scholarly journals A Vision Of

2019 ◽  
Vol 56 (2) ◽  
pp. 35-48
Author(s):  
Ewa Czczkowska

For Primate Stefan Wyszyński, the past of the nation was an important element creating the identity of the nation, on whose behaviour its future depended. Maintaining the memory of the history of the nation, which, in the primate’s thought, was constituted when Mieszko I was baptised in 966, was one of the priorities of Cardinal Stefan Wyszyński’s teaching. For this reason, it was also a part of the world-view dispute between the Primate and the communist authorities of postwar Poland, whose aim was to erase many pages of history from national memory or to give them a different meaning as a condition for creating a „new” society based on the Soviet model. In the evaluation of the past, falsified in the People’s Republic of Poland, the Primate used „his own domestic and national sense” and „proper evaluation of the spirit”. The theological perspective allowed the Primate to look at the painful and tragic pages of history, including the lost national uprisings, as a sacrifice modelled on the sacrifice of Christ, necessary for the resurrection of Poland. According to Primate Wyszyński, the history of the nation was a reservoir of values, co-shaped by faith and the Church, from which future generations could draw in the struggle to regain independence in 1918 and regain sovereignty.

2006 ◽  
Vol 47 (1) ◽  
pp. 111-114
Author(s):  
Sandra G. Shannon

Time, timing, and timelessness all converge in Harry J. Elam's The Past as Present in the Drama of August Wilson (2004), a major addition to Wilson studies at this profound juncture in the history of American theatre. First, Elam's study offers a sweeping retrospective of Wilson's blending of past and present time in his recently completed cycle of plays. Yet it is the timing of the book's release that affords it an added advantage. Though published in 2004, The Past as Present in the Drama of August Wilson can easily be regarded as a most fitting tribute to one of the great voices of the American stage. As the nation—indeed the world—mourns the sudden loss of August Wilson, current and future generations of scholars, students, educators, theatre practitioners, and lovers of theatre may find comfort in knowing that the foundation has already been laid for serious and sustained study of his phenomenal legacy and far-reaching influence. Elam's work adds a vital cornerstone to that foundation.


2013 ◽  
Vol 49 ◽  
pp. 63-73
Author(s):  
Conor O’Brien

We upon whom the ends of the ages have come can love with sincere affection those faithful who were in the beginning of the world, and receive them into the bosom of our love … and believe that we are also being received by them with a charitable embrace.Bede (d. 735) is renowned as the first Englishman to write seriously about the history of the church in England. But the Ecclesiastical History of the English People was not the only work of his to address the history of the church, and his interest in the past extended far beyond that book’s temporal and spatial boundaries. He saw the Anglo-Saxon church as part of a universal church whose origins lay in the pre-Incarnation past. The above quotation from his commentary On the Tabernacle, a work interested in the religious institutions of the Israelites, portrays Jews from before the Incarnation as Bede’s fellow members of that church.


1982 ◽  
Vol 18 ◽  
pp. 409-432 ◽  
Author(s):  
Sheridan Gilley

The Victorian liberal Roman catholic historian lord Acton thought that the history of the world was one of the growth of liberty. By liberty, he meant national independence and freedom of speech and worship, the liberties of nineteenth-century liberalism: and in his conception of the past, he drew on the whig interpretation of English history as a conflict between a progressive tradition and a reactionary one: between churches, parties and classes representing either freedom or authority. The classic statement of the idea is the whig lord Macaulay’s in 1835:Each of those great and ever-memorable struggles, Saxon against Norman, Villein against Lord, Protestant against Papist, Roundhead against Cavalier, Dissenter against Churchman, Manchester against Old Sarum, was, in its own order and season, a struggle, on the result of which were staked the dearest interests of the human race; and every man who, in the contest which, in his time, divided our country distinguished himself on the right side, is entitled to our gratitude and respect.


2021 ◽  
Vol 3 (6) ◽  
pp. 42-59
Author(s):  
Norazimah Zakaria ◽  
Mazarul Hasan Mohamad Hanapi ◽  
Mohd Amir Mohd Zahari ◽  
Rohayati Junaidi

Mantra is a stanzaic text that explains the world-view and cosmos of humans in relation to unearthly beings. In the age where the utmost importance is put on science and technology, society has not given much attention to the existence of mantras and the values in them. The merits and functions of mantras are frequently debated nowadays. If we glance at the history of the creation of mantras and their roles in the life of the Malay society, mantras are undoubtedly countless in number. They became instruments for medicine, self-defense, beauty, and other areas as well. The objective of this paper is to identify and elaborate the symbols and meanings of the elements of nature used in mantras. This research uses Peirce Theory of Semiotics for the descriptive analysis of the document. In mantras, the practitioner frequently uses elements of the symbols of nature as representations, such as mountains and oceans, depending on the form of mantra used. If mantras are used to beautify oneself or as a love charm, usually beautiful and pleasant elements will be chanted, for example, the moon, sun, stars, and others. Hence, through the use of mantras, the elements of the symbol found in them contain the value of the Malay mind that is seen to give an identity or an actual description of the life of the Malay society in the past. Mantras are seen as very important in society’s social system in the past.


