scholarly journals Historia literatury w objęciach Darwina?

2011 ◽  
Vol 10 (1) ◽  
pp. 21
Author(s):  
Dariusz Skórczewski
Keyword(s):  
Biological Sciences ◽  
Literary Theory ◽  
Literary Studies ◽  
History Of ◽  
The Aesthetic ◽  
History Of Literature

History of literature held in darwin’s embrace? The paper adumbrates Joseph Carroll’s evolutionist literary theory positioning it against the developments in literary studies and humanities after postmodernism. The author discusses the ambivalence present in Carroll’s neo-darwinian project, its possible power to revert the decline of literary studies through a return to tangibility and certainty after the dominance of postmodern speculative theories, but also its reductionist and anti-axiological- stance being a peril to the advancement of literary studies. The paper invites further discussion on the prospects of trans-disciplinary alliance between humanities and biological sciences in relation to the aesthetic specificity of literature.

scholarly journals Historyk literatury i jego przyszłość. (Auto)refleksje

2018 ◽  
Vol 21 (2) ◽  
pp. 29
Author(s):  
Magdalena Partyka
Keyword(s):  
Literary Theory ◽  
Social Role ◽  
Contemporary Literature ◽  
Literary Studies ◽  
History Of ◽  
The Creation ◽  
History Of Literature ◽  
Historical World

The article shows the situation of literary historians, their social role and tasks in the contemporary literary theory. The author presents opinions on the discipline expressed by such experienced researchers as Kazimierz Wyka, Teresa Kostkiewiczowa, Włodzimierz Bolecki, and she askes how the students of literary studies perceive the history of literature. She writes about difficulties, dilemmas and quandaries associated with the work of contemporary literature researchers who are interested in old literature. She shows some examples of studies where historical imagery has become a foundation for the creation of numerous associations combining antiquity and modernity, where it allowed to see the polar character of references and follow-ups, as well as to describe the variability of creative endeavors and realisations in literature, and finally to reveal moments of coexistence of dichotomous phenomena. The author presents the dramaturgy of work of literary historians’ who are entangled in multilevel determinants of the historical world, which they investigate, and the present one, which they experience.

COMPARATIVE LITERATURE: EAST AND WEST STUDIES

2021 ◽  
Vol 02 (09) ◽  
pp. 8-14
Author(s):  
Aziza Komilovna Akhmedova ◽  
Keyword(s):  
Comparative Literature ◽  
Professional Ethics ◽  
Research Work ◽  
Literary Studies ◽  
The Novel ◽  
World Science ◽  
History Of ◽  
The Aesthetic ◽  
Aesthetic Ideal ◽  
The Ideal

The article analyzes the results of the research on the representation of the aesthetic ideal through the image of the ideal hero in two national literatures. For research purposes, attention was paid to highlighting the category of the ideal hero as an expression of the author's aesthetic views. In Sinclair Lewis’s “Arrowsmith” and Pirimkul Kodirov's “The Three Roots”, the protagonists artistically reflect the authors' views on truth, virtue, and beauty. In these novels, professional ethics is described as a high noble value. The scientific novelty of the research work includes the following: in the evolution of western and eastern poetic thought, in the context of the novel genre, the skill, common and distinctive aspects of the creation of an ideal hero were revealed by synthesis of effective methods in world science with literary criteria in the history of eastern and western literary studies, in the example of Sinclair Lewis and Pirimkul Kodirov.

scholarly journals Perkembangan Teori Sastra (Suatu Pengantar)

2020 ◽  
Author(s):  
Felta Lafamane
Keyword(s):  
Literary Criticism ◽  
Intellectual History ◽  
Literary Theory ◽  
Literary History ◽  
Literary Studies ◽  
Literary Reading ◽  
Philosophical Thinking ◽  
Human Thought ◽  
History Of ◽  
Practical Nature

AbstractNormatively, literary studies are divided into several fields, namely literary theory, literary history, literary criticism, comparative literature and literary studies. Literary theory studies people's views of literature. Literary history seeks to compile and study literary works as part of the process of intellectual history in one society. The history of literary theory can be seen as part of philosophical thinking because the history of literary theory itself is the same as the history of human thought towards art or literary objects which emphasize the more practical nature of the translation of concepts. Literary theory itself can essentially be equated with the science of beauty or aesthetics. Science and theory are certainly one different thing. With such an assumption, writing the history of literary theory is the same as writing aesthetic history in the field of literary arts. However, the history of the theory needs to be known and understood so that there are no mistakes in thinking about these two things. Literary theory itself has various meanings along with the paradigm it carries. Literary theory is defined as a set of ideas and methods used to practice literary reading. Literary theory is also interpreted as a way or step to understand literature. The views in literary theory also experience changes along with the development of human thinking.Keyword: development, literary theory, history, literature

