scholarly journals The Co-archiving Toolbox – Designing conditions for diversity in public archives

2018 ◽  
Author(s):  
Elisabet M. Nilsson ◽  
◽  
Sofie Marie Ottsen Hansen
Keyword(s):  
2012 ◽  
Vol 9 (2) ◽  
pp. 344-360
Author(s):  
Clarice E. Peixoto

This article discusses the inclusion of photographs in ethnographic films, particularly in the genre video portrait. In the reconstitution of an individual's history, photographic images play an important role in the evocation of past facts that often remain only as fragments of memory. When examining personal collections and public archives, we prospect for photographic and iconographic images that allow usto construct possible relationships between collective and individual memories.


Author(s):  
Nampombe Saurombe

Archives serve as society's collective memory because they provide evidence of the past as well as promoting accountability and transparency of past actions. Appreciation of the archives should therefore result in citizens linking these records with their identity, history, civic duty and cultural heritage. However, research in east and southern Africa seems to indicate that very few citizens are aware of and use the archives. Social media platforms have been utilized to raise awareness about the archival institutions elsewhere. This study sought to find out whether the National Archives in east and southern Africa used social media to raise awareness about archives. The study involved 12 national archives affiliated to the East and Southern Regional Branch of the International Council on Archives (ESARBICA) using a multi-method research strategy. The findings indicated that social media platforms were not a preferred option in outreach strategies, even though they were recognized as useful means to reach online information seekers.


Author(s):  
Jonathan Mukwevho ◽  
Mpho Ngoepe ◽  
Patrick Ngulube

Providing access and usage are the reason for existence of memory institutions such as archive repositories. Despite the importance of the visibility and accessibility of public archive repositories, various scholars concur that these repositories in eastern and southern Africa are not known and are accessed by few people. This chapter utilises the concept of soft power as a framework to examine the visibility and accessibility of public archives repositories in South Africa. A quantitative research approach utilising questionnaires, interviews, content analysis and the observation of landmarks were employed as data collection tools. The findings revealed that collaboration, especially with civil societies, is a key for successful public programming at the lowest cost. It concludes that the concept of soft power can provide deep insight and better understanding on how to develop inexpensive visibility programme, yet capable of attracting a large number of people in a sustainable manner.


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