
Vol 56 (2) ◽  
pp. 127-141 ◽  
Author(s):  
Scott R. Carter ◽  
Michele A. McGuirl ◽  
Doreen E. Brown ◽  
David M. Dooley

2012 ◽  
Author(s):  
Juan M. Russo ◽  
Deming Zhang ◽  
Shelby Vorndran ◽  
Michael Gordon ◽  
Jose Castillo ◽  
...  

Author(s):  
Noemi KARACSONY

The present paper strives to evoke the context in which one of Jules Massenet’s last operas, “Cléopâtre” was created: the Belle Époque period with its various stylistic orientations. Among the numerous art movements of the fin de siècle, Art Nouveau establishes itself as one of the most important styles, gradually becoming an international style often associated with the Belle Époque. Characterized by curving forms and undulating lines, Art Nouveau was used in architecture, fine and applied arts. One of the aims of this style was to dissolve the distinction between the various forms of art. Art Nouveau representations gave birth to a particular feminine type, also represented in Massenetțs “Cléopâtre”, an opera inspired by the vocal and dramatic endowments of French singer Lucy Arbell. The analysis focuses on the vocal characterization of Cléopâtre as sonorous representation of the fin de siècle woman, highlighting some of the musical innovations employed by Massenet in this final work.


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