1997 ◽  
Vol 33 ◽  
pp. 253-266
Author(s):  
Helen L. Parish

‘Antichrist’, wrote William Tyndale in 1528, ‘is not an outward thyng, that is to say a man that should sode[n]ly appeare with wonders as our fathers talked of him. No, verely, for Antichrist is a spirituall thing. And this is as much to say as agaynst Christ, ye one that preacheth against Christ.’ Such a definition of Antichrist marked a departure from the traditional medieval legend, which was based upon the prophecy of a single future figure of evil. This new image of Antichrist as a permanent and spiritual presence in the world is a central feature of English Protestant polemic, informing interpretations of both biblical prophecies, and the history of the Church. It was not history which engendered right understanding of Scripture, but Scripture that offered the means of interpreting the past. The Bible offered paradigms for the understanding of history because it was the embodiment of divine truth, which was irreproachable and immutable. In the words of John Bale, ‘yet is the text a light to the chronicles, and not the chronicles to the text’.


Author(s):  
David Wheatley

In Christopher Nolan’s film Memento (Nolan 2000), Leonard Shelby— played by Guy Pearce—suffers from anterograde amnesia, which prevents him from generating any new memories. To deal with this, he creates material traces such as Polaroid photographs and notes and he tattoos the most significant facts onto his body. Each time he awakes, he encounters these mementos (notes, images, and tattoos) and must interpret them in order to decide what to do next. He sometimes leaves messages for himself, intended to constrain his future behaviour, but while these messages effect his actions, some of the notes or photos may be lost or destroyed, or he may fail to realize that they have been manipulated or altered. Further, he may not interpret them correctly, so that his actions are not what he intended. Despite his amnesia, however, the past is always implicated in Leonard’s story and it is always changing his future. In some sense, the way that Leonard leaves mementos for himself is a more interesting model for the way that successive human communities encounter the remains of the past than the idea of biographies. Just as on Leonard’s tattooed body, traces of the past such as earthworks and monuments are inscribed onto the landscape, yet oral tradition cannot transmit the detailed meanings of those traces or the intentions of their creators through long sequences of time so that human communities encountering them later are, metaphorically, amnesiacs. Sometimes earthworks and monuments are built with the intention of projecting a particular world-view, constraining future generations to act in particular (‘correct’) ways. Over long periods, however, oral traditions distort, people move away and areas are occupied by new inhabitants with no cultural memory of those intentions or meanings. Just as with Leonard’s tattoos, monuments become mementos that have to be interpreted and situated within a contemporary understanding of the world before meaningful action is possible. If we think of both Leonard’s tattoos and the physical traces of the past as mementos, then it’s worth thinking how these differ from memories.


2013 ◽  
Vol 22 (3-4) ◽  
pp. 255-277 ◽  
Author(s):  
Vladimír Bačík ◽  
Michal Klobučník

Abstract The Tour de France, a three week bicycle race has a unique place in the world of sports. The 100th edition of the event took place in 2013. In the past of 110 years of its history, people noticed unique stories and duels in particular periods, celebrities that became legends that the world of sports will never forget. Also many places where the races unfolded made history in the Tour de France. In this article we tried to point out the spatial context of this event using advanced technologies for distribution of historical facts over the Internet. The Introduction briefly displays the attendance of a particular stage based on a regional point of view. The main topic deals with selected historical aspects of difficult ascents which every year decide the winner of Tour de France, and also attract fans from all over the world. In the final stage of the research, the distribution of results on the website available to a wide circle of fans of this sports event played a very significant part (www.tdfrance.eu). Using advanced methods and procedures we have tried to capture the historical and spatial dimensions of Tour de France in its general form and thus offering a new view of this unique sports event not only to the expert community, but for the general public as well.


Author(s):  
Greg Garrett

Hollywood films are perhaps the most powerful storytellers in American history, and their depiction of race and culture has helped to shape the way people around the world respond to race and prejudice. Over the past one hundred years, films have moved from the radically prejudiced views of people of color to the depiction of people of color by writers and filmmakers from within those cultures. In the process, we begin to see how films have depicted negative versions of people outside the white mainstream, and how film might become a vehicle for racial reconciliation. Religious traditions offer powerful correctives to our cultural narratives, and this work incorporates both narrative truth-telling and religious truth-telling as we consider race and film and work toward reconciliation. By exploring the hundred-year period from The Birth of a Nation to Get Out, this work acknowledges the racist history of America and offers the possibility of hope for the future.


Author(s):  
Stefan Bauer

How was the history of post-classical Rome and of the Church written in the Catholic Reformation? Historical texts composed in Rome at this time have been considered secondary to the city’s significance for the history of art. The Invention of Papal History corrects this distorting emphasis and shows how history-writing became part of a comprehensive formation of the image and self-perception of the papacy. By presenting and fully contextualizing the path-breaking works of the Augustinian historian Onofrio Panvinio (1530–68), this book shows what type of historical research was possible in the late Renaissance and the Catholic Reformation. Historiography in this period by no means consisted entirely of commissioned works written for patrons; rather, a creative interplay existed between, on the one hand, the endeavours of authors to explore the past and, on the other hand, the constraints of patronage and ideology placed on them. This book sheds new light on the changing priorities, mentalities, and cultural standards that flourished in the transition from the Renaissance to the Catholic Reformation.


Author(s):  
Louçã Francisco ◽  
Ash Michael

Chapter 11 assesses the growth prospects of the world economy. The history of global economic doomsaying is traced briefly, a frequently reasonable position that has not done well with the facts for the past hundred years. Capitalism has been adept at escaping from the pit and pendulum. A set of global imbalances is then reviewed that are seen as posing a severe threat to global economic stability and certainly to the prospects for sustainable and equitable growth. The Great Recession following the Crash of 2007–8 might be “different this time.” Historical and contemporary fears of “secular stagnation” are discussed but the speculative nature of stagnationist assessments is acknowledged.


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