Monografia jest konieczna. Monografia jest niemożliwa

2011 ◽  
Vol 10 (1) ◽  
pp. 7
Author(s):  
Wojciech Kudyba
Keyword(s):  
Research Method ◽  
Literary Texts ◽  
Literary Studies ◽  
Work Of Art ◽  
Ethics Of Reading ◽  
History Of ◽  
History Of Literature

Monography is indispensable. Monography is impossible It is difficult to imagine the history of literature devoid of such mode of research expression as monography. It is still a popular form of synthetic expressions (after all the history of literature is condemned to synthesis). At the same time, however, a literary historian can base his actions less and less often on the theoretical-literary reflection. What vectors could turn us today towards a contemporary reading of literary texts – the reading which is far not only from ingenuous naivety but also from dangerous confidence in the power of individual research concepts? Some contemporary postulates of reading ethics give answer to these questions. They induce us to be distant towards any theoretical-literary or ideological prejudices and hence to the responsibility for the research method and the language describing a work of art. It seems that a thought which returns in the reflection of literary studies about the subjectivity of reading, about the necessity of considering the sphere of values in the process of reading (which modern ethics of reading calls for) induces to turn towards interpretation, return to the author and to axiology. 

scholarly journals Kazimiera Iłłakowiczówna mniej więcej znana

2018 ◽  
pp. 75-94
Author(s):  
Lucyna Marzec
Keyword(s):  
Literary Criticism ◽  
Literary Studies ◽  
Religious Poetry ◽  
The Past ◽  
Feminist Literary Criticism ◽  
History Of ◽  
The New Woman ◽  
History Of Literature ◽  
Government Institution ◽  
Unusual Type

The article is the analysis of the place of Kazimiera Iłłakowiczówna in contemporary literary discourse. The author of the article claims – using Pierre Bayard’s theory – that the poetess is known “more or less”: she is remembered as someone who got prizes and recognition but at the same time she is impossible to read nowadays. There is political ambiguity and antiquity in her texts that keep her in the past. Marzec points at four areas of literary studies, where Iłłakowiczówna is still present: 1. Poetics: Iłłakowiczówna uses an original and unusual type of the Polish tonic verse. The author of this article analyses it using tools of psychoanalysis. 2. Religious discourse: Iłłakowicz.wna is interpreted as the author of religious poetry but Marzec argues with such interpretations. 3. Post-dependence studies: Iłłakowiczówna has not been analysed in terms of post-dependence studies yet but she is mentioned in the Polish borderlines discourse. 4. Feminist literary criticism: Iłłakowiczówna used to be studied as the author of androgynous poetry, but Marzec points out other motifs such as miscarriage, infanticide or problems of the new woman, like work at government institution, contestation of vitalism and bureaucracy. The aimof this article is to show that writing of Kazimiera Iłłakowiczówna needs to be read in terms of the history of literature which is devoid of evaluation and judging. Such analysis means going back in terms of modern literary studies which have undergone multiple turns that changed the tools accessible to contemporary critics.

Literary chronicle: on the problem of the institutional description of the activity of a literary organization

2021 ◽  
Vol 1 (6) ◽  
pp. 127-133
Author(s):  
Olga V. Bystrova ◽  
Keyword(s):  
Everyday Life ◽  
Literary Studies ◽  
Creative People ◽  
Literary Institution ◽  
Analytical Work ◽  
Structural Association ◽  
Literary Process ◽  
History Of ◽  
History Of Literature ◽  
Communicative Space

The article explores the boundaries of the term “literary chronicle”. The scientific community is beginning to take a more detailed interest in such a concept as a literary institution. Throughout the twentieth century, literary studies studied and described only individual periods in the history of literature. This development of individual periods of the century helped to create the necessary theoretical tools for analytical work on the study of the socio-cultural process in society. For many years, the very attempt to understand the literary process as a phenomenon encountered terminological blurring. The accumulated knowledge of historical literary studies allows us to raise as a problem of scientific research a chronicle description of the life of a literary organization, which is understood as a structural association of creative people (on the example of individual facts of the existence of All-Russian Association of Proletarian Writers). It is the socio-institutional description of the life of the literary community of Russia in the 1920s that allows us to feel the communicative space of the country in which cultural processes take place. Another important aspect in the study of the chronicle of a literary institution is its existence in everyday life, that is, its existence in everyday life. With the frequency of meetings of members of the structural association. In this case, the scattered facts of everyday life become a historical stream of events.

scholarly journals Benjamin e uma nova formação a partir de uma nova forma de ensino da História da Literatura / Benjamin and a New Formation Through a New Form of Teaching Literary History

2020 ◽  
Vol 15 (2) ◽  
pp. 183
Author(s):  
Rafael Guimarães Tavares Silva
Keyword(s):  
Literary Criticism ◽  
Literary Theory ◽  
Literary History ◽  
Teaching Practices ◽  
Walter Benjamin ◽  
Critical Position ◽  
The Past ◽  
History Of ◽  
Intellectual Production ◽  
History Of Literature

