scholarly journals KOCHANOWSKI MALCZEWSKIEGO – KOCHANOWSKI NORWIDA

2017 ◽  
Vol 20 (1) ◽  
pp. 75
Author(s):  
Ewangelina Skalińska

The article deals with the reception of the Old-Polish and early Romantic literature in Norwid’s body of work. The author argues that when Norwid deals with Old-Polish literature, especially Jan Kochanowski’s texts, he mostly does it by evoking Antoni Malczewski’s poetic novel Maria.

2017 ◽  
pp. 149-178
Author(s):  
Arkadiusz Bagłajewski

This paper aims at a synthetic presentation of four representative research practices in the first stage of postcolonial studies concerned with Polish literature of the Romantic period. This is currently one of the key tools utilised in the studies of Polish Romanticism, which proved to offer a considerable scope for revisions, especially with regard to the myth of the Borderlands and Messianism, thus enabling major Romantic ideologies and myths to be redefined in terms of identity. An analysis of research discourses reveals the shortcomings and benefits of the postcolonial method when employed in the studies of Polish Romanticism. On the one hand, an all too rigid application of the tools has led to certain interpretive simplifications of Romantic texts, while on the other the authors of the discussed works were able to conceptualize the identities of Polish Romantic literature anew.


2020 ◽  
Vol 68 (4 Zeszyt specjalny) ◽  
pp. 13-44
Author(s):  
Iwona Dorota

In this work ‘Karol Wojtyła / Jan Paweł II and religious thoughts of Zygmunt Krasiński in his early epistolography’, the Authoress concentrates her research on the figure of young Karol Wojtyla and on his originated in Wadowice period of his life fascination with Polish romantic literature. Young Karol is not only an actor, but a co-director and co-creator of spectacles presented to the public. Wojtyla’s experiences gained in the Rhapsodic Theater and during his studies of Polish literature at the University convince him that the spoken word has a prophetic, missionary character, leading to a transformation both in spiritual and intellectual spheres. Zygmunt Krasiński in his early epistolography addresses essential aesthetic-religious problems which in future become the idea of national messianism. Jan Paweł II in his papal teaching forcefully explores the ideas of Polish romanticism adding the theological thought to the aesthetic content.


e-Finanse ◽  
2018 ◽  
Vol 14 (4) ◽  
pp. 56-66
Author(s):  
Katarzyna Wierzbicka

AbstractCrowdfunding is a method of financing new ventures, commercial, cultural or social, often in return for future products or actions, engaged in by many investors. Currently, it is an important element in the structure of available sources of financing for investment projects. Despite the interest of potential investors, individual social sponsors and large-scale activities of institutions promoting knowledge about the functioning of crowdfunding aimed at encouraging and promoting it as a source of capital for new ventures, there is a lack of knowledge and, consequently, experience on its development and achievement. The aim of this study is to analyze this source of financing, assess its development globally and in Poland. In the preparation of the article,. a critical analysis of foreign and Polish literature was carried out, and descriptive and comparative research methods applied. The research task undertaken in the study was to analyze the crowdfunding market globally and in Poland. The Polish crowdfunding platforms were detailed and compared in terms of value in relation to the largest global platforms. The source for analyses of crowdfunding development in Poland was available literature on the analyzed topic and secondary data from the websites of specialized internet platforms. The article depicts a new, but important, aspect of financing the activity of enterprises, which is crowdfunding. It should be emphasized that there is still insufficient knowledge about this type of institution and, as a result, the importance and role that social financing plays in the financial market.


2012 ◽  
Vol 53 (1) ◽  
pp. 47-61
Author(s):  
Dariusz Konrad Sikorski

Summary After 1946, ie. after embracing Christianity, Roman Brandstaetter would often point to the Biblical Jonah as a role model for both his life and his artistic endeavour. In the interwar period, when he was a columnist of Nowy Głos, a New York Polish-Jewish periodical, he used the penname Romanus. The ‘Roman’ Jew appears to have treated his columns as a form of an artistic and civic ‘investigation’ into scandalous cases of breaking the law, destruction of cultural values and violation of social norms. Although it his was hardly ‘a new voice’ with the potential to change the course of history, he did become an intransigent defender of free speech. Brought up on the Bible and the best traditions of Polish literature and culture, Brandstaetter, the self-appointed disciple of Adam Mickiewicz, could not but stand up to the challenge of anti-Semitic aggression.


2018 ◽  
Vol 18 (2) ◽  
pp. 61-67
Author(s):  
Alina Żylińska
Keyword(s):  

The article tells us about the importance of reading in the process of child’s development. Today,when children interact with mass media they do not develop their thinking and concentration skillsand they also become aggressive and violent. A book can teach children how to concentrate andfocus, can make them feel kindness and beauty. The second part of the article tells us how to drawthe attention of children to reading. Described methods are used by teachers who try to encourageRussian speaking children to read Polish literature.


Author(s):  
Joanna Rzepa

This chapter offers a historical account of the presence of Paradise Lost in translation and Polish literature, especially how the poem’s reception in Poland has been shaped by complex modes of linguistic and cultural transfer. The chapter explores the historical and political contexts in which Paradise Lost was translated into Polish, discusses the most important actors involved in its publication, and analyses the strategies employed by the translators. It demonstrates that the eighteenth- and nineteenth-century translators of Milton, who worked at a time when Poland had lost its political sovereignty, focused specifically on the form of the poem, presenting models for a modern Polish epic poem that could help sustain Polish cultural identity. The focus of the twentieth-century translators, who lived through the world wars, shifted from the form to the rich imagery of Milton’s poem, in particular his exploration of the themes of vanity, destruction, and exile.


1960 ◽  
Vol 32 (2) ◽  
pp. 165-165
Author(s):  
Lester G. Crocker
Keyword(s):  

Sign in / Sign up

Export Citation Format

Share Document