Resumo: Buscando situar o contexto alemão do final do séc. XIX e início do séc. XX, no tocante às práticas de ensino e, mais especificamente, do ensino de literatura, o presente artigo oferece considerações sobre a forma como Walter Benjamin se posiciona nesse debate. Depois de abordar de forma mais geral a produção desse arguto pensador da cultura de seu tempo, a importância fundamental de seu texto História da literatura e ciência da literatura [Literaturgeschichte und Literaturwissenschaft], de 1931, assume o primeiro plano da argumentação e oferece o material para que se sugira a radicalidade do projeto benjaminiano. Detectando uma crise cultural profunda em sua época, o estudioso sugere que um posicionamento crítico, apto a articular o passado e o presente, por meio de um estudo envolvendo História da Literatura e Crítica Literária, seria a única forma de potencializar o estudo das Letras, de modo a converter a Literatura em órganon capaz de atuar diretamente sobre a própria História.Palavras-chave: Walter Benjamin; teoria literária; crítica literária; história literária; educação.Abstract: Seeking to situate the teaching practices and especially literary teaching practices in the German context of the end of the XIXth century and beginning of the XXth, this article offers considerations on how Walter Benjamin takes a position in this debate. After a more general approach to the intellectual production of this argute thinker of his own culture and time, the fundamental importance of his text History of literature and science of literature [Literaturgeschichte und Literaturwissenschaft], from 1931, takes the foreground of the argument and offers material to suggest the radicalness of Benjamin’s project. Detecting a deep cultural crisis in his time, he suggests that a critical position, capable of articulating the past and the present, through a study involving History of Literature and Literary Criticism, would be the only way to strengthen the study of Letters, in order to transform Literature into an organon capable of acting directly on History itself.Keywords: Walter Benjamin; literary theory; literary criticism; literary history; education.

scholarly journals La littérature à l'épreuve du réel : les jeux de Pascal Quignard avec les Lettres

2019 ◽  
Vol 10 (1) ◽  
pp. 11
Author(s):  
Xavier Martin
Keyword(s):  
Complex Structure ◽  
Ninth Century ◽  
French Language ◽  
The Novel ◽  
French Writer ◽  
The World ◽  
The Future ◽  
History Of ◽  
The Aesthetic ◽  
History Of Literature

The novel Les Larmes, by French writer Pascal Quignard, takes place in the ninth century, two twin brothers make totally different choices of life. Hartnid is always on the go. His twin, Nithard, is a pure scholar. His life is devoted to language. It is precisely his involment in language that allows him to write something that was never written before. He writes the Serments de Strasbourg (English: Oaths of Strasbourg, Latin: Sacramenta Argentariae) in 842, first written marks of a language that will become the French language. This novel offers a unique opportunity to sketch a thought on the ability of literature to speak about our relationship to reality.   The first part of the article questions the gesture of the novelist who acts on himself and on reality when writing, he really tries to change the world. The second part of the article studies the notion of realism and shows how Quignard finds a place in the history of literature that, today, stays away from realism, but, maybe, in order to better track down reality. Finally, in order to grasp the specificity of the Works of Quignard, my interest in the aesthetic of Les Larmes is threefold: its complex structure, the fascination for origin that it shows and, the question of identity and splitting with the twin brothers Hartnid and Nithard. The article concludes on the ability of artists to anticipate in their creations and, in advance, to tell about events that will occur in the future. 

Addressing the Beholder: The Work of Poetic Inscriptions

2018 ◽  
Author(s):  
Olga Bush
Keyword(s):  
Literary Theory ◽  
Aesthetic Experience ◽  
Vital Role ◽  
First Person ◽  
Inanimate Object ◽  
Islamic Architecture ◽  
History Of ◽  
Optical Theory ◽  
The Aesthetic

Inscriptions appear on the walls throughout the Alhambra, including verses from the Qurʾān, formulaic phrases and poetry, yet there has been little effort to understand the epigraphy in relation to the architecture and the decorative programs. This chapter argues on both historical and theoretical grounds that the epigraphy in the Alhambra, and above all, the poetic inscriptions, served a vital role as a guide to the aesthetic experience of the Nasrid beholder. Discussion begins with an overview of the functions of the various epigraphic modes, especially the use of poetic inscriptions in the history of Islamic architecture and luxury objects within a comparative Mediterranean context. The analysis then draws on contemporary literary theory to explain one of the characteristic poetic tropes in the Alhambra, namely prosopopeia, the figure that creates the fiction that an otherwise inanimate object, such as a building, is speaking in the first person. The discussion focuses on the Sala de la Barca, in which the prosopopeia in the poetic inscriptions allows the architecture to address the beholders directly, arresting their movement in this threshold space, and leading them— in the terms of the optical theory examined in chapter one—from perception to cognition